The title Flakes of Dark and Light is evocative of the sharp flakes of insight and colour which characterise these tales. The tales in the first part mostly depict an African setting and, in fact, are more recent, often suggesting the climate of change and violence that has gripped southern Africa in the last two decades. The stories in the second part were inspired by a more English tradition and, in fact, capture the climate of change that brooded over life during the Thirties and the war years. A contemporary of Ted Hughes, and with many of his stories set in the depressed, sometimes seedy England of the Thirties and Forties which Graham Greene depicted in his early novels, its not surprising that Roy Hollands images and sentences are like flakes that cut like broken glass. A true artist, he does not take sides, but holds up a mirror to show life as it isorwaswhether in a pre-war England or an Africa ravaged by drought and violence. His tales are snapshots, truthful, sometimes startling, of two quite distinct cultures. However disparate they may seem, one is invariably aware of an underlying tenderness and sympathetic vision in the portrayal of character, regardless of race or background, that binds them together.
This interview with Alan Paton by Roy Holland has never, until now, been published. The interview took place on June 19 and June 20, 1973, when Holland was a guest in Paton's home, Lintrose, at Bothas Hill, Kloof, Natal. It provides many insights into Paton's life, his political involvement as the founder of the Liberal party in South Africa, and his writings.
The small group focus of cell church is offering a vital new way of being church in many areas where traditional models are struggling. These accounts of cell church in different contexts demonstrate both the enormous possibilities of this model and the need to develop practice sensitively in each situation. Together they form an important reference point for those considering or engaged in the transition to cell church.
A hilarious evocation of life as a student at Cambridge University in the sixties, shortly after the time of such notable figures as F. R. Leavis, C.S. Lewis and E.M. Forster.
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