When the script says "shoot me" and Hollywood says no, your only alternative is to raise the money and do it yourself. Here's how screenwriters Roy Frumkes and Rocco Simonelli used digital video to do just that. Witty, original, and ruthlessly on the mark, this unvarnished look at independent film-making chronicles both the creative intricacies of collaboration and the tricks of staying in budget and out of court. The authors compare notes as they describe the entire film-making process, with coverage including: * Targeting the audience for the script and tailoring the script for the audience * Raising money: your friends, your family, and the millionaire next door * Casting: names, no-names, and personality nightmares * Locations: finding them, securing them, and sometimes even stealing them * Producing: creating a budget, scheduling the shoot, and dealing with unions * Directing: working with actors and protecting your vision * Editing: or dropping that scene you thought was a gem * Celebrating, publicizing, and distributing the finished product
The late E. Roy John is considered the pioneer in the field of neurometrics – the science of measuring the underlying organization of the brain’s electrical activity. Volume 1, co-authored by Robert W. Thatcher, and Volume 2 both originally published in 1977, were among the first books this field. Volume 3, written by colleague Thalía Harmony, followed in 1984. The field expanded significantly in the 1990s and thousands of articles have subsequently been published. Available together for the first time these 3 volumes were important foundational works for the fields of quantitative electrophysiology and neurometrics.
Originally published in 1977, this title describes the basic structure and function of the brain, as well as the highest cognitive functions, using data from various disciplines to detail ways in which behaviorally relevant functions are mediated by the neural systems. Among the topics discussed are the neurophysiology of emotion, the chemical basis of memory, daily subjective experience and psychopathology, and information representation. A major purpose of this volume was to provide the student not only with a sound foundation in functional neuroscience, but also to equip them with a detailed understanding of how these facts and methods can be applied to clinical problems.
When the script says "shoot me" and Hollywood says no, your only alternative is to raise the money and do it yourself. Here's how screenwriters Roy Frumkes and Rocco Simonelli used digital video to do just that. Witty, original, and ruthlessly on the mark, this unvarnished look at independent film-making chronicles both the creative intricacies of collaboration and the tricks of staying in budget and out of court. The authors compare notes as they describe the entire film-making process, with coverage including: * Targeting the audience for the script and tailoring the script for the audience * Raising money: your friends, your family, and the millionaire next door * Casting: names, no-names, and personality nightmares * Locations: finding them, securing them, and sometimes even stealing them * Producing: creating a budget, scheduling the shoot, and dealing with unions * Directing: working with actors and protecting your vision * Editing: or dropping that scene you thought was a gem * Celebrating, publicizing, and distributing the finished product
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