BOOKS ON COLOUR 1495-2020 offers quick and easy reference to 2,500 authors and editors and over 3,000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication and biographical details. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes follow it. Publications are categorised under 27 headings: Architecture, Chemistry, Classification, Colorants, Computing & Television, Decoration, Design, Dress & Cosmetics, Dyeing, Flora & Fauna, Food, Glass, History, Lighting, Metrology, Music, Optics, Painting, Perception, Philosophy, Photography & Cinema, Printing, Psychology, Symbolism, Terminology, Therapy, and Vision.
Sicily Herald and the Blazon of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. 'Le Blason de toutes armes et scutz' (The blazon of all arms and shields) was completed about 1420 by Jean Courtois (c. 1375-1436), the Sicily Herald, and printed in Paris in 1495. The second, 'Le Blason des couleurs en armes, livr es, et devises' (The blazon of colours in arms, liveries and devices), by Gilles Corrozet (1510-68), was published in Paris in 1527 by Pierre Le Brodeur. They were first two books on colour to be printed in Europe, and are now available in English for the first time in five centuries. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.
Telesio and Morato on the Meaning of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. The first is the 'Libellus de coloribus' (Booklet on colours), the most extensive lexicon of colour terminology of its time, published in Venice in 1528 by Antonio Telesio (1482-1534), who latinised his name as Antonius Thylesius. The second is 'Del significato de' colori' (On the signification of colours), the most extensive digest of current and classical colour meanings of its time, published in Venice in 1535 by Fulvio Pellegrino Morato (c. 1483-1548). They were the third and fourth books on colour to be printed in Europe. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.
Color Influencing Form' offers a compact, comprehensive and inexpensive coursebook for the study of color in art and design. In 35,000 words it methodically covers all basic color theory for visual artists and designers, including relationships between light sources, surfaces and vision, visual illusions, and symbolic and functional aspects of color. It further proposes how color can be examined creatively in relation to the perception of form, including figure-ground division, contour, tone and texture, opacity and transparency, spatial ambiguity, and perspective of color, detail, size, and shape. Roy Osborne is an artist and author of books on color. He has lectured at over 200 colleges worldwide. In 2003 he received the Turner Medal of the Colour Group (Great Britain), and in 2019 received the Colour in Art, Design and Environment Medal of the International Colour Association.
Let the adventure begin with four popular series--Magic Tree House, Junie B. Jones, A to Z Mysteries, and Purrmaids--all in one collection! Has a book ever made you laugh so hard milk came out of your nose? Do adventure and mystery keep you turning pages? Do you love a good story about friendship? Then the fun really does start here! This special "starter set" contains the first book in four fantastic series, including New York Times bestselling Magic Tree House and Junie B. Jones, that have hooked millions of kids on reading. Find out which one is your favorite! --In Magic Tree House #1: Dinosaurs Before Dark, a mysterious tree house whisks Jack and Annie to the time of the dinosaurs! --In Junie B. Jones and the Stupid, Smelly Bus, the world's funniest kid is so afraid of the school bus that when it's time to go home . . . she doesn't. --In A to Z Mysteries: The Absent Author, Dink, Josh, and Ruth Rose's favorite author is missing. Can they crack the case? --In Purmaids #1: The Scaredy Cat, Coral, Shelly, and Angel are Purrmaids--part kitten, part mermaid. Will Coral ever be as brave as her best friends?
Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.
BOOKS ON COLOUR 1495-2020 offers quick and easy reference to 2,500 authors and editors and some 3,000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication and biographical details. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes follow it. Publications are categorised under 27 headings: Architecture, Chemistry, Classification, Colorants, Computing and Television, Decoration, Design, Dress and Cosmetics, Dyeing, Flora and Fauna, Food, Glass, History, Lighting, Metrology, Music, Optics, Painting, Perception, Philosophy, Photography and Cinema, Printing, Psychology, Symbolism, Terminology, Therapy, and Vision.
Leigh and Lomazzo on the Virtue of Colours (Renaissance Colour Symbolism III) brings together relevant extracts from four sixteenth-century sources. The first is The Accedens of Armory, published in London in 1562 by Gerard Leigh (c. 1520-63). The second is the Trattato dell?arte della pittura, scoltura, et archittetura, published in Milan in 1584 by Giovanni Paolo Lomazzo (1538-92). Those parts selected are accompanied by English translations by Richard Haydocke (1570-1642), taken from A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge, published in Oxford in 1598. Also included is the Trattato de i colori nelle arme, nelle livree, et nelle devise, the Italian translation of Le Blason des couleurs en armes, livrees, et devises, by 'Sicillo Araldo' (the Sicily Herald), originally by Jean Courtois and Gilles Corrozet and published in Paris in 1527.
A 16th century scholar Antonio Telesio probes ancient colour words and ideas, and foreshadows future trends. He lived at a time when he could discuss colour with Raphael, Leonardo and Titian. Although writing for his classics students, his chapters on the main twelve colours, might equally well have been placed around a renaissance palette.
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