American Book Award Winner: A novel of a New Mexico teenager’s journey of physical and spiritual recovery from the author of Bless Me, Ultima. When the story opens, the eponymous hero of Rudolfo Anaya’s novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, sixteen-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother’s fervent prayers can heal him. But under the mountain’s watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again. Drawn from personal experience and imbued with the phantasmagorical vision quests that distinguish Anaya’s work, Tortuga is a joyful, life-sustaining book about hope, faith, friendship, and love that celebrates the triumph of the human spirit in the physical world. “An extraordinary storyteller.” —Los Angeles Times Book Review
While award-winning author Rudolfo Anaya is known primarily as a novelist, his genius is also evident in dramatic works performed regularly in his native New Mexico and throughout the world. Billy the Kid and Other Plays collects seven of these works and offers them together for the first time. Like his novels, many of Anaya's plays are built from the folklore of the Southwest. This volume opens with The Season of La Llorona, in which Anaya fuses the Mexican legend of the dreaded "crying woman" with that of La Malinche, mistress and adviser to Hernán Cortés. Southwestern lore also shapes the title play, which provides a Mexican American perspective on the Kid--or Bilito, as he is known in New Mexico--along with keen insight into the slipperiness of history. The Farolitos of Christmas and Matachines uncover both the sweet and the sinister in stories behind seasonal New Mexican rituals. Other plays here address loss of the old ways--farming, connection to the land, the primacy of family--while showing the power of change. The mystery Who Killed Don José? uses the murder of a wealthy sheep rancher to look at political corruption and modernization. Ay, Compadre! and Angie address aging and death, though with refreshing humor and optimism. Elegant and poetic, intense and funny, these are the plays Anaya considers his best. The author tells how each originated, while Cecilia J. Aragón and Robert Con Davis- Undiano offer critical analysis and performance history. Both Anaya fans and readers new to his work will find this collection a rich trove, as will community theaters and scholars in Chicano literature and drama.
“Filled with ghosts, devils, and tricksters . . . This appealing volume will add diversity to folklore collections.” —Library Journal Rich in the folklore of his ancestors, Rudolfo Anaya’s tales will delight young readers from across the globe. In stories both original and passed down, this bestselling and American Book Award–winning author incorporates powerful themes of family, faith, and choosing the right path in life. In “Lupe and la Llorona,” a seventh grader searches for the legendary Llorona; in “The Shepherd Who Knew the Language of Animals,” a shepherd named Abel saves a snake and gains the ability to understand the language of animals; In “Dulcinea,” a fifteen-year-old dances with the Devil. Other tales feature coyotes, ravens, a woodcutter who tries to cheat death, the Virgin Mary, a golden carp, and a young Latino who seeks immortality. Deeply rooted in ancient mythological beliefs and based on the folklore and traditions of Mexican and Native American cuentistas, these accounts of enchantment are as beautiful and mysterious as the Rio Grande itself—and serve as a testament to the lost art of oral storytelling. This ebook features illustrations by Amy Córdova.
A collection of works by an award-winning author features previously unavailable or unpublished writings and includes excerpts from his most noted novels, including Bless Me, Ultima and Alburquerque. Original.
This innovative novel combines Spanish folktales with Native American legends to create a captivating Southwestern version of The Arabian Nights. Like Scheherezade, who ensured her survival by telling her royal husband stories, the title character in Rudolfo Anaya’s creative retelling of The Arabian Nights must entertain the recently widowed governor with legends of Nueva Mexicana, or she and her fellow captives will die. With fresh snow covering the high peaks of Sangre de Cristo, a group of native dissidents prepare for revolt. In seventeenth-century Santa Fe, insurrection against a colony of the king of Spain is punishable by death. A Spaniard loyal to the governor names twelve conspirators. One of them is a young woman. Raised in a mission church, fifteen-year-old Serafina speaks excellent Spanish and knows many of her country’s traditional folktales. She and the governor strike a bargain: Each evening, she will tell him a cuento. If he likes it, he will release one prisoner the following day. The twelve tales recounted here mirror the struggle of a divided country. They include the social and political symbolism behind “Beauty and the Beast” and retell “Cinderella” as “Miranda’s Gift.” Interspersed with these timeless cuentos is the story of Serafina herself, and that of a people battling to preserve a vanishing way of life under the long shadow of the Inquisition.
This keepsake volume of Rudolfo Anaya’s Christmas writings opens with the classic New Mexico Christmas story The Farolitos of Christmas, Anaya’s heartwarming story of a beloved holiday tradition, of a promise, and of homecoming on Christmas Eve. This Christmas story by one of New Mexico’s best-known authors (Bless Me, Ultima) has delighted children and adults since it was first published in 1987. “Season of Renewal,” Anaya’s narrative of Christmastime in his native state, first appeared thirty years ago in the Los Angeles Times and recounts timeless Hispanic and Native traditions that continue in New Mexico to this day including the reenactments of revered nativity stories, Los Pastores and Las Posadas. Finally, in “A Child’s Christmas in New Mexico, 1944,” Anaya presents us with a storied poem, in stunning verse, never before published. It is Christmas morning, he is a seven-year-old boy, and is running through the icy dawn to his neighbor’s door to seek “mis Crismes,” special treats. That night he and his family walk to midnight Mass where the church choir memorably sings “Las Mañanitas,” a birthday song, to baby Jesus. But there is a bittersweet aspect to looking back on childhood’s magic from an older man’s vantage; the world has changed, the ways of elders are nearly lost, innocence has transitioned to experience. Rudolfo Anaya’s Christmas collection is like a snow globe—shake it, then watch as the scene emerges through the orb revealing tradition, family, community, love. This gift from a master storyteller and New Mexico treasure is sure to be loved by children of all ages for decades to come.
PEN Center West Award Winner: A novel of myth and migration set in a mid-twentieth–century New Mexico barrio, by the author of Bless Me, Ultima. Today is the day Benjie Chávez and his family will leave the town of Guadalupe behind. Far from the land of the eagle and the nopal, they travel west to find a new home of opportunity. But adapting to the big, impersonal city of Albuquerque is no easy task. As both life and death come to the barrio, a blind seer named Crispin arrives in the Chávezes’ world. At first everyone dismisses his stories about an elusive place called Aztlán as the ramblings of an old man. But gradually, they come to realize that he can see what they cannot. In earthy prose, American Book Award–winning author Rudolfo Anaya tells a spellbinding story of myth and migration, love and loss. Heart of Atzlán is a hopeful and heartbreaking novel about people in search of the shimmering mirage of a better life—and the land that keeps calling them back.
From the author of Bless Me, Ultima, a “wonderfully told and mesmerizing” novel of an adopted Mexican-American boxing champion’s quest for identity (New York Times). Abrán González always knew he was different. Called a coyote because of his fair skin, the kid from Barelas found escape through boxing and became one of the youngest Golden Gloves champs. But the arrival of a letter from a dying woman turns his entire life into a lie. The revelation that he was adopted makes him feel like an orphan and sends him on a quest to find his birth father. With the help of his girlfriend, Lucinda, and Joe, a Vietnam veteran, Abrán begins a journey that hurls him from the barrio into a world of greed and political corruption spearheaded by Abrán’s manager, Frank Dominic, a con artist running for mayor with visions of building El Dorado on the Rio Grande. Rich in spirituality, and taking its title from the original spelling of the city’s name, Alburquerque casts a light on the importance of ancestry while cutting across class and ethnic lines to tell a story of hope and displacement, love and regret, and the power of identity. “A touching love story woven into a tale of treachery, a microcosm of the social and economic dislocations squeezing the American Southwest.” —Publishers Weekly
Fifty-two essays exploring identity, literature, immigration, and politics by the American Book Award winner, one of the godfathers of Chicano literature. Best known for his novel Bless Me, Ultima, which established him as one of the founders of Chicano literature, Rudolfo Anaya displays his gift for storytelling and deep connection to the land and its history in The Essays. These intimate and contemplative essays explore censorship, immigration, urban development, the Southwest as a region, and personal identity. In “Aztlan: A Homeland Without Boundaries,” he discusses the reimagining of the modern Chicano community through ancient myth and legend; in “The Spirit of Place,” he explores the historical connection between literature and the earth. Some essays are autobiographical, some argumentative; all are passionate—and a must-read for Anaya fans and readers who crave a view of contemporary America through fresh eyes.
“A parable for our time. . . . We are in deep need of simple truths, of rediscovering our ancient teachings, and Jalamanta may provide that opportunity.” —The Washington Post Book World For thirty years, Fatimah has tended her herd of goats and waited for her lover to return. Amado was banished after leading a revolt against the cruel despots of their village—the Seventh City of the Fifth Sun. He followed the teachings of the wise men and women and roamed the desert in search of knowledge. When his exile finally ends, he returns transformed—no longer the innocent lover of Fatimah’s youth but a prophet named Jalamanta, or “he who strips away the veils that blind the soul.” He brings enlightenment, cures addictions, and can perform miracles. But Jalamanta’s enemies see him as a dangerous threat to the status quo and will use any means necessary to stop him. His deep wellspring of faith and compassion will not allow him to give up or give in—even as he faces the greatest betrayal of all. A searing indictment of tyranny, oppression, and human suffering, Jalamanta is about the age-old battle between good and evil that rages in every heart. It is also a tribute to the love that is the creative force of the universe—the light that can banish ignorance and fear and illuminate the darkest corners of the soul.
As this exquisite novel charts Alfonso's life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition.
A high-profile murder thrusts a New Mexico PI into a hotbed of political treachery and terrorist threats: “Baca is a fascinating hero.” —Edmonton Journal Sonny Baca has learned to see beneath life’s observable reality and develop a new kind of sight. But the Chicano PI will need his most powerful guardian spirits when he’s called in to investigate the death of the governor of New Mexico. Before the murder, Sonny dreamed of a body floating in dark, swirling water. Not only was the governor drowned, but black feathers were found on his corpse. Sonny fears the killer is his old nemesis, Raven, the vicious cult leader responsible for the death of Sonny’s cousin and the near death of Sonny’s girlfriend. But the worst is yet to come: Someone has planted a bomb in the Valles Caldera, near Los Alamos. And it’s set to go off in a few hours. Is this the work of Raven? Or someone else? With Chica, his dreaming dog, Sonny delves into the world of the Jemez Pueblo tribe, which has made the mountain its sacred site. But the evil that men do could annihilate the land and a people struggling desperately for survival. Now Sonny must stop a killer before more innocent people die—if his own hunger for revenge doesn’t destroy him first.
Readers of Rudolfo Anaya's fiction know the lyricism of his prose, but most do not know him as a poet. In this, his first collection of poetry, Anaya presents twenty-eight of his best poems, most of which have never before been published. Featuring works written in English and Spanish over the course of three decades, Poems from the Río Grande offers readers a full body of work showcasing Anaya's literary and poetic imagination. Although the poems gathered here take a variety of forms-haiku, elegy, epic-all are imbued with the same lyrical and satirical styles that underlie Anaya's fiction. Together they make a fascinating complement to the novels, stories, and plays for which he is well known. In verse, Anaya explores every aspect of Chicano identity, beginning with memories of his childhood in a small New Mexico village and ending with mature reflections on being a Chicano who considers himself connected to all peoples. The collection articulates the themes at the heart of all Anaya's work: nostalgia for the landscape and customs of his boyhood in rural New Mexico, a deep connection to the Río Grande, the politics of Chicanismo and satire aimed at it, and the use of myth and history as metaphor. Anaya also illustrates his familiarity with world traditions of poetry, invoking Walt Whitman, Homer, and the Bible. The poem to Isis that concludes the collection honors Anaya's wife, Patricia, and reflects his increasing identification with spiritual traditions across the globe. Both profeta and vato, seer and homeboy, Anaya as author is a citizen of the world. Poems from the Río Grande offers readers a glimpse into his development as a poet and as one of the most celebrated Chicano authors of our time.
Spanning a period of thirty years, a collection of eighteen short stories includes "Silence of the Llano,' "In search of Epifano," and "Children of the Desert.
In the third book in Anaya's Albuquerque mystery series, P.I. Sonny Baca learns to enter his dream world and fight his nemesis, the Raven, before he is utterly destroyed.
Because Rattlesnake has taken over the road and will not let any of the people or animals in the village use it, Desert Woman enlists the aid of the other animals to create a strange new creature with the necessary tools to overcome Rattlesnake.
When he was a young man, Randy Lopez left his village in northern New Mexico to seek his fortune. Since then, he has learned some of the secrets of success in the Anglo world--and even written a book called Life Among the Gringos. But something has been missing. Now he returns to Agua Bendita to reconnect with his past and to find the wisdom the Anglo world has not provided. In this allegorical account of Randy's final journey, master storyteller Rudolfo Anaya tackles life's big questions with a light touch. Randy's entry into the haunted canyon that leads to his ancestral home begins on the Day of the Dead. Reuniting with his padrinos--his godparents--and hoping to meet up with his lost love, Sofia, Randy encounters a series of spirits: coyotes, cowboys, Death, and the devil. Each one engages him in a conversation about life. It is Randy's old teacher Miss Libriana who suggests his new purpose. She gives him a book, How to Build a Bridge. Only the bridge--which is both literal and figurative, like everything else in this story--can enable Randy to complete his journey. Readers acquainted with Anaya's fiction will find themselves in familiar territory here. Randy Lopez, like all Anaya's protagonists, is on a spiritual quest. But both those new to and familiar with Anaya will recognize this philosophical meditation as part of a long literary tradition going back to Homer, Dante, and the Bible. Richly allusive and uniquely witty, Randy Lopez Goes Home presents man's quest for meaning in a touching, thought-provoking narrative that will resound with young adults and mature readers alike.
Aztlán: Essays on the Chicano Homeland gathers articles published over a period of twenty years, offering in one volume the divergent ideological interpretations engendered within Chicano studies in relation to the legendary origin of the Aztecs."--Roberto Cantu, California State University
The Albuquerque barrio portrayed in this vivid novel of postwar New Mexico is a place where urban and rural, political and religious realities coexist, collide, and combine. The magic realism for which Anaya is well known combines with an emphatic portrayal of the plight of workers dispossessed of their heritage and struggling to survive in an alien culture.
This keepsake volume of Rudolfo Anaya’s Christmas writings opens with the classic New Mexico Christmas story The Farolitos of Christmas, Anaya’s heartwarming story of a beloved holiday tradition, of a promise, and of homecoming on Christmas Eve. This Christmas story by one of New Mexico’s best-known authors (Bless Me, Ultima) has delighted children and adults since it was first published in 1987. “Season of Renewal,” Anaya’s narrative of Christmastime in his native state, first appeared thirty years ago in the Los Angeles Times and recounts timeless Hispanic and Native traditions that continue in New Mexico to this day including the reenactments of revered nativity stories, Los Pastores and Las Posadas. Finally, in “A Child’s Christmas in New Mexico, 1944,” Anaya presents us with a storied poem, in stunning verse, never before published. It is Christmas morning, he is a seven-year-old boy, and is running through the icy dawn to his neighbor’s door to seek “mis Crismes,” special treats. That night he and his family walk to midnight Mass where the church choir memorably sings “Las Mañanitas,” a birthday song, to baby Jesus. But there is a bittersweet aspect to looking back on childhood’s magic from an older man’s vantage; the world has changed, the ways of elders are nearly lost, innocence has transitioned to experience. Rudolfo Anaya’s Christmas collection is like a snow globe—shake it, then watch as the scene emerges through the orb revealing tradition, family, community, love. This gift from a master storyteller and New Mexico treasure is sure to be loved by children of all ages for decades to come.
Rudolfo Anaya returns to the deeply spiritual themes of his hugely popular "Bless Me, Ultima" with this insightful tale of a prophet and his message to save humankind from itself.
The legend of Quetzalcóatl is the enduring epic myth of Mesoamerica. The gods create the universe, but man must carefully tend to the harmony of the world. Without spiritual attention to harmony, chaos may reign, destroying the universe and civilization. The ancient Mexicans, like other peoples throughout the world, wrestled with ideas and metaphors by which to know the Godhead and developed their own concepts about their relationship to the universe. Quetzalcóatl came to the Toltecs to teach them art, agriculture, peace, and knowledge. He was a redeemer god, and his story inspires, instructs, and entertains, as do all the great myths of the world. Now available in paperback, the Lord of the Dawn is Anaya’s exploration of the cosmology and the rich and complex spiritual thought of his Native American ancestors. The story depicts the daily world of man, the struggle between the peacemakers and the warmongers, and the world of the gods and their role in the life of mankind.
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