From humble beginnings in the 1830s, The Peninsular & Oriental Steam Navigation Company grew to dominate British mercantile shipping for much of the nineteenth and twentieth centuries. Initially, the company's paddle steamers carried Her Majesty's Mail to the Iberian Peninsula, as the name implies, but over time P&O extended its routes across the Mediterranean and onwards to the Middle East, Far East and Australasia. Besides the mail, P&O liners carried bullion, silk, tea, and even opium as well as passengers. The company came to represent the British Empire at sea – but as the Empire waned and British travellers took to the air, so a golden age of travelling by sea came to an end. Ruth Artmonsky here delves into the P&O Heritage Collection to take a nostalgic glance astern at all those who travelled P&O.
From humble beginnings in the 1830s, The Peninsular & Oriental Steam Navigation Company grew to dominate British mercantile shipping for much of the nineteenth and twentieth centuries. Initially, the company's paddle steamers carried Her Majesty's Mail to the Iberian Peninsula, as the name implies, but over time P&O extended its routes across the Mediterranean and onwards to the Middle East, Far East and Australasia. Besides the mail, P&O liners carried bullion, silk, tea, and even opium as well as passengers. The company came to represent the British Empire at sea – but as the Empire waned and British travellers took to the air, so a golden age of travelling by sea came to an end. Ruth Artmonsky here delves into the P&O Heritage Collection to take a nostalgic glance astern at all those who travelled P&O.
Catalog of work represented by Contemporary Lithographs, Inc. featuring a number of artists including John Piper, Edward Bawden, Barnett Freedman, Eric Ravilious and others. Each section provides a short article on each artist and a sample of their work.
Although it is recorded that women working in advertising and publicity had begun to come together for mutual support soon after World War 1, little is known of their individual contributions to the industry. Despite the range of literature on the history of British advertising, women have received only cursory mention and only occasional illustration. Yet some of the earliest British advertising agencies were run by women executives, such as Ethel M.Wood of Samson Clark; additionally, some of the most important and prolific graphic artists were women, such as Dora Batty for London Transport, Dorrit Dekk for the Orient Line and Daphne Padden for the bus companies. Designing Women tells of the contribution of some of these pioneering women and their undeniable place, in advertising history.
Thomas Griffits, master lithographic printer, had a distinguished career at two of the leading colour printing firms in the first half of the 20th century - Vincent Brooks, Day & Sons, and the Baynard Press. This book looks at some of the most important titles which Griffits worked on.
Shipboard Style illustrates the journey of British designer, Colin Anderson who, from the mid-1930s completely transformed the experience of travelling by liner. Using some of the leading artists, designers and architects of the time, including McKnight Kauffer, Marion Dorn, Barbara Jones, Edward Bawden, Ernest Race, Brian O'Rorke and Hugh Casson; he changed the interiors of the Orient Line's ships from floating ornate Highland mansions to functional and attractive transporters of people, whether for work or for leisure. Anderson went on to become a major patron of the arts on land, as well as at sea, being the first Provost of the Royal College of Art, the Chairman of the Tate Gallery Trustees, the Chairman of the Contemporary Art Society and a member of the Design Council, amongst a myriad of similar positions.
Ruth Erdt addresses the so-called everyday matters of life. By un-selfconsciously directing her camera at her children, herself, and her partners, she lets the viewer in but operates in the field between authenticity and fiction. In restrained and peaceful images that hover on the threshhold of still normality and suspect action, Erdt tells stories about her life -- or what the viewer assumes to be her life.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.