In her latest title, Ruth Drayer provides a factual account of the two Russian visionaries who believed beauty could solve the world's problems and unify humanity. Partners in all things, charismatic Nicholas (1874-1947) was an internationally acclaimed artist, author, daring explorer, conservationist, archeologist, humanitarian and peacemaker, while his wife, Helena (1879 - 1955), was a teacher and healer as well as the inspired co-author of the Agni Yoga series. This is the first book in English to interweave the Agni Yoga writings and the Roerichs' relationship with their spiritual teacher in with their fascinating travels, disclosing the long-hidden story of the Roerichs' connection with Tibetan Buddhism. Though it may read like a tale, Drayer takes us on the real-life adventures of the Roerichs as they travel to the most remote and dangerous regions of India, China, Mongolia, the Gobi, Tibet and Siberia. We bear witness as the couple flees the Bolshevik Revolution of 1917 Russia and as they arrive in New York City in the fall of 1920 where they later founded the first school that teaches all of the arts under one roof. We experience their trials and tribulations as the Roerichs trek through the following years.
Our Lady of the World's Fair reveals the remarkable story of how two of New York's most influential leaders persuaded the Vatican to allow one of the world's greatest works of art to leave Europe for the first and only time. Driven by different motives, Robert Moses and Francis Cardinal Spellman had the same vision: to display Michelangelo's masterpiece, the Pietà, in the Vatican's pavilion at the 1964 World's Fair in New York City. As Ruth D. Nelson gracefully showcases, Moses believed this blockbuster would guarantee the fair's financial success. At the same time, Spellman, Cardinal of New York and the spiritual leader of Cold War America's Catholic community, hoped that at a time of domestic strife and global conflict, the Pietà's presence would have a positive spiritual impact on the nation. Although the fair did not turn out to be the financial bonanza that Moses expected, the Pietà drew record crowds of the faithful, art lovers, and the curious. Nelson's fascinating uncovering of the intensive planning that went into designing the pavilion, transporting the art piece across the Atlantic, and coordinating Pope Paul VI's visit to New York in 1965—the first papal visit to the Western Hemisphere—demonstrates the sheer scale and opportunity of the two men's endeavors. Our Lady of the World's Fair depicts the skepticism and fierce criticism that faced the two New York power brokers. Rather than letting the negative weigh them down, they united and called on every resource at their disposal to make this unlikely cultural coup possible.
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