Rudolf Weinsheimer, cellist and member of the Berlin Philharmonic Orchestra for 40 years under Herbert von Karajan and Claudio Abbado, is also known as the founder of the Ensemble of the 12 Cellists of the Berlin Philharmonic Orchestra. He organ-ized worldwide tours for his orchestra and the 12 Cellists and was instrumental in encouraging world-renowned composers like Boris Blacher, Arvo Pärt or Iannis Xenakis to write new music for the Ensemble of the 12 Cellists. In this biography, he tells his life story, the story of a passionate and talented young man who, as a wartime child growing up in Wiesbaden, has to learn how to survive the dismal and sometimes cruel times, without losing track of his goal to become a musician like his father. It is a story of ambition, coincidence, fate, resilience, and overall a positive attitude towards change and progress, which leads this young man on the right path. He tells about encounters with famous musicians during 40 years of touring the world with his orchestra, and recalls anecdotes about both failures and moments of great success, at home as well as abroad. Most importantly, however, there is the feeling of music uniting and reconciling the nations of this world, with Japan being a cornerstone in his vita. Finally, it is also a story about post-war Germany on her way to overcome her guilt and accept responsibility by fostering peace and understanding among the people of this world through music. In hindsight, it becomes clear that also many famous pieces of music of the 20th century - Shostakovich in his 10th Symphony, for example, or Richard Strauss, for that matter - grapple with the conflicts of the 20th century. Rudolf Weinsheimer keeps the reader close to his life experiences, be they professional or private, he is honest and outspoken at times, yet always human, and also philosophical when it comes to the unexpected turns life can take.
This book provides an innovative approach to meeting the challenges faced by philosophical hermeneutics in interpreting an ever-changing and multicultural world. Rudolf A. Makkreel proposes an orientational and reflective conception of interpretation in which judgment plays a central role. Moving beyond the dialogical approaches found in much of contemporary hermeneutics, he focuses instead on the diagnostic use of reflective judgment, not only to discern the differentiating features of the phenomena to be understood, but also to orient us to the various meaning contexts that can frame their interpretation. Makkreel develops overlooked resources of Kant’s transcendental thought in order to reconceive hermeneutics as a critical inquiry into the appropriate contextual conditions of understanding and interpretation. He shows that a crucial task of hermeneutical critique is to establish priorities among the contexts that may be brought to bear on the interpretation of history and culture. The final chapter turns to the contemporary art scene and explores how orientational contexts can be reconfigured to respond to the ways in which media of communication are being transformed by digital technology. Altogether, Makkreel offers a promising way of thinking about the shifting contexts that we bring to bear on interpretations of all kinds, whether of texts, art works, or the world.
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