The saga of the precipitous rise and ultimate fall of the Jonathan Lucas family's rice-mill dynasty In the 1780s Jonathan Lucas, on a journey from his native England, shipwrecked near the Santee Delta of South Carolina, about forty miles north of Charleston. Lucas, the son of English mill owners and builders, found himself, fortuitously, near vast acres of swamp and marshland devoted to rice cultivation. When the labor-intensive milling process could not keep pace with high crop yields, Lucas was asked by planters to build a machine to speed the process. In 1787 he introduced the first highly successful water-pounding rice mill—creating the foundation of an international rice mill dynasty. In Rice to Ruin, Roy Williams III and Alexander Lucas Lofton recount the saga of the precipitous rise and ultimate fall of that empire. Lucas's invention did for rice, South Carolina's first great agricultural staple, what Eli Whitney did for cotton with his cotton gin. With his sons Jonathan Lucas II and William Lucas, Lucas built rice mills throughout the lowcountry. Eventually the rice kingdom extended to India, Egypt, and Europe after the younger Jonathan Lucas moved to London to be at the center of the international rice trade. Their lives were grand until the American Civil War and its aftermath. The end of slave labor changed the family's fortunes. The capital tied up in slaves evaporated; the plantations and town houses had to be sold off one by one; and the rice fields once described as "the gold mines of South Carolina" often failed or were no longer planted. Disease and debt took its toll on the Lucas clan, and, in the decades that followed, efforts to regain the lost fortune proved futile. In the end the once-glorious Carolina gold rice fields that had brought riches left the family in ruin.
Roy Williams has a deserved reputation as one of the most exciting young writers whose plays have electrified the sort of audiences most theatres rarely see: streetwise urban youth. 'His plays have brought the experience of black urban youth onto the stage' (Observer).This third collection of plays, introduced by the author, showcases the diversity, the moral probing and the fine ear for authentic dialogue characteristic of his writing: Fallout: first produced in 2003 the play focuses on the aftermath of the killing of a teenager. Slow Time was commissioned and developed by the National Theatre's Education Department and toured to London schools. Set in a young offender's institution the play depicts three young men and their fight to survive. Days of Significance was produced by the RSC in 2007 and is revived at the Tricycle Theatre, London in March 2008. It was described by the Daily Telegraph as 'the best new play of the year ... that powerfully caught the debased spirit of our times.' Absolute Beginners - a stage adaptation of the seminal novel of adolescence set in 1958 London - produced at the Lyric Hammersmith May 07: 'bags of energy and highly watchable' Daily Mail.
Roy Williams has a deserved reputation as one of the most exciting young writers whose plays have electrified the sort of audiences most theatres rarely see: streetwise urban youth. 'His plays have brought the experience of black urban youth onto the stage' (Observer).This third collection of plays, introduced by the author, showcases the diversity, the moral probing and the fine ear for authentic dialogue characteristic of his writing: Fallout: first produced in 2003 the play focuses on the aftermath of the killing of a teenager. Slow Time was commissioned and developed by the National Theatre's Education Department and toured to London schools. Set in a young offender's institution the play depicts three young men and their fight to survive. Days of Significance was produced by the RSC in 2007 and is revived at the Tricycle Theatre, London in March 2008. It was described by the Daily Telegraph as 'the best new play of the year ... that powerfully caught the debased spirit of our times.' Absolute Beginners - a stage adaptation of the seminal novel of adolescence set in 1958 London - produced at the Lyric Hammersmith May 07: 'bags of energy and highly watchable' Daily Mail.
This work is the firs scholarly biography of Sidney Godolphin in over one hundred years, and thus fills a gaping hole in the history of late Stuart England. How Godolphin used his position to mold English diplomacy and military strategy is examined.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.