The Odyssey is rightly celebrated as a story that goes far beyond the scope of epic poetry. It is an open window to an entire era and its social systems as well as its theological, cultural, economic and political structures, while running simultaneously in the register of the earthly and of the divine. Within The Odyssey, the episode of the Sirens stands out as an exceptionally evocative example of this kind of achievement. This volume is dedicated to exploring the myriad levels of analysis that are allowed by this famous episode, following in the footsteps of celebrated readers of The Odyssey such as Adorno, Horkheimer, Lukàcs, Auerbach, Kerény, Bloch, Auden, Pound, Tolstoj, Elster and Steiner. By looking at the brief encounter between Ulysses and the Sirens, the reader of this volume will discover the roots of our modern concept of middle class rationality and its profound ramifications stretching between economy, politics, and the divine.
Palazzo Grimani dall’Albero d’Oro opens its doors to culture, art and all those who wish to discover the history of this sumptuous building on the Grand Canal. The book offers a fascinating journey through time, the city and the lives of the illustrious guests who have lived in this patrician residence. With a personal “ narrated” tour and a narrative that never loses sight of scientific rigour, the authors take us through the magnificent rooms in a journey that weaves together, with careful reconstruction, the history of the families and collections once hosted in the palazzo. Massimo Favilla has taught Urban and Territorial Design at the IUAV University of Venice and the History of Architecture at the University of Padua. Ruggero Rugolo is responsible for publishing at the Istituto Veneto di Scienze, Lettere ed Arti and has taught the History of Modern Art at the University of Modena and Reggio and at Ca’ Foscari University in Venice. Their studies focus on Veneto art, in particular of the seventeenth and eighteenth centuries, and have led to the publication of numerous monographs, conference proceedings, exhibition catalogues and articles in academic journals.
The setting is New York City in 1963 where the protagonist, Victor Mancuso, is a prominent lawyer. His good friend and client, Alex Reinmann has been kidnapped in Italy. In Rome, during the Nazi occupation in June of 1944, the kidnappers served as freedom fighters with Alex, who had been a secret operative with the OSS, a United States intelligence agency. On the day of Rome's liberation, Alex confiscated from the fleeing fascists a supply of diamonds and other jewels, and buried them in the countryside outside of Rome. He reported this incident to his fellow partisans who would become his kidnappers years later. The kidnappers believed that Alex could lead them to the buried fortune. But after questioning Alex at length about the location of the fortune, the kidnappers finally decided he truthfully did not know its whereabouts. Fearing prosecution for kidnapping if they released Alex, they decided to kill him. The plot was foiled when Alex was rescued by a combination of the Italian Military PoliceCthe Carabinieri, headed by the beautiful Sergeant Regina GraziellaCand a group of American private detectives led by Victor. After the rescue, a congressional committee in the United States, as well as certain indignant members of the Carabinieri, alleged that Alex was lying under oath when he denied ever recovering the jewels. A resulting indictment of Alex for perjury took place in New York. Victor volunteered to represent Alex at trial to clear the name of his client and close friend.
The Odyssey is rightly celebrated as a story that goes far beyond the scope of epic poetry. It is an open window to an entire era and its social systems as well as its theological, cultural, economic and political structures, while running simultaneously in the register of the earthly and of the divine. Within The Odyssey, the episode of the Sirens stands out as an exceptionally evocative example of this kind of achievement. This volume is dedicated to exploring the myriad levels of analysis that are allowed by this famous episode, following in the footsteps of celebrated readers of The Odyssey such as Adorno, Horkheimer, Lukàcs, Auerbach, Kerény, Bloch, Auden, Pound, Tolstoj, Elster and Steiner. By looking at the brief encounter between Ulysses and the Sirens, the reader of this volume will discover the roots of our modern concept of middle class rationality and its profound ramifications stretching between economy, politics, and the divine.
The current study takes on the task of focussing on Habermas' long and productive first phase in the 1960s and 1970s in which he also examined the contradictions of the late capitalist system.
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