Sam, an honorably discharged army veteran meets the owner of a cat that was hit by car, they became good friends and started a new business involving care of animals, during the operation of the business he becomes involved with different women, who bring their cats to his place of business. He has problems with his marriage but finally gets settled down.
In The Fields of Athenry , James Charles Roy leads us through the Irish past and present with the central theme of his own personal experience with the renovation of a run-down castle -- really a crumbled tower -- that he purchased more than thirty years ago. Moyode Castle, located near the County Galway market town of Athenry, was built in the sixteenth century by the Dolphins, an Irish-speaking family directly descended from French-speaking Norman adventurers who had invaded Ireland four centuries earlier. This old tower house and the rich agricultural lands it guards has witnessed every strand of Irish history, from the heroic exploits of Celtic warriors long celebrated by Yeats and Lady Gregory, through the Easter Rising of 1916 when IRA insurgents used the building as a lookout. It stands today as a powerful, timeless symbol of the tumultuous ebb and flow of fortune, both good and bad, that characterizes Irish history. Roy weaves his personal story of the purchase and renovation of Moyode into a wide ranging historical conversation, leading us to a topic of real interest to Ireland today and our sense of history more broadly: the historical nostalgia we attach to Ireland and the fact that our romantic image flies directly in the face of development and boom times in the "Celtic Tiger" of the twenty-first century. Few know, for example, that today Ireland produces and ships more software abroad than any other country in the world with the exception of the United States, though we all know the story of Angela's Ashes. With this theme in mind, Roy leads us to question what attracts us -- or perhaps more aptly him -- to the rubble of a castle from Irish days long past.
This autobiographical film history provides recounts Saville's experience on the Western Front during World War I and includes stories of filmmaking in Britain and America during the transition from silent to sound cinema, and then from black-and-white to color. It also gives a glimpse into Hollywood as it existed in the late 1930s and early 1940s, emphasizing Saville's work with stars like Spencer Tracy, Katharine Hepburn, Joan Crawford, Ingrid Bergman, Lana Turner, Elizabeth Taylor, Errol Flynn, and Paul Newman. Annotation copyrighted by Book News Inc., Portland, OR
This is the story of the 'failed' British Empire in Ireland and the sad end of the Tudor reign. The relationship between England and Ireland has been marked by turmoil ever since the 5th century, when Irish raiders kidnapped St. Patrick. Perhaps the most consequential chapter in this saga was the subjugation of the island during the 16th century, and particularly efforts associated with the long reign of Queen Elizabeth I, the reverberations of which remain unsettled even today. This is the story of that ‘First British Empire’. The saga of the Elizabethan conquest has rarely received the attention it deserves, long overshadowed by more ‘glamorous’ events that challenged the queen, most especially those involving Catholic Spain and France, superpowers with vastly more resources than Protestant England. Ireland was viewed as a peripheral theater, a haven for Catholic heretics and a potential ‘back door’ for foreign invasions. Lord deputies sent by the queen were tormented by such fears, and reacted with an iron hand. Their cadres of subordinates, including poets and writers as gifted as Philip Sidney, Edmund Spenser, and Walter Raleigh, were all corrupted in the process, their humanist values disfigured by the realities of Irish life as they encountered them through the lens of conquest and appropriation. These men considered the future of Ireland to be an extension of the British state, as seen in the ‘salon’ at Bryskett’s Cottage, outside Dublin, where guests met to pore over the ‘Irish Question’. But such deliberations were rewarded by no final triumph, only debilitating warfare that stretched the entire length of Elizabeth’s rule. This is the story of revolt, suppression, atrocities and genocide, and ends with an ailing, dispirited queen facing internal convulsions and an empty treasury. Her death saw the end of the Tudor dynasty, marked not by victory over the great enemy Spain, but by ungovernable Ireland – the first colonial ‘failed state’.
Nearly eighty years after its release, the Marx Brothers film Duck Soup remains one of the most influential pieces of political satire in history. In Hail, Hail, Euphoria!, bestselling author Roy Blount Jr. tells the history and making of Duck Soup, examining the comedic genius of the Marx Brothers in their finest hour and nine minutes. In Duck Soup, a slim, agile, quick-witted, self-assured young man is summoned to save a nation from financial ruin. As the nation's new president, he brings together a team of rivals, a band of brothers. Those brothers are Pinky, Chicolini, and Lt. Bob Roland. Their leader? None other than Rufus T. Firefly. The humor and idiosyncratic wit of Duck Soup are saluted by the author's own in this gem of a book, offering a behind-the-scenes tale of show business and brotherhood that only a true Marx Brothers aficionado could tell.
No other woman in world history has been of such compulsive interest as Elizabeth Tudor. While the rest of the 16th-century Europe was subject to the bloodshed of religious war, Tudor peace brought England its great flowering of the arts. Central to that flowering was the enigmatic legend of the Queen herself, a myth deliberately created and sustained over four decades by public spectacle and courtly chivalry, by private sonnet and official oration.
As an introduction to early modern thinking and the impact of past ideas on present lives, this book can find few equals and no superiors. Porter is a witty, humane writer with an extraordinary vocabulary and a sparkling sense of fun. Whether he is quoting from obscure medical texts or analysing scabrous diaries, dishing the dirt on long-dead bigwigs or evoking sympathy for human suffering, his grasp is masterly and his erudition appealing. I wish I could read it again for the first time: you can.' Times Educational Supplement, Book of the Week In this startlingly brilliant sequel to the prize-winning ENLIGHTENMENT Roy Porter completes his lifetime's work, offering a magical, enthusiastic and charming account of the writings of some of the most attractive figures ever to write English.
Edward of Caernarfon is best known today for his disastrous military defeat in 1314 at Bannockburn, where his English army was defeated by a vastly inferior Scottish force led by Robert the Bruce, leading to Scottish Independence. This catastrophe was one of many in a disastrous career marked by indolence, vengefulness, vacillation in relationships with France, deranged policies at home, and constitutional wrangling, ultimately brought to an end by a minor insurgency led by his vindictive wife and her paramour, a disaffected baron. Roy Martin Haines examines Edward II's eventful life and the more salient periods of his reign, situating the monarch in the context of the "empire" he inherited and the aftermath of his unregretted death"--Publisher's description.
A study of James Hay, a little known 17th-cent. Scotsman who was a key figure in the early Stuart era. Unlike the vast majority of Scots who entered England with James I, Hay absorbed the culture of England and tried to become a genuine part of it, in order to play an important role for his adopted country on both the nat. and internat. level. For more than three decades Hay was at the right hand of those who made the decisions, and advised them on what to decide. Between 1616 and 1629 Hay traveled to virtually every major Western European nation. Hay's lesser gentry origins, emphasis on civilian gov't. employment, devotion to the court over the country and ardent entrepreneurship all single him out as a Jacobean aristocrat. A print on demand pub.
Gathers caricatures and portraits depicting royalty, politicians, artists, lawyers, journalists, and sportsmen of Victorian England and includes notes on each subject's life
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