In this comprehensive, sociorhetorical interpretation of Colossians, Roy R. Jeal explores the letter’s portrayal of the grand vision that extends from the realm of God before the creation of the cosmos to the new reality and new culture of the life of fullness in Christ. The commentary analyzes the pictures the text evokes in the human visual imagination, identifies the persuasive modes of discourse in the letter, and evaluates the range of textures that interweave to produce the dynamic rhetorical argument of Colossians. Demands to conform to “empty deceitful philosophy, human tradition, and the elements of the world” rather than to Christ are irrelevant for believers who have been transferred from darkness to the light of the Son of God’s kingdom. The rhetoric of the letter moves believers to ideologies of living in the body of Christ where orderly behavior guided by love contrasts with the chaotic, self-indulgent, divisive uncertainties of Mediterranean existence.
A new, sociorhetorical interpretation of the Letter to Philemon Exploring Philemon shows how this letter entered the world of the ancient Mediterranean and the early church with a dramatic and powerful rhetorical force by analyzing the range of textures interwoven with each other to produce a profound effect on an early Christian (Philemon) and on the church that met in his home. It demonstrates that many striking and subtle features work together to present a rhetorical argument that the new Christian society must be one of freedom, brotherhood, and partnership not just for the powerful, but for all. Features: An analysis of the visual imagery of the letter Application of up-to-date rhetorical, sensory-aesthetic, and intertextual interpretive methods Use of Social and cultural, ideological, and theological strategies
In this comprehensive, sociorhetorical interpretation of Colossians, Roy R. Jeal explores the letter’s portrayal of the grand vision that extends from the realm of God before the creation of the cosmos to the new reality and new culture of the life of fullness in Christ. The commentary analyzes the pictures the text evokes in the human visual imagination, identifies the persuasive modes of discourse in the letter, and evaluates the range of textures that interweave to produce the dynamic rhetorical argument of Colossians. Demands to conform to “empty deceitful philosophy, human tradition, and the elements of the world” rather than to Christ are irrelevant for believers who have been transferred from darkness to the light of the Son of God’s kingdom. The rhetoric of the letter moves believers to ideologies of living in the body of Christ where orderly behavior guided by love contrasts with the chaotic, self-indulgent, divisive uncertainties of Mediterranean existence.
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