Ruth Phillips argues that these practices are "indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and political forces outside the museum and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States, Britain, Australia, and elsewhere. Drawing on forty years of experience as an art historian, curator, exhibition critic, and museum director, she emphasizes the complex and situated nature of the problems that face museums, introducing new perspectives on controversial exhibitions and moments of contestation. A manifesto that calls on us to re-imagine the museum as a place to embrace global interconnectedness, Museum Pieces emphasizes the transformative power of museum controversy and analyses shifting ideas about art, authenticity, and power in the modern museum.
Ruth Phillips argues that these practices are "indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and political forces outside the museum and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States, Britain, Australia, and elsewhere. Drawing on forty years of experience as an art historian, curator, exhibition critic, and museum director, she emphasizes the complex and situated nature of the problems that face museums, introducing new perspectives on controversial exhibitions and moments of contestation. A manifesto that calls on us to re-imagine the museum as a place to embrace global interconnectedness, Museum Pieces emphasizes the transformative power of museum controversy and analyses shifting ideas about art, authenticity, and power in the modern museum.
The definitive text on health promotion, this book covers both the knowledge-base and the process of planning, implementing and evaluating successful health promotion programmes. This new edition features a companion website developed with an international team of contributors to support teaching and enhance learning. The website provides: · 14 new and original international case studies of health promotion in action · Example discussion questions to encourage critical reflection in seminars and assessments · Free SAGE journal articles which support evidence-based learning. Recent developments are covered throughout this third edition on topics such as asset-based approaches, mental health promotion and the use of social media in promoting health.
My book is written by my mother, who communicated with me successfully in ways not even we understood. Since I was nonverbal and had other developmental disabilities from birth, I could never express my thoughts or wishes in words. My mother worked a job and cared for me by herself since my father was killed when I was a baby. After my father’s death, we moved to Chapel Hill-Carrboro, NC where excellent social services, medical services, psychological services, and educational services are available. Through the school system and other agencies there, I was involved in many programs and services. We were blessed to have caring people and services available to make our life together possible in a home setting where we had friends and family nearby. She cared for me at home until I was an adult, and then I lived in a group home and later a facility where she visited me regularly. My mother is also limited in some abilities, but never let that hinder her persistent pursuit of best care and experiences available to help me become the best VJ.
The current surge of displaced and trafficked children, child soldiers, and child refugees rekindles the virtually dead letter of the Genocide Convention prohibition on transferring children of one group to another. This book focuses on the gap between genocide as a legal term and genocidal forcible child transfer as a catastrophic experience that disrupts a group’s continuity. It probes the Genocide Convention’s boundaries and draws attention to the diverse, yet highly similar, patterns of forcible child transfers cases such as colonial genocide in the US, Canada, and Australia, Jewish-Yemeni immigrants in Israel, children of Republican parents during the Spanish Civil War and its aftermath, and Operation Peter Pan in Cuba. The analysis highlights the consequences of the under-inclusive protection granted only to four groups. Ruth Amir argues effectively for the need to add an Amending Protocol to the Genocide Convention to protect from forcible transfer to children of any identifiable group of persons perpetrated with the intent to destroy the group as such. This proposed provision together with Communications and Rapid Inquiry Procedures will highlight the gravity of forcible child transfers and contribute to the prevention and punishment of genocide.
Spend 31 days in God's loving arms and you'll discover the secret to contentment in life. Deep within, many of us sense a longing for fulfillment - a hunger that cries out to be satisfied. Wonderfully, God in His infinite love can satisfy this passionately felt need. Better still, He will - as we let Him. For when we seek to pursue Him first of all, writes author Ruth Myers, our satisfaction with life, ourselves, and our Creator truly is guaranteed. Drawing upon her own deeply personal experience with a God who desires to be intimately acquainted with every area of His children's lives, Ruth Myers paints a dramatic picture of a loving Father who gives us all we need to be satisfied - no matter how severe our struggles, failings, and disappointments. Myers explains, "The heart that has tasted of God's love will always turn back to Him with longing and say, 'Only Your love can meet my deepest needs.'" In The Satisfied Heart, readers will learn how to enter into a deeper, more complete, and thoroughly fulfilling contentment with God - as well as a true delight in all that life brings.
Indians in northeastern North America produced a variety of art objects for sale to travelers and tourists during the 18th and 19th centuries. This art is of high quality and great aesthetic interest, but has been largely ignored by scholars. This study combines fieldwork, art historical analysis,
Some of the bits and pieces stored away in my memory I've jotted down to enjoy or think about ... how the Lord's goodness and mercy have followed me all the days of my life"--Page 16.
Congo Style presents a postcolonial approach to discussing the visual culture of two now-notorious regimes: King Leopold II’s Congo Colony and the state sites of Mobutu Sese Seko’s totalitarian Zaïre. Readers are brought into the living remains of sites once made up of ambitious modernist architecture and art in Kinshasa, Democratic Republic of the Congo. From the total artworks of Art Nouveau to the aggrandizing sites of post-independence Kinshasa, Congo Style investigates the experiential qualities of man-made environments intended to entertain, delight, seduce, and impress. In her study of visual culture, Ruth Sacks sets out to reinstate the compelling wonder of nationalist architecture from Kinshasa’s post-independence era, such as the Tower of the Exchange (1974), Gécamines Tower (1977), and the artworks and exhibitions that accompanied them. While exploring post-independence nation-building, this book examines how the underlying ideology of Belgian Art Nouveau, a celebrated movement in Belgium, led to the dominating early colonial settler buildings of the ABC Hotels (circa 1908–13). Congo Style combines Sacks’s practice as a visual artist and her academic scholarship to provide an original study of early colonial and independence-era modernist sites in their African context.
In this long-awaited book, Timothy J. Lensmire examines the problems and promise of progressive literacy education. He does this by developing a series of striking metaphors in which, for example, he imagines the writing workshop as a carnival or popular festival and the teacher as a novelist who writes her student-characters into more and less desirable classroom stories. Grounded in Lensmire's own and others' work in schools, Powerful Writing, Responsible Teaching makes powerful use of Bakhtin's theories of language and writing and Dewey's vision of schooling and democracy. Lensmire's book is, at once, a defense, a criticism, and a reconstruction of progressive and critical literacy approaches.
Formed from portions of Wood, Tyler, and Ritchie Counties, Pleasants County was founded in 1851 and was named after Gov. James Pleasants Jr. of Virginia. Residents of Pleasants County fondly recall many of the buildings that no longer exist today, such as the button factory, blacksmith shop, marble factory, and the Quaker State Oil Refinery, all of which are preserved in the photographs that are showcased throughout Images of America: Pleasants County. Taking a step back in time, these photographs illustrate how the town and county looked more than 100 years ago, exploring a variety of the countys activities and historic scenes and offering a colorful insight into the past as well as the present.
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