When the megalomaniacal genius known only as MISTER DOCTOR POWERFUL orchestrates a global prison break, freeing the world's most vile (and, in some cases, inept) super-villains, Sky Ape and his crew must enlist the aid of all the heroes--every last, second-string crime-buster the universe has ever forgotten, including The Swimsuit Bastards, Caibo the Puerto-Rican Snowman and Hall & Oates--to set things right again. To make matters worse, the literature-fueled force Poeticus, the Liberal Arts Robot, threatens to level London, powered by his two-ton chromium fists and unparalleled pomposity. If you're not smiling at the thought of a millionaire talking gorillas wearing a jetpack, you must be an orthodontist, or something.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Sky Ape: Waiting for Crime The millionaire gorilla with a jetpack is back again for a second adventure! The world's hairiest crime-fighter returns in an all-new lip-smackin' adventure! Fed up with saving the world, Kirk Madge - also known as Sky Ape, millionaire gorilla and freelance detective - doffs his jetpack to become a certified public accountant. But as the malevolent force know only as O'Donnelly's Roofing sets the world teetering on the brink of destruction, you can bet it won't be long till Kirk stops crunching numbers and starts bustin' heads!
The Vertex Awards are the largest Private Brand package design competition in the world. Whether you call it Private Brand, Private Label or Store Brand the best are Vertex Winners
The Vertex Awards are the largest Private Brand package design competition in the world. Whether you call it Private Brand, Private Label or Store Brand the best are Vertex Winners
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
The 2013 Vertex Awards annual is a celebration of the winners. The name Vertex exemplifies the vision of competition founders Christopher Durham of My Private Brand and Phillip Russo of Global Retail Brands magazines and the hope for private label. With more than 120 competition entries from 11 countries and 30 retailers, the quality of work from the 33 winners, featured in this book, is amazing. The goal from the inception of the competition was to push the industry forward and set a new standard for the recognition of superior design and great retailer-owned brands. The winners show we are well on our way to that goal. Take a look and you will discover outstanding design from all around the world. Winners where selected by a jury of renowned design experts from around the world who took their charge to heart and devoted their time and energy to selecting the best of the best: Daniel Bray, Gustavo Piqueira, Adrian Whitefoord, David Leonard, Koen de Jong, Paula Bunny, Nacho Lavernia, Rick Barrack, Steve Kazanjian and Glenn Pfeifer. In addition to the winners the judges are featured in interviews that reveal their thoughts and hopes for private brands present and future. Featured retailers include: Asda, Brigaderia, Canadian Tire, Fresh & Easy Neighborhood Market, Fresh Direct, Harris Teeter, IFW, LIDL, Metro, Super C, Food Basics, Petco, Safeway, Sam's Club, SonaeMC, Supergros, Tesco, The Fresh Market, The Home Depot, Topco, Walgreens and Woolworths.
The period from the late fourth to the late second century B. C. witnessed, in Greek-speaking countries, an explosion of objective knowledge about the external world. WhileGreek culture had reached great heights in art, literature and philosophyalreadyin the earlier classical era, it is in the so-called Hellenistic period that we see for the ?rst time — anywhere in the world — the appearance of science as we understand it now: not an accumulation of facts or philosophically based speculations, but an or- nized effort to model nature and apply such models, or scienti?ctheories in a sense we will make precise, to the solution of practical problems and to a growing understanding of nature. We owe this new approach to scientists such as Archimedes, Euclid, Eratosthenes and many others less familiar todaybut no less remarkable. Yet, not long after this golden period, much of this extraordinary dev- opment had been reversed. Rome borrowed what it was capable of from the Greeks and kept it for a little while yet, but created very little science of its own. Europe was soon smothered in theobscurantism and stasis that blocked most avenues of intellectual development for a thousand years — until, as is well known, the rediscovery of ancient culture in its fullness paved the way to the modern age.
Ellie Summers struggles to survive in a dystopic world in New York, almost 2000 years after WW3 wiped out 98%% of the population. She faces unknown threats and when she thinks things are at their worst, she runs into a regressive tribe who thinks the Goldilocks and the Three Bears story is a holy scripture to justify cannibalism. At the peril of her life, she faces challenges like she never faced before, and then the unexpected happens, humanity as a whole is faced with extinction.
The golden age of radio is often recalled as a time when the medium unified the nation, when families gathered around the radios in homes across the country to listen to live, commercially sponsored network broadcasts. In Points on the Dial, Alexander Russo revises our understanding of radio’s past by revealing the hidden histories of production, distribution, and reception practices during this era, which extended from the 1920s into the 1950s. Russo brings to light a tiered broadcasting system with intermingling but distinct national, regional, and local programming forms, sponsorship patterns, and methods of program distribution. Examining a wide range of practices, including regional networking, sound-on-disc transcription, the use of station representatives, spot advertising, and programming aimed at homes with several radios, he not only recasts our understanding of the relationship between national networks and local stations but also charts the development of new ways of listening—often distractedly rather than attentively—that set the stage for radio in the second half of the twentieth century.
Notable writers on literature and culture who occasionally penned opinion pieces on the movies prior to World War II include Clifton Fadiman, Mark Van Doren, Lincoln Kirstein, Edmund Wilson, Louise Bogan, and Paul Goodman. All of these critics wrote seriously about things other than the movies. Indeed, the early decades of film criticism drew many moonlighters who tried their hand at it for a few years, then moved on to their preferred metier. And such was the case with William Troy (1903-1961). Troy, a distinguished literary critic whose posthumous Selected Essays won a National Book Award in 1968, was also a much-loved professor at Bennington College, the New School, and New York University. Troy was the film critic of The Nation from 1933 to 1935. To that post he brought an educated, almost professional tone, which he sometimes used for comic effect. He approached each piece of film criticism as an occasion for some larger essayistic rumination. Indeed, his feeling for the carpentry of the short review is superb, as the reader will detect in his pieces on such important films as Buñuel's L'age d'Or, Lang's M, Duvivier's Poil de Carotte, Eisenstein's Que Viva México!, Dreyer's The Passion of Joan of Arc, Cocteau's Blood of a Poet, Pudovkin's Mother, Flaherty's Man of Aran, Renoir's Madame Bovary, and Ford's The Informer. William Troy was thus one of Americas first full-time professional film critics, if not the best of the lot. He deserves some of the attention heretofore reserved for another important early critic, James Agee, who himself began writing movie reviews for The Nation in 1942. Published in conjunction with The Bookman: William Troy on Literature and Criticism, 1927-1950 (ISBN 978-1-78976-172-6), Film Nation is essential reading for cinephiles. Inclusion of a substantive index makes the work highly attractive for classroom adoption in the field of cinema studies.
Once the symbol of a robust steel industry and blue-collar economy, Youngstown, Ohio, and its famous Jeannette Blast Furnace have become key icons in the tragic tale of American deindustrialization. Sherry Lee Linkon and John Russo examine the inevitable tension between those discordant visions, which continue to exert great power over Steeltown's citizens as they struggle to redefine their lives. When "the Jenny" was shut down in 1978, 50,000 Youngstown workers lost their jobs, cutting the heart out of the local economy. Even as the community organized a nationally recognized effort to save the mills, the city was rocked by economic devastation, runaway crime, and mob scandal, problems that persist twenty-five years later. In the midst of these struggles the Jenny remained standing as a proud symbol of the community's glory days, still a dominant force in the construction of both individual and collective identities in Youngstown. Focusing on stories and images that both reflect and perpetuate how Youngstown understands itself as a community, Sherry Lee Linkon and John Russo have forged a historical and cultural study of the relationship between community, memory, work, and conflict. Drawing on written texts, visual images, sculptures, films, songs, and interviews with people who have lived and worked in Youngstown, the authors show the importance of memory in forming the collective identity of a place. Steeltown, U.S.A. is a richly developed portrait of a place, showing how images of the Jenny and of Youngstown have been used in national media and connecting these representations to the broader public conversation about work and place: Bruce Springsteen's song "Youngstown," the book Journey to Nowhere, and other pop culture artifacts have helped make Youngstown the symbolic epicenter of American deindustrialization. And while many people see the need to get over the past and on with the future, in rushing to erase the difficult parts of Youngstown's history they might also forget the powerful events that made the city so important, such as the struggles for economic and social justice that improved the lives of steelworkers. This multifaceted study of the meaning of work and place in one community pointedly depicts the relationships among economic development, media representations, and community life. As we see how people's faith in the value of their work dwindled away in Youngstown, their stories can help us understand not only how the meaning of work has changed but also why the changing meaning of work matters.
Professional baseball has always consisted of a variety of characters, from likeable youngsters to notorious rebels. From 1871 to the present, the sport has witnessed the likes of Germany Schaeffer, an infielder with a penchant for “stealing” first base; Joe Medwick, the only player ever removed from a game for his own safety; and first baseman Hal Chase, noted for being one of the most corrupt players in baseball history. The Cooperstown Chronicles takes an entertaining look at the unusual lives, strange demises, and downright rowdy habits of some of the most colorful personalities in the history of baseball. Chapters profile the game’s well-known tough-guys, the hard-drinking revelers, head-hunting pitchers, players who took their own lives, and those who died far too young from accidents or diseases. Frank Russo goes beyond the stats and delves into each player’s personality, his life outside of baseball, and even his final resting place. The stories of little-known players like Terry Enyart, who pitched just one and two-thirds innings in the major leagues, are told next to those of superstars such as Mike Flanagan, who played professional ball for 18 years. However brief or long a career he may have had, every major league player has a story to tell. The Cooperstown Chronicles gives a voice to many of those players who are no longer able to tell their stories themselves. Compelling, fun, and often surprising, this book will entertain baseball fans and historians alike.
In this fascinating and masterful work of research, Gus Russo finally unmasks the hidden secrets that have surrounded the Kennedy assassination for 35 years. It is packed with never-before-seen documents and photographs, and never-before-known information -- the result of tireless research and exhaustive interviews with countless key players in the Kennedy and Johnson Administrations. The question never asked was not WHO killed JFK, but WHY he was killed. And the answer to this question is the reason for over thirty years of government cover-ups. Gus Russo attacks this very question. Guiding the reader through the labyrinth of information and intrigue, he explores the assassination in context, explaining the atmosphere of the times as well as the actions that led, inexorably, to the defining moment of this generation.
A pioneering critic, educator, and poet, I. A. Richards (1893-1979) helped the English-speaking world decide not only what to read but how to read it. Acknowledged "father" of New Criticism, he produced the most systematic body of critical writing in the English language since Coleridge. His method of close reading dominated the English-speaking classroom for half a century. John Paul Russo draws on close personal acquaintance with Richards as well as on unpublished materials, correspondence, and interviews, to write the first biography (originally published in 1989) of one of last century’s most influential and many-sided men of letters.
This narrative of a cancer researcher spans a period in which biomedicine research has been so revolutionary. The educational background and socioeconomic circumstances of the author make the story unique, shedding light on many important intellectual achievements. The author also provides an insightful view on how decisions at the upper echelon of scientific institutions affect cancer researchers. The vivid account of scientific discovery and intellectual evolution provides a fine example for the next generation of cancer researchers.
Argues that technological imperatives like rationalization, universalism, monism, and autonomy have transformed the humanities and altered the relation between humans and nature. Examines technology and its impact on education, historical memory, and technological and literary values in criticism and theory, concluding with an analysis of the fiction of Don DeLillo"--Provided by publisher.
The ultimate resource for success in special education—newly updated! Authored by two past presidents of the Educational Law Association, this essential guide translates legalese into your language and allows you to focus on your core competency: providing excellent education for students with special needs. Updated to reflect significant court decisions and new developments, the book features: Extensive coverage of IDEA’s reauthorization, Section 504 and the ADA, and FAPE and LRE New analysis of parent and student rights Guidance on discipline A preventative approach to special education litigation Focus on federal and state interpretations of the law
This book will provide the latest advances in molecular and cellular biology for establishing the foundation of a complete understanding of the mechanisms of breast differentiation leading to cancer prevention. The authors are based on the epidemiological evidence indicating that early first full term pregnancy is a protective factor in human against breast cancer and they have used this paradigm and developed experimental systems in both in vivo and in vitro that have demonstrated mechanistically how the differentiation at the organ and cellular level takes place. This knowledge has provided the blueprint for developing better understanding of the basis of cancer prevention. The transcriptoma analysis of the breast of pre and post-menopausal women has established a genomic signature imprinted in the breast that differs according to the reproductive history of the woman showing that early first full term pregnancy reprogram the organ. This reprogramming takes place at the chromatin level by changing the transcriptional process. The modification of the transcriptional control is due to the expression of non coding RNA sequences and posttranscriptional control driven by the splicesome. The plasticity of the genome of the human breast make possible this reprogramming that is not only induced by the physiological process of pregnancy but by the use of hormones that mimic pregnancy without pregnancy. The author have established the basis of clinical trials for prevention and the discovery that short 15aa peptides of the chorionic gonadotropin hormone can be used in human breast cancer prevention based on preclinical and clinical data.
Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.
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