The family unit as we know it, is disintegrating before our eyes. Why is this an alarming problem? Because it is the family unit that shapes and molds us into the individuals that we are today. In this book I try to share with you not only my triumphs and successes but, my hardships and failures as well. Born into an Hispanic family, life has given me a unique perspective of the world around us. It has engulfed me with the good and bad of what our society has to offer. On the negative side, I have tried to dismiss the stereotyping that unavoidably is attached to my race. I have tried to overcome the prejudices that still linger today. On the positive side, I have learned to appreciate and respect the wonderful customs and traditions that my culture permeates. As an adolescent, my parents instilled in me the value of growing up in the Catholic faith. As an athlete, my father taught me the value of hard work, grit, and determination. As a teacher, my brother Doug, taught me the value of shaping and molding the minds of our youth. As a coach, I learned the values of being a man of integrity-adhering always to a code of moral conduct. "Be a man of your word," my father would always tell me. "Be a role model and be willing to lead by example." As a senior citizen, I have learned to appreciate the life that God has blessed me with. I ask you now, what defines you as an individual? How do you react to the ups and downs in your life? How will you navigate the twists and turns that life drops at your doorstep? Go forth and make a difference in the world!!!
Ruben D. Garcia's powerful, spiritual, and apocalyptic tale of Michael, a messenger of God using miraculous powers to prepare the Chosen Ones for the coming end of time.
In this highly original and personal book, Ruben J. Garcia argues forcefully that we must center the minimum wage as a tool for fighting structural racism. Employing the lessons of critical race theory to show how low minimum wages and underenforcement of workplace laws have always been features of our racially stratified society, Garcia explains why we must follow the leadership of social movements by treating increases in minimum wage levels and enforcement as matters of racial justice. Offering solutions that would benefit all workers, especially the immigrants and people of color most often made victims of wage theft, Critical Wage Theory is essential reading for anyone who seeks a more just future for the working class.
Undocumented and authorized immigrant laborers, female workers, workers of color, guest workers, and unionized workers together compose an enormous and diverse part of the labor force in America. Labor and employment laws are supposed to protect employees from various workplace threats, such as poor wages, bad working conditions, and unfair dismissal. Yet as members of individual groups with minority status, the rights of many of these individuals are often dictated by other types of law, such as constitutional and immigration laws. Worse still, the groups who fall into these cracks in the legal system often do not have the political power necessary to change the laws for better protection. In Marginal Workers, Ruben J. Garcia demonstrates that when it comes to these marginal workers, the sum of the law is less than its parts, and, despite what appears to be a plethora of applicable statutes, marginal workers are frequently lacking in protection. To ameliorate the status of marginal workers, he argues for a new paradigm in worker protection, one based on human freedom and rights.
This first major collection of former Los Angeles Times reporter and columnist Ruben Salazar's writings, is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the U.S. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Since his tragic death while covering the massive Chicano antiwar moratorium in Los Angeles on August 29, 1970, Ruben Salazar has become a legend in the Chicano community. As a reporter and later as a columnist for the Los Angeles Times, Salazar was the first journalist of Mexican American background to cross over into the mainstream English-language press. He wrote extensively on the Mexican American community and served as a foreign correspondent in Latin America and Vietnam. This first major collection of Salazar's writing is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the United States. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Border Correspondent presents selections from each period of Salazar's career. The stories and columns document a growing frustration with the Kennedy administration, a young César Chávez beginning to organize farm workers, the Vietnam War, and conflict between police and community in East Los Angeles. One of the first to take investigative journalism into the streets and jails, Salazar's first-hand accounts of his experiences with drug users and police, ordinary people and criminals, make compelling reading. Mario García's introduction provides a biographical sketch of Salazar and situates him in the context of American journalism and Chicano history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
Atrocious story coming, In whose hands we are, how many traps must contrive to keep living life? Manual de infractores J.M. Caballero Bonald The world is already sold. We are all permanent residents, no other place to go. La sociedad sitiada Zygmunt Bauman
Ave Maria" es una obra de pequeñas dimensiones en la cual el piano y la voz de soprano dialogan constantemente, a semejanza del ángel Gabriel y María. Esta bella oración hace aún más bella la música. Se mantiene la coherencia estructural del texto en la música. Texto y música se fusionan para convertirse ambas en una oración cantada.
Poems about desire, solitude, work, attitude to the storm and loss. Speaking of bans, language, travel, hypocrisy, of enemies, of hedgehogs, lessons, zippers, the flies, the chains, the corrupt. A singing poems against the monotony of sadness, stumbling against the cowardice, the standards, in favor of the magic, the senses, the bites, despite the prices, the scavengers, the suspicions, the blindness, tracks , the certainties, the shells, the ways to die, finger to finger, because there's always a reason: fear white sheep.
A simple question and answer book that will assist parents and students to navigate the challenging financial aid process. This book provides questions to answers that many parents and students do not know and will increase your knowledge. It contains the culmination of life experiences that I have encountered working with students and parents over decades at six colleges and universities throughout the country. Be prepared when you approach the college and/or university you are intending to attend. This book will provide you the confidence about the subject matter of financial aid to help you ask the right questions resulting with less anxiety about financing your education.
The Strategy is aimed at governments, managers and other stakeholders involved in the control of invasive lionfish in the Caribbean. It provides a framework for action for a regionally coordinated response to the lionfish threat.
Ruben Soto shares some of his personal stories, poems, and tales that will touch your heart. Soto offers you hope, encouragement, peace for your soul, and taking pride in being Hispanic in today's America. Latinos are now America's largest minority group, and they come from different and diverse backgrounds. They have a unique culture, and the extended family plays a very important role in their daily lives. This book will make you see Hispanics in a totally different way, and show you how they are changing our nation. It celebrates the Hispanic culture of today. It celebrates the America of today. It's fiesta time in America! So get ready to take your heart to places it's never been before!
I have made it my mission in life to assist parents and their children to navigate the challenging and complex processes of student finance for over 25 years. My passion stems from my personal experience of having been a first generation high school graduate going to college back in the early 80's who had no idea how financial aid process worked. After high school, I completed the paper Free Application for Federal Student Aid because I was told to do it by my counselor. I went to the college financial aid office. I was instructed that I would get a loan for $2625.00 and my parents needed to borrow a PLUS loan. The total cost per term was approximately $3500.00 for a total of $7,000.00 for the year. As a result, I did not go to college right away because I did believed that I could afford it. I was too proud to ask if there were other options. I did not know what questions to ask. I just did not understand the process. I gave up and walked away. After 9 years of going to college and working, I finally decided to go back to school full-time. I got a job at the financial aid office as a work-study and learned how the process worked, I looked up my old file to see the total tuition cost with books to go to the university per term. The cost was varied from $300 to $1000 per term for books and tuition. What I failed to tell the clerk or the clerk failed to ask me was where I was going to live. The clerk assumed I would be living in student housing and quoted me the cost of living on campus. I lived approximately 25 miles from the university and was planning to commute to college. Fortunately, my ignorance and embarrassment as a young high school kid and the clerk's misinformation set me down a different path. A path that was meant for me to be able to achieve amazing opportunities and impact the lives of many students and their parents. In this book where I commit to pay it forward, I provide answers to questions on financial aid processes and funds, guidance on career exploration and where to go to get information to help you not make the same mistakes others have in your journey to getting college financing. This book was designed to give you and your parents a base foundation to feel confident when you are starting to approach your high school counselors and financial aid personnel at colleges and universities.
Kawaii is a word that originated in 1970s Japan when schoolgirls adopted the term to describe everything cute. This word is now understood world-wide and identifies a particular trend of visual aesthetics (Hello Kitty being the most famous). Kawaii is a recognizable art form practiced by artists all over the world and covers the visual gamut from commercial art (stickers, clothing, calendars, pens, pencils, erasers, video games) to high-brow contemporary art (e.g. Takashi Murakami and Yoshitomo Nara). Presented primarily through full page images, Charuca (a Kawaii artist herself) has curated an international collection of the most popular adorable, hilarious, and sometimes dark Kawaii art being made today. Charuca begins each chapter with a small description of the artist and her feelings towards his or her work, creating an artistic dialogue spoken mainly through the loud, brightly full-colored images that flood each page. Some of the artists she selected include: Aranzi Aronzo Bubi Au Yeung Bukubuku Charuca Devil Robots Hiroko Yokoyama Itokin Park Marichan Meomi Paul Shih Ryoko Takidoki Yukiko Yokoo
A real American memoir of mid-20th Century, West Oakland, California. A rare glimpse into urban adventures, immigrant challenges and musical culture. An easy and interesting read for all ages.
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