Sir Trevor Nunn is one of the most versatile and accomplished directors in the English-speaking theatre. This book examines his achievements as a director of Shakespeare within the wider context of debates on the cultural politics of Britain's theatrical institutions in the twentieth and twenty-first centuries. His approach has been marked by the combination of close textual analysis with inventive theatricality, in performance spaces ranging from the large stages of the Royal Shakespeare Company and the National Theatre to the intimacy of the companies' studio theatres. The principal focus of the book is on Nunn's work as director of Shakespeare during his artistic directorship of the RSC and the NT. The four core chapters focus in detail on major productions that can be said to have challenged and changed perceptions of the plays, including The Winter's Tale (RSC, 1969), the 'Roman Plays' season (RSC, 1972) and All's Well That Ends Well (RSC, 1982), and the studio productions of Macbeth (RSC 1976), Othello (RSC, 1989) and The Merchant of Venice (NT, 1999). The study draws on archive material, as well as reviews and other published commentary, including that of actors who have worked with him.
President Bill Clinton led one of the most influential and consequential White House tenures in recent memory. However, because of the office's traditional climate of confidentiality, many details of his behind-the-scenes activities have remained absent from the written record. How did the administration manage the horrific conflicts in Haiti, Somalia, and the Balkans that came to a head shortly after the President took the oath? What motivated the President to place First Lady Hillary Clinton at the helm of the ill-fated Health Security Act of 1993? And how did the President's closest confidantes and aides respond to the outbreak of the devastating scandal that nearly ended his presidency? Inside the Clinton White House offers an intimate perspective on these questions and many more, granting readers unprecedented access to the sensitive Oval Office banter that changed the course of history. Bringing together material from 400 hours of candid conversations with over sixty individuals, respected oral historian Russell L. Riley weaves this illuminating testimony with important contextual information to form an irresistible narrative, taking the reader from Clinton's first potential White House bid in 1988 to the final days of his remarkable and controversial career. Extended sections of the book are devoted to important domestic and foreign policy campaigns, the complicated politics of the President's two terms and impeachment, and portraits of important personalities in the administration, including Vice President Al Gore and First Lady Hillary Rodham Clinton. These forthright and often surprising accounts add a layer of nuance to an iconic figure in America's recent history, as told in the words of the people who knew him best.
Shakespeare and the English-speaking Cinema is a lively, authoritative, and innovative overview of the ways in which Shakespeare's plays have been adapted for cinema. Organised by topics rather than chronology, it offers detailed commentary on significant films, including both 'mainstream' and 'canonical' works by such directors as Laurence Olivier, Orson Welles, Franco Zeffirelli, and Kenneth Branagh, and such ground-breaking movies as Derek Jarman's The Tempest, Baz Luhrmann's William Shakespeare's Romeo + Juliet and Peter Greenaway's Prospero's Books. Chapters on the location of films in place and time, the effect of this on characterisation, and issues of gender and political power are followed by a discussion of work that goes 'beyond Shakespeare. A filmography and suggestions for further reading complete this stimulating, fresh, and accessible account of an important aspect of Shakespeare studies.
(Applause Books). This expanded edition of Free Shakespeare is a tool to liberate the works of Shakespeare from directors and academics who seek to impose their ideas upon the plays. John Russell Brown empowers actors and readers to approach the plays freshly and boldly armed with the many different interpretations inherent in the plays. Recognized as a benchmark for the understanding of Shakespearean performance in the twentieth century, a new chapter explores the technological and funding challenges facing Shakespearean productions in the next millennium.
Route 66: Lost and Found conveys the spirit and the times, not quite like any other book. Arizona Daily SunFor several decades, Route 66 was the nation's main east-west thoroughfare, pointing Middle America toward all the promise California seemed to hold at various times, whether permanent refuge from the Dust Bowl or a temporary escape from the drudgery of everyday suburban life in prosperous postwar America. As such, America's Main Street once teemed with activity . . . bustling centers of commerce that evaporated into the vast American landscape like the jet contrails overhead and the heat rising from the Interstate asphalt. This engaging look at the "Mother Road" takes 75 locations along its 2,297 mile route from Chicago to Santa Monica and shows them first during their halcyon heydays through black-and-white photographs and period postcards, then on the facing page as they appear today, from the exact same angle and also through vivid black-and-white photographs.
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