The operas of the Italian composer Giuseppe Verdi are among the greatest achievements of nineteenth century culture and remain at the heart of the opera repertory today. His extraordinary works took the opera world by storm, transforming and dominating the world of opera for over 30 years. Verdi modified the rigid conventions of the bel canto style, which had previously depended on the showcasing of singers at the expense of dramatic values. He changed this system to form an overall dramatic masterpiece, giving the singers melody and brilliance in ample measure. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Verdi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Verdi’s masterworks * Learn about the operas that made Verdi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces that you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Verdi’s complete works and links to popular streaming services * Includes a selection of English translations of the librettos * Also features three biographies, including Frederick James Crowest’s seminal study — explore Verdi's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Oberto Un giorno di regno Nabucco Ernani I due Foscari Macbeth Il corsaro La battaglia di Legnano Luisa Miller Rigoletto Il trovatore La traviata Les vêpres siciliennes Inno delle nazioni Don Carlos Aida Messa da Requiem Falstaff Complete Compositions Index of Verdi’s Compositions The Librettos Rigoletto Il trovatore La traviata La Forza del Destino Aida The Biographies Verdi: Man and Musician, by Frederick James Crowest Giuseppe Verdi by Harriette Brower History of the Opera by Henry Sutherland Edwards Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Long Mile Home is the story of the Boston Marathon bombing, from tragedy to recovery. Boston Globe journalists Scott Helman and Jenna Russell tell the full story through the eyes of five principal characters, each time tracing the paths that brought them to a tragic intersection with two murderous brothers on that infamous day in April. Including unexpected revelations and unforgettable moments of heroism, Long Mile Home is both an absorbing, action-packed narrative and a lasting tribute to the bravery and resiliency of the Boston community.
Packed with more than 200 colour illustrations, Visual Research explores a range of research methods that can be used by graphic designers and visual communicators in the development of clear and purposeful design solutions. The book introduces key terms and theories that underlie design research; examining the importance of visual grammar and design literacy, audience, communication theory and semiotics. Each chapter features case studies, many new to this edition, that demonstrate how the use of research methods can form the basis of effective visual communication and design problem solving, eschewing end-product analysis for a discussion of the way research feeds into the design process. With new case studies from Matt Cooke, Colette Sadlier and many others, this new edition also brings together all of the 'Key Concept' features and content from previous editions into their own distinct chapter, making it easier for readers to discover design-led tools and information design methods, for both print and on-screen design.
Contains 110,000 wavelength entries from the 1939 edition with corrections or changes indicated by a line through the entry. Read the introduction to the 1969 edition for further explanation. Wavelengths in the range of 10,000-2,000 A are covered.
Conventional narratives describe the United States as a continental country bordered by Canada and Mexico. Yet, since the late twentieth century the United States has claimed more water space than land space, and more water space than perhaps any other country in the world. This watery version of the United States borders some twenty-one countries, particularly in the archipelagoes of the Pacific and the Caribbean. In Borderwaters Brian Russell Roberts dispels continental national mythologies to advance an alternative image of the United States as an archipelagic nation. Drawing on literature, visual art, and other expressive forms that range from novels by Mark Twain and Zora Neale Hurston to Indigenous testimonies against nuclear testing and Miguel Covarrubias's visual representations of Indonesia and the Caribbean, Roberts remaps both the fundamentals of US geography and the foundations of how we discuss US culture.
This fourth volume in the comprehensive series “fills a gap in the existing narrative” of WWII’s Mediterranean air war (Journal of Military History). The fourth volume in this momentous series commences with the attacks on the Italian island fortress of Pantellaria, which led to its surrender and occupation achieved almost by air attack alone. The account continues with the ultimately successful, but at times very hard fought, invasions of Sicily and southern Italy as burgeoning Allied air power, now with full US involvement, increasingly dominated the skies overhead. The successive occupations of Sardinia and Corsica are also covered in detail. This is essentially the story of the tactical air forces up to the point when Rome was occupied, just at the same time as the Normandy landings were occurring in northwest France. With regards to the long-range tactical role of the Allied heavy bombers, only the period from May to October is examined, while they remained based in North Africa, with the narrative continuing in a future volume. This volume also delves into the story of “the soldiers’ air force.” Frequently overshadowed by more immediate newsworthy events elsewhere, the soldiers’ struggle was often of an equally Homeric nature. “No future publication on the Mediterranean air war will be credible without use of this series.” —Air Power History
A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Theo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet
A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Theo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
Top 10 is not bests or favorites, but exclusively quantifiable rankings. Some are worsts, as in the case of murder and disaster victims, which are sadly, measurable. Tallest-Fastest-Richest-and so on.also contains firsts or latests, also recent 10 achievers in a field.
Contains top ten lists in a wide assortment of categories, covering the universe, humans, crime, culture, music, entertainment, food, transportation, sports, and other topics.
Moving beyond Eurocentric paradigms, The Global Past provides a new and better model for teaching world history, with extensive and integrated treatment of Africa, Asia, and Latin America. To provide students with a coherent framework, it places key historical themes within a chronological structure that helps students make comparisons and see connections across time and place.
The focus of this volume by Professor Russell is the history of organic chemistry, which arose improbably out of early speculations about the construction of chemical compounds, and in particular their electrochemical nature. The rise of electrochemistry and the work of Berzelius were critical in this regard, and receive much attention in the first few chapters in this book. Aspects of the contributions of Frankland (fully explored elsewhere) and those of Kekulê and Hofmann are considered, together with the miscellaneous functions of organic synthesis and the origins of conformational analysis. Questions of chemical organisation are germane to the whole sequence of events and are briefly summarized before the whole last hundred years of organic chemistry are placed in historical perspective.
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