Fictional account of universe before Genesis. Did you wonder what God was doing before He created Earth? He has always been, so He must have been doing something before the time of our Bible. Enjoy this fun but dramatic story.
An exciting story that sweeps from sea to shining sea, "The Speaker" weaves a mystery throughout the mayhem of America’s political arena, going straight to the heart of what it truly means to be an American. The country is in legislative, economical, and moral turmoil. The next presidential election looms near, and political parties are at each other’s throats. The nation’s future rests on uneasy ground. But amidst all the chaos going into November’s preparations, one voice will stand out from the crowd. A voice speaking not only of freedom for the nation, but freedom for the soul. Nobody knows who he is or where he came from, but soon every American will know his name.
In the late middle ages (ca. 1200-1520), both religious and secular people used manuscripts, was regarded as a most precious item. The traces of their use through touching and handling during different rituals such as oath-taking, public reading, and memorializing the dead, is the subject of Kathryn Rudy’s research in Touching Parchment. This second volume, Social Encounters with the Book, delves into the physical interaction with books in various social settings, including education, courtly assemblies, and confraternal gatherings. Looking at acts such as pointing, scratching, and ‘wet-touching’, the author zooms in on smudges and abrasions on medieval manuscripts as testimonials of readers’ interaction with the book and its contents. In so doing, she dissects the function of books in oaths, confraternal groups, education, and courtly settings, illuminating how books were used as teaching aids and tools for conveying political messages. The narrative paints a vivid picture of medieval reading, emphasizing bodily engagement, from page-turning to the intimate act of kissing pages. Overall, this text offers a captivating exploration of the tactile and social dimensions of book use in late medieval Europe broadening our perspective on the role of objects in rituals during the middle ages. Social Encounters with the Book provides a fundamental resource to anybody interested in medieval history and book materiality more widely.
In the 1940s, Douglas Ward is a black boy in the American South. He is not only terrorized by the countrys segregation laws, but also by troubles within a family of mixed values. Outside, the world is in tumult, but within the walls of his childhood home, Ward finds pandemonium orchestrated by his belligerent, uncompromising grandfather, Tobias. Throughout his early years, young Ward is consumed by fear, distrust, and self-doubt. Rather than bury his head in the sand, he discovers ways to free himself from the disheartening chaos at home as well as the pervasive negative impact of segregation. The challenge to overcome adversity and take charge of his life seems insurmountable, but he does not give up. Fortunately for Ward, there are several safety nets in his life, like the unwavering support of his maternal grandmother, and his school, which creates a safe haven and foundation for the realization of his dreams. It takes the death of a loved one, though, to trigger Wards appreciation for his family life and to remind him that home is so much more than just a house.
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
FETAL ANOMALIES Advances in ultrasound technology are reshaping the field of health care for obstetricians and pediatric specialists. Detailed fetal imaging has enabled medical professionals to detect fetal structural anomalies and research practical guidelines for prenatal diagnosis and postnatal management. Fetal Anomalies: Ultrasound Diagnosis and Postnatal Management is a practical sourcebook with images of structural fetal malformations on a continuum that begins at the stage of ultrasonographic identification, progressing to characterization in the newborn period, and culminating in repair and postoperative follow up. This comprehensive text correlates pre- and post-natal images with the type of treatment appropriate to structural anomalies of the different organ systems. Numerous examples from each organ system are included and the material is clinically oriented. Fetal Anomalies: Ultrasound Diagnosis and Postnatal Management reviews such topics as: Externally visible defects Skeletal dysplasia Central nervous, gastrointestinal, urinary, and genital systems Umbilical cord anomalies Abnormalities specific to multiple pregnancies Abnormalities of amniotic fluid volume Abnormalities that elude prenatal detection Incorporating the pictorial strengths of an atlas with the didactic utility of a reference work, Fetal Anomalies: Ultrasound Diagnosis and Postnatal Management is a unique book bridging various specialties that comprise maternal-fetal medicine, such as obstetrics, diagnostic imaging, neonatology, perinatology, surgery, and urology.
Hollywood, Sight Unseeing begins with the following paragraph... I was in the batter's box. I was eight years old. The pitcher, ten, wound up, threw. Where was the baseball? I saw it leave his hand, then disappear until it was perhaps twenty feet from where it was headed... directly at my head. Being blessed with fast reflexes, I flattened out, dropped like a stone. I hit the ground with that ball missing my noggin by the wispiest whisker. At the time, it seemed nothing at all to me. I had escaped serious injury - just part of the game, I thought. But that "inconsequential" incident, with unrelenting insistence, uncompromising ferocity, would dictate the direction of the rest of my life Missing that baseball was diagnosed as macular degeneration, a retinal fault very rare in children. No known treatment, vision would continue to decline. By age 17, my vision was 20/200... legal blindness status. I saw at 20 feet what normally sighted people saw easily at 200 feet. Beginning with my first love, the entertainment industry, for 25 years, I earned my living, despite its near total visual nature, in the theater, radio, motion picture and television industries. For ten years of that time, I worked as a Dialogue Coach at Paramount, Twentieth Century Fox and Columbia Studios, working with top Directors, Producers and such stars as Elizabeth Taylor, Vivien Leigh, Katherine Hepburn, Cary Grant, Burt Lancaster, Charlton Heston, Loretta Young, Jane Wyman, Janet Leigh, Charles Laughton, Claude Rains, Shirley MacLaine, Jayne Mansfield, and 16 pictures with Dean Martin and Jerry Lewis. When decreasing vision made Dialogue Coaching impractical, I switched to writing for motion pictures and television. Later, I transitioned to the construction industry as a General Building contractor. Now, with my vison of 20/600, I have returned to writing. After all, I'm only 83. Rudy Makoul
This concise and accessible critical introduction examines the world of popular fairy-tale television, tracing how fairy tales and their social and cultural implications manifest within series, television events, anthologies, and episodes, and as freestanding motifs. Providing a model of televisual analysis, Rudy and Greenhill emphasize that fairy-tale longevity in general, and particularly on TV, results from malleability—morphing from extremely complex narratives to the simple quotation of a name (like Cinderella) or phrase (like "happily ever after")—as well as its perennial value as a form that is good to think with. The global reach and popularity of fairy tales is reflected in the book’s selection of diverse examples from genres such as political, lifestyle, reality, and science fiction TV. With a select mediagraphy, discussion questions, and detailed bibliography for further study, this book is an ideal guide for students and scholars of television studies, popular culture, and media studies, as well as dedicated fairy-tale fans.
Before the rise of the Brooklyn Dodgers in the 1940s, baseball was a game of white men, cloth caps and concrete walls. Four men helped to change the sport as America knew it: Branch Rickey, Larry MacPhail, Jackie Robinson and Pete Reiser. These men were essential to the evolution of baseball, especially in their home of Brooklyn's Ebbets Field. It was there that the first major league game was televised, where the batting helmet was developed, where the first walls were padded and the first outfield warning tracks laid down and--with the arrival of Jackie Robinson, it is where the color line was broken. This richly researched history which includes chapters such as "1940: MacPhail Starts a Dodger Dynasty," "1942: FDR Says the Show Must Go On" and "The War Years," presents an exploration of how a crucial decade of Dodger accomplishments transformed American baseball.
This work, which picks up where the author's previous book, The Brooklyn Dodgers in the 1940s (McFarland, 2005), left off, covers the Dodgers' final eight years in Brooklyn. Chapters carry the reader from the 1951 playoffs, when a late season collapse and Thomson's "Shot Heard Round the World" dealt Brooklyn a heartbreaking blow, through the 1955 World Series title, and finally to Walter O'Malley's controversial decision to move the team to Los Angeles. The author covers each season in-depth and assesses popular perceptions of the Dodgers, their players and owners, and considers O'Malley's culpability in the team's departure, which ended a string of 74 years in which Brooklyn had major league baseball.
A beautiful, moving memoir of a boy’s coming of age, infused with a deep love of the land, from one of Canada’s most cherished and acclaimed writers. In Of This Earth, Rudy Wiebe gives vivid life again to the vanished world of Speedwell, Saskatchewan, an isolated, poplar-forested, mostly Mennonite community – and Rudy’s first home. Too young to do heavy work, Rudy witnessed a way of life that was soon to disappear. And we experience with him the hard labour of clearing the stony, silty bushland; the digging out of precious wells one bucket of dirt at a time; sorrow at the death of a beloved sister; the disorienting searches for grazing cattle in the vast wilderness sloughs and the sweet discovery of the power of reading. Rare personal photographs (reproduced throughout the book) and the fragile memories of those who are left give shape to the story of Mennonite immigrants building a life in Canada, the growth and decline of the small Speedwell community, the sway of religion, and a young boy’s growing love of the extreme beauty of the aspen forests – as well as how all these elements came to inform his destiny as a writer. A hymn to a lost place and a distant time, Of This Earth follows the best of memoirs in the tradition of Sharon Butala’s The Perfection of the Morning and W. G. Sebald’s Austerlitz. It is an evocation of the Canadian west that only a writer of Rudy Wiebe’s powers could summon.
In the year 3003, nothing in the world is the same, except maybe that adolescents are still embarrassed by their parents. Society and the biosphere alike have been transformed by biotechnology, and the natural world is almost gone. Frek Huggins is a boy from a broken family, unusual becaise he was conceived without technological help or genetic modifications. His dad, Carb, is a malcontent who left behind Frek's mom and the Earth itself several years ago. Everything changes when Frek finds the Anvil, a small flying saucer, under his bed, and it tells him he is destined to save the world. The repressive forces of Gov, the mysterious absolute ruler of Earth, descend on Frek, take away the Anvil, and interrogate him forcefully enough to damage his memory. Frek flees with Wow, his talking dog, to seek out Carb and some answers. But the untrustworthy alien in the saucer has other plans, including claiming exclusive rights to market humanity to the galaxy at large, and making Frek a hero. Frek and the Elixir is a profound, playful SF epic by the wild and ambitious Rudy Rucker.
A two-volume steampunk extravaganza. Accompanied by Edgar Allan Poe, a nineteeth-century farm boy travels through the vast interior of the Hollow Earth to present day California.
Over the course of the twentieth century, Germans have venerated and maintained a variety of historical buildings--from medieval fortresses and cathedrals to urban districts and nineteenth-century working-class housing. But the practice of historic preservation has sometimes proven controversial, as different groups of Germans have sought to use historical architecture to represent competing versions of their nation's history. Transient Pasts is the first book to examine the role that the historic preservation movement has played in German cultural history and memory from the end of the nineteenth century to the early 1970s. Focusing on key public debates over historic preservation, Rudy Koshar charts a trajectory of cultural politics in which historical architecture both facilitated and limited Germans' efforts to identify as a nation. He demonstrates that historical buildings and monuments have served as enduring symbols of national history in a country scarred by the traumas of two world wars, Nazism, the Holocaust, and political division. His findings challenge both the widely accepted argument that Germans have constantly repressed their past and the contention that Germany's intense public engagement with history since reunification is unprecedented.
A rare and marvellous collection by a master teller of tales, together in one volume for the first time.River of Stone brings to readers an appealing selection of Rudy Wiebe's best and most loved writing — and draws us into a world that he has made distinctively his own. In this haunting collection, his stories and memoirs play off each other to reveal the geographical and emotional range of the country. Here we have timeless meditations on country, particularly the West and the North; memories of a Mennonite childhood, and the pain of being cast out by the community; of writing and history; of pioneer days lived with love and struggle; and unexpected, entertaining stories that are by turn loving, macabre, ironic, sad and joyful, and very funny.
Rudy Wiebe’s latest novel is at once an enthralling saga of the Mennonite people and one man’s emotional voyage into his heritage and his own self-discovery. Ambitious in its historical sweep, tender and humane, Sweeter Than All the World takes us on an extraordinary odyssey never before fully related in a contemporary novel. The novel tells the story of the Mennonite people from the early days of persecution in sixteenth-century Netherlands, and follows their emigration to Danzig, London, Russia, and the Americas, through the horrors of World War II, to settlement in Paraguay and Canada. It is told episodically in a double-stranded narrative. The first strand consists of different voices of historical figures. The other narrative voice is that of Adam Wiebe, born in Saskatchewan in 1935, whom we encounter at telling stages of his life: as a small boy playing in the bush, as a student hunting caribou a week before his wedding, and as a middle-aged man carefully negotiating a temporary separation from his wife. As Adam faces the collapse of his marriage and the disappearance of his daughter, he becomes obsessed with understanding his ancestral past. Wiebe meshes the history of a people with the story of a modern family, laying bare the complexities of desire and family love, religious faith and human frailty. The past comes brilliantly alive, beginning with the horrors of the Reformation, when Weynken Claes Wybe is burned at the stake for heretical views on Communion. We are caught up in the great events of each century, as we follow in the footsteps of Adam’s forebears: the genius engineer who invented the cable-car system; the artist Enoch Seeman, who found acclamation at the royal court in London after having been forbidden to paint by the Elders; Anna, who endures the great wagon trek across the Volga in 1860, leaving behind her hopes of marriage so that her brothers will escape conscription in the Prussian army; and Elizabeth Katerina, caught in the Red Army’s advance into Germany when rape and pillage are the rewards given to soldiers. The title of the novel, taken from a hymn, reflects the beauty and sorrow of these stories of courage. In a startling act of invention, Sweeter Than All the World sets one man’s quest for family and love against centuries of turmoil. Rudy Wiebe first wrote of Mennonite resettlement in his 1970 epic novel The Blue Mountains of China. Since then, much of his work has focused on re-imagining the history of the Canadian Northwest. In Sweeter Than All the World, as in many of his most acclaimed novels, Wiebe has sought out real historical characters to tell an extraordinary story. William Keith, a University of Toronto professor and author of a book about Wiebe, writes: “Wiebe has a knack for divining wells of human feeling in historical sources.” Here, all the main characters share his name, and the history is one to which he belongs. Moreover, alongside those flashbacks into history is revealed an utterly compelling contemporary story of a man whose background is not totally unlike the author’s own. Wiebe sets his narrative against his two favourite backdrops: the northern Alberta landscape, and the shared memories of the Mennonite people. Sweeter Than All the World is a compassionate, erudite and stimulating work of fiction that shares the deep-rooted concerns of all of Wiebe’s work: how to make history live in our imagination, and how we can best live our lives.
Buy a new version of this textbook and receive access to the Connected eBook on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities, plus an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Gender and Law: Theory, Doctrine, Commentary, Ninth Edition is organized around theoretical frameworks, showing different conceptualizations of equality and justice and their impact on concrete legal problems. The text provides complete, up-to-date coverage of conventional “women and the law” issues, including employment law and affirmative action, reproductive rights, LGBTQ issues, domestic violence, rape, pornography, international women’s rights, and global trafficking. Showing the complex ways in which gender permeates the law, the text also explores the gender aspects of subject matters less commonly associated with gender, such as property, ethics, contracts, sports, and civil procedure. Throughout, the materials allow an emphasis on alternative approaches and how these approaches make a difference. Excerpted legal cases, statutes, and law review articles form an ongoing dialogue within the book to stimulate thought and discussion, and almost 250 provocative “putting theory into practice” problems challenge students to think deeply about current gender law issues. Highlights of the 9th Edition: This edition is both faithful to its original design—teaching through theoretical frameworks rather than by subject area—and cutting edge. The authors have spared no detail in covering the latest developments in this fast-changing field of study while tying them together into a cohesive whole. Dobbs v. Jackson Women’s Health Organization, a restructuring of the materials on reproductive rights, and greater attention to the reproductive justice movement and the intersectional issues raised by every issue involving reproductive health. Updated and more sustained attention to gender identity and nonbinary identities, including Bostock v. Clayton County, new material on transgender athlete bans, and a new section on sex-segregation and sex-differentiation within coed spaces (including Peltier v. Charter Day School, Inc. on sex-specific dress codes). Materials raising questions and critique about the intersection of race and gender, including historical materials that highlight the relationship between women’s suffrage advocates and abolitionists and excerpts from newer scholars. Coverage of the impact of the Covid-19 crisis and its exacerbation of gender issues at work and in the home. Updated equal pay materials, revised to highlight new developments in Equal Pay Act litigation, including Rizo v. Yovino on the use of prior salary as a “factor other than sex.” Revised materials on the criminal law of rape that include material from the proposed amendment to the Model Penal Code as well as coverage of the racial stereotypes sometimes reflected in the wrongful accusation and conviction of Black men. Professors and students will benefit from: Dozens of new Putting Theory into Practice problems An updated teacher’s manual with audio and video clips from films, documentaries, news programs, and television and radio series on the book’s main substantive topics. For new teachers, the teacher’s manual is an essential resource; for more experienced teachers, the book is structured in a way that gives them lots of options for how and what to cover in the course depending on the number of credit hours and the professor’s own sense of what should be taught
Rapid changes in technology and the growing use of electronic media signal a need for understanding both clear and subtle ethical and social implications of the digital, and of specific digital technologies. Understanding Digital Ethics: Cases and Contexts is the first book to offer a philosophically grounded examination of digital ethics and its moral implications. Divided into three clear parts, the authors discuss and explain the following key topics: • Becoming literate in digital ethics • Moral viewpoints in digital contexts • Motivating action in digital ethics • Speed and scope of digital information • Moral algorithms and ethical machines • The digital and the human • Digital relations and empathy machines • Agents, autonomy, and action • Digital and ethical activism. The book includes cases and examples that explore the ethical implications of digital hardware and software including videogames, social media platforms, autonomous vehicles, robots, voice-enabled personal assistants, smartphones, artificially intelligent chatbots, military drones, and more. Understanding Digital Ethics is essential reading for students and scholars of philosophical ethics, those working on topics related to digital technology and digital/moral literacy, and practitioners in related fields.
The result of a dialogue between poets and scholars on the meaning and making of the sacred, this book endeavours to determine how the sacred emerges in sacred script as well as in poetic discourse. It ranges through scholarship in areas as apparently disparate as postmodernism and Buddhism. The perspectives developed are various and without closure, locating the sacred in modes as diverse as patristic traditions, feminist retranslations of biblical texts, and oral and written versions of documents from the world’s religions. The essays cohere in their preoccupation with the crucial role language plays in the creation of the sacred, particularly in the relation that language bears to silence. In their interplay, language does not silence silence by, rather, calls the other as sacred into articulate existence.
A moving story from loss and despair to help and hope. "The House" is a story unlike any other. Cheri Harper is a young woman whose life has been tormented with struggle and bad choices. A set of unforeseen circumstances finds her the reluctant guest of a family who helps her face the important decisions in her life. With her heart wounded by grief, unlikely friends come to the rescue, and with their help Cheri finds hope and learns the truth that will forever change her life.
An exciting story that sweeps from sea to shining sea, "The Speaker" weaves a mystery throughout the mayhem of America’s political arena, going straight to the heart of what it truly means to be an American. The country is in legislative, economical, and moral turmoil. The next presidential election looms near, and political parties are at each other’s throats. The nation’s future rests on uneasy ground. But amidst all the chaos going into November’s preparations, one voice will stand out from the crowd. A voice speaking not only of freedom for the nation, but freedom for the soul. Nobody knows who he is or where he came from, but soon every American will know his name.
In the 1940s, Douglas Ward is a black boy in the American South. He is not only terrorized by the countrys segregation laws, but also by troubles within a family of mixed values. Outside, the world is in tumult, but within the walls of his childhood home, Ward finds pandemonium orchestrated by his belligerent, uncompromising grandfather, Tobias. Throughout his early years, young Ward is consumed by fear, distrust, and self-doubt. Rather than bury his head in the sand, he discovers ways to free himself from the disheartening chaos at home as well as the pervasive negative impact of segregation. The challenge to overcome adversity and take charge of his life seems insurmountable, but he does not give up. Fortunately for Ward, there are several safety nets in his life, like the unwavering support of his maternal grandmother, and his school, which creates a safe haven and foundation for the realization of his dreams. It takes the death of a loved one, though, to trigger Wards appreciation for his family life and to remind him that home is so much more than just a house.
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