A debut thriller of personal transformation: By the time Matilde Anselm, an American physician in Paris to help with a heart transplant, begins to fear she may instead be a party to murder, she's also fallen in love, inherited a mysterious Paris apartment, and discovered she's not who she thought she was.
A debut thriller of personal transformation: By the time Matilde Anselm, an American physician in Paris to help with a heart transplant, begins to fear she may instead be a party to murder, she's also fallen in love, inherited a mysterious Paris apartment, and discovered she's not who she thought she was.
Case study of the linguistic and emotional progress of a 13 year old girl discovered in Nov. 1970 who had spent her life up to that point held prisoner in a room with virtually no outside communication.
Tragedy as Philosophy in the Reformation World examines how sixteenth- and seventeenth-century poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine in the crucible of the Reformation. Rejecting familiar assumptions about tragedy, vital figures like Philipp Melanchthon, David Pareus, Lodovico Castelvetro, John Rainolds, and Daniel Heinsius developed distinctly philosophical ideas of tragedy, irreducible to drama or performance, inextricable from rhetoric, dialectic, and metaphysics. In its proximity to philosophy, tragedy afforded careful readers crucial insight into causality, probability, necessity, and the terms of human affect and action. With these resources at hand, poets and critics produced a series of daring and influential theses on tragedy between the 1550s and the 1630s, all directly related to pressing Reformation debates concerning providence, predestination, faith, and devotional practice. Under the influence of Aristotle's Poetics, they presented tragedy as an exacting forensic tool, enabling attentive readers to apprehend totality. And while some poets employed tragedy to render sacred history palpable with new energy and urgency, others marshalled a precise philosophical notion of tragedy directly against spectacle and stage-playing, endorsing anti-theatrical theses on tragedy inflected by the antique Poetics. In other words, this work illustrates the degree to which some of the influential poets and critics in the period, emphasized philosophical precision at the expense of--even to the exclusion of--dramatic presentation. In turn, the work also explores the impact of scholarly debates on more familiar works of vernacular tragedy, illustrating how William Shakespeare's Hamlet and John Milton's 1671 poems take shape in conversation with philosophical and philological investigations of tragedy. Tragedy as Philosophy in the Reformation World demonstrates how Reformation took shape in poetic as well as theological and political terms while simultaneously exposing the importance of tragedy to the history of philosophy.
Providing a unique combination of well-written, up-to-date background information and intriguing selections from primary documents, The Bedford Companion to Shakespeare introduces students to the topics most important to the study of Shakespeare in their full historical and cultural context. This new edition contains many new documents, particularly by women and other marginalized voices from the early modern period. There is also a new chapter on Shakespeare in performance, which introduces students to the great variety of productions of Shakespeare's works over the centuries.
We human beings carry inside our souls a sense of duty about America and the American Dream. I want to pass along a piece of myself to those who would follow. This great idea of a story is a human story, one that has been repeated for thousands of years. We are the American generation that only promises massive debt to those who will follow.
Case study of the linguistic and emotional progress of a 13 year old girl discovered in Nov. 1970 who had spent her life up to that point held prisoner in a room with virtually no outside communication.
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