The year is 1780 and the Devil’s Isles, a group of islands in the North Atlantic Ocean, have recently been conquered by Britain after a brief war. The inhabitants of the Devil’s Isles practice magic and both human and animal sacrifice. Nebula, a young princess from the islands, struggles with this and is beginning to question what she has been taught. Aware of a plot to kill everyone on the islands, Nebula defects to the British side where she takes on a new identity and a new life. Under the name Adeliza, she works in England as a maid for a Dr Moon. Only two men know her real identity; the kind-hearted doctor and the seemingly terrifying Mr Lastman.
Adeliza is now twenty-nine years old, a married woman and a mother of four. She is beloved, respected and surrounded by friends and family. She is also not the only Demon in Britain to be living under a false identity. The Devil’s Isles are now a free republic where human sacrifice is banned and people live in harmony. What would happen if a young princess, raised as a British girl, were to appear and claim her birthright?
Adeliza, now a little older and very much wiser, makes an alliance in the hope of keeping herself safe and promoting her future happiness. However, events both in Britain and abroad threaten not only her unexpected joy but also her very life and her adopted homeland. Can she fight to save herself, those she loves and Britain itself?
Bring Hope, Faith, and Love to Your Relationships. The biblical character of Ruth was striking in her capacity to bring life to her relationships. Even in the midst of tragedy and difficulty, her presence blessed and influenced friends and strangers in her community, the man she grew to love, her children, and her in-laws. This six-week Fisherman Bible Studyguide uses Ruth's story to help you reflect on your own relationships and the ways in which God might be inviting you to move different ways--ways that will lead you into life-giving patterns of relating with others. Fisherman Bible Studyguides offer: * Penetrating questions that generate discussion * Flexible format for group or individual needs * Helpful leader’s notes * Emphasis on daily application of Bible truth
Bring Hope, Faith, and Love to Your Relationships. The biblical character of Ruth was striking in her capacity to bring life to her relationships. Even in the midst of tragedy and difficulty, her presence blessed and influenced friends and strangers in her community, the man she grew to love, her children, and her in-laws. This six-week Fisherman Bible Studyguide uses Ruth's story to help you reflect on your own relationships and the ways in which God might be inviting you to move different ways--ways that will lead you into life-giving patterns of relating with others. Fisherman Bible Studyguides offer: * Penetrating questions that generate discussion * Flexible format for group or individual needs * Helpful leader’s notes * Emphasis on daily application of Bible truth
What does it mean to live “in covenant” with the Living God? Woman of Wisdom guides you to discover the answer to that question. Ruth Coghill and Alma Petersen utilize the book of Ruth to emphasize covenant’s practical application for today. You’ll be drawn into God’s eternal purpose for us to enter into an intimate relationship with Him. Expect to be transformed as you enter into a profound and life-changing covenant relationship with the Lord God Almighty through this WOW study of His Word. — Lisa Elliott, inspirational speaker and award-winning author of The Ben Ripple and Dancing in the Rain
Perhaps the most important work written in Old English, Beowulf grew out of a culture very different from ours, and yet its story of war, violence, and heroism remains relevant to modern readers. Accessible to high school students, general readers, and undergraduates, this companion overviews the poem and its legacy. The initial chapters review the plot of Beowulf, while later chapters discuss its style and language, its cultural and historical contexts, and its afterlife in contemporary popular culture. The first part of the book provides information of interest to a wide range of readers, while the second covers more specialized topics. Thus the initial chapters review the merits of different translations and offer a detailed plot summary, while later chapters discuss the poem's language and style, its treatment of religion, its relation to Anglo-Saxon culture, and its legacy in popular culture. One of the greatest Beowulf scholars was J.R.R. Tolkien, and the book gives special attention to his use of the poem in his own fiction. High school students, undergraduates, and general readers will find this book a valuable guide to one of the most challenging yet enduring works of English literature.
Jewish and Christian authors of the High Middle Ages not infrequently came into dialogue or conflict with each other over traditions drawn from ancient writings outside of the bible. Circulating in Latin and Hebrew adaptations and translations, these included the two independent versions of the Testament of Naphtali in which the patriarch has a vision of the Diaspora, a shipwreck that scatters the twelve tribes. The Christian narrative is linear and ends in salvation; the Jewish narrative is circular and pessimistic. For Ruth Nisse, this is an emblematic text that illuminates relationships between interpretation, translation, and survival. In Nisse’s account, extrabiblical literature encompasses not only the historical works of Flavius Josephus but also, in some of the more ingenious medieval Hebrew imaginative texts, Aesop’s fables and the Aeneid. While Christian-Jewish relations in medieval England and Northern France are most often associated with Christian polemics against Judaism and persecutions of Jews in the wake of the Crusades, the period also saw a growing interest in language study and translation in both communities. These noncanonical texts and their afterlives provided Jews and Christians alike with resources of fiction that they used to reconsider boundaries of doctrine and interpretation. Among the works that Nisse takes as exemplary of this intersection are the Book of Yosippon, a tenth-century Hebrew adaptation of Josephus with a wide circulation and influence in the later middle ages, and the second-century romance of Aseneth about the religious conversion of Joseph’s Egyptian wife. Yosippon gave Jews a new discourse of martyrdom in its narrative of the fall of Jerusalem, and at the same time it offered access to the classical historical models being used by their Christian contemporaries. Aseneth provided its new audience of medieval monks with a way to reimagine the troubling consequences of unwilling Jewish converts.
What's "The Scoop on Ruth"? When you open the book you will enter my world and discover what I have been about. It is a tell all, an honest revelation. That world begins with "All in the Family' and the people and events where growing up happens. In "Sense and Nun-sense" you will be privy to some events even to this day hidden from Sister Superior- like "The Chocolate Cover-Up". Then "Along the Way" there are defining moments and people that ultimately influence us to become who we are.Yes, even when a good Catholic girl flunks Communion. The final section "The 'P' Source" began in the novitiate when no talent me was encouraged to write "gospels". My creative pen found other modes of expression, into writing prayers, greetings, or capturing events. And, there is room for your story to come alive here. It's because I was a copy cat. I borrowed Jesus' style. So, if the parable fits....
Do you know what lurks in the waters of Cullaun Lake? Or why a Clare woman should never, ever, be disturbed while she is knitting? These questions and more will be answered in this unique collection of traditional tales from across the county, which explores Clare’s rich heritage of myths and legends. We will hear the tales of well-known figures, including Cúchulainn, Brian Boru and Clare wise-woman Biddy Early, as well as lesser-known characters such as Grian, Daughter of the Sun, and the Hag of Bealaha. Also featured are fantastic stories of mythical creatures and underwater worlds, including the Newhall mermaid, the fairies of Glandree, and the sunken city of Kilstiofeen. Clare’s varied and vivid landscape, from its ancient oak woodlands and soft drumlin country in the east, to its rugged and windswept Atlantic coastline in the west, is reflected in this tantalising selection of tales collected and retold by local storyteller Ruth Marshall.
Winner of the Austrian Book Prize for the 2016 German translation, in the category of Humanities and Social Sciences. Populist right-wing politics is moving centre-stage, with some parties reaching the very top of the electoral ladder: but do we know why, and why now? In this book Ruth Wodak traces the trajectories of such parties from the margins of the political landscape to its centre, to understand and explain how they are transforming from fringe voices to persuasive political actors who set the agenda and frame media debates. Laying bare the normalization of nationalistic, xenophobic, racist and antisemitic rhetoric, she builds a new framework for this ‘politics of fear’ that is entrenching new social divides of nation, gender and body. The result reveals the micro-politics of right-wing populism: how discourses, genres, images and texts are performed and manipulated in both formal and also everyday contexts with profound consequences. This book is a must-read for scholars and students of linguistics, media and politics wishing to understand these dynamics that are re-shaping our political space.
Years before Wiley was born, a pact written on parchment was made between his guardian, the Englishman Lord Harold of Rockhaven Castle, and Kormac the Dane. The parchment was stolen and altered, putting 250 English soldiers in mortal danger and challenging the ownership of both estates. In the spring of 1013 King Svein Forkbeard of Denmark arrives at Rockhaven with the altered pact, claiming to be the kinsman recipient of the promises made therein. Thirteen year old Wiley is determined to become a knight even though he has no father. Wanting to see the enemy up close, he disobeys orders by sneaking into the great hall. Recognized by two Danish strangers he runs for his life, but not before catching the windblown parchment. Later kidnapped and taken to Denmark, Wiley discovers his identity and finds two unexpected allies-King Sveins seventeen-year-old son Knute and Sveins sister-in-law, Lady Freya, who help him escape the wrath of Forkbeard. Aided by his friends, an alchemist with Greek Fire, the Norwegian Viking Thoren, and a strange dwarf named Toadskin, Wiley probes the mysteries of the parchment, new enemies, a lady underground, his own beginnings, his future as a knight, and Gods foreknowledge.
Introduction: Dead man talking -- Prologue to history -- Gemini, the twins: Faroese and Icelandic -- East is East: heralding the birth of Danish and Swedish -- The ties that bind: Finnish is visited by Swedish -- The black death comes for Norwegian: Danish makes a house call -- Faroese emerges -- Sámi, language of the far North: encounters with Norwegian, Swedish, and Finnish -- Epilogue: the seven sisters now and in the future.
In the first decade of the twentieth century, a few closely related families established a utopian community in Canada’s smallest province. Known officially as B. Compton Limited but described by a journalist in 1935 as "Prince Edward Island’s unique ‘brotherly love’ community," this utopia owed its longevity to the cohesion provided by its communal organization, dense kin ties, and long-held millenarianism – and to a decidedly pragmatic approach to business. All Things in Common demonstrates how "un-utopian" such a community could be while problematizing the contention that the inevitable end of all utopian experiments is a full-blown dystopia. Beginning with a compelling backstory and locating the Compton community in the historiography of North American utopias, the author goes on to explore the community’s business endeavours, its religious, familial, and transgressive aspects, and its brief period of international fame before assessing the factors that led to its dissolution in 1947. Providing a strong narrative framework, All Things in Common draws on rich family and archival records and diverse secondary sources, concluding with a consideration of the community’s legacy for its alumni and their descendants.
In a comprehensive examination of the restored Commonwealth, Dr. Mayers redresses that imbalance. She explores in turn the sources of the Republic's adverse reputation, Parliament's domestic priorities, internal dynamics, and relations with the Army, the City of London, and the English and Welsh provinces, as well as foreign policy, the challenge of ruling Scotland, Ireland and the colonies, and the sophisticated republican endeavour to imagine the future constitution and project a positive political identity through ceremonial, iconography and the print debates.
“A game-changer in the world of biography.” —Mary Beard, The Guardian Shortlisted for the Costa Biography Award Born on the brink of the modern world, John Aubrey was witness to the great intellectual and political upheavals of the seventeenth century. He knew everyone of note in England—writers, philosophers, mathematicians, doctors, astrologers, lawyers, statesmen—and wrote about them all, leaving behind a great gift to posterity: a compilation of biographical information titled Brief Lives, which in a strikingly modest and radical way invented the art of biography. Aubrey was born in Wiltshire, England, in 1626. The reign of Queen Elizabeth and, earlier, the dissolution of the monasteries were not too far distant in memory during his boyhood. He lived through England’s Civil War, the execution of Charles I, the brief rule of Oliver Cromwell and his son, and the restoration of Charles II. Experiencing these constitutional crises and regime changes, Aubrey was impassioned by the preservation of traces of Ancient Britain, of English monuments, manor houses, monasteries, abbeys, and churches. He was a natural philosopher, an antiquary, a book collector, and a chronicler of the world around him and of the lives of his friends, both men and women. His method of writing was characteristic of his manner: modest, self-deprecating, witty, and concerned above all with the collection of facts that would otherwise be lost to time. John Aubrey, My Own Life is an extraordinary book about the first modern biographer, which reimagines what biography can be. This intimate diary of Aubrey’s days is composed of his own words, collected, collated, and enlarged upon by Ruth Scurr in an act of meticulous scholarship and daring imagination. Scurr’s biography honors and echoes Aubrey’s own innovations in the art of biography. Rather than subject his life to a conventional narrative, Scurr has collected the evidence—the remnants of a life from manuscripts, letters, and books—and arranged it chronologically, modernizing words and spellings, and adding explanations when necessary, with sources provided in the extensive endnotes. Here are Aubrey’s intricate drawings of Stonehenge and the ancient Avebury stones; Aubrey on Charles I’s execution (“On this day, the King was executed. It was bitter cold, so he wore two heavy shirts, lest he should shiver and seem afraid”); and Aubrey on antiquity (“Matters of antiquity are like the light after sunset—clear at first—but by and by crepusculum—the twilight—comes—then total darkness”). From the darkness, Scurr has wrested a vibrant, intimate account of the life of an ingenious man.
The recent discovery that as a young man Charles Dickens lived only a few doors from a major London workhouse made headlines worldwide, and the campaign to save the workhouse from demolition caught the public imagination. Internationally, the media immediately grasped the idea that Oliver Twist's workhouse had been found, and made public the news that both the workhouse and Dickens's old home were still standing, near London's Telecom Tower. This book, by the historian who did the sleuthing behind these exciting new findings, presents the story for the first time, and shows that the two periods Dickens lived in that part of London - before and after his father's imprisonment in a debtors' prison - were profoundly important to his subsequent writing career.
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