A Fart in a Colander brings together some wonderful stories from Roy Hudd's life, and sparkles with the fun and laughter Roy has brought to millions of people throughout his career.
Taking up the story of bands and their development from the 1930s to the start of the new millennium, Roy Newsome discusses the contest tradition of brass bands, the Youth banding movement, repertoire, instrumentation and the impact of the media on bands and their music.
Just as the Romans built roads to create and maintain their empire, so the British ruled the ocean waves with ships, and created the biggest empire the world has seen. The Last of a Salty Breed tells tales about British ships, seamen, and the many millions of folk who were voluntarily or forcibly shipped to the four corners of the world to create new countries. This book takes a conventional, chronological narrative interspersed by interludes between the chapters. They are light-hearted or poignant in nature, in many cases highlighting the high and low points of seafaring, and the harrowing voyages of times past. The author, a former maritime journalist for the New Zealand Herald and a ship deck officer, adds to the narrative his personal experiences and those of his maritime ancestors, who stretch back to the 1700s. The main “characters” are ships and prominent seafarers who made history one way or another, from Elizabethan mariners to present time, and include the author’s long family history of seafaring. “The dual dialogue and the subject a very worthy one, as to my knowledge there is no history of the New Zealand Merchant Navy, only books about ships and individual shipping companies.” – Captain Hamish Ross, editor of “Sea Breezes,” the worldwide magazine of ships and the sea
The troubled state of Aboriginal health in Australia is a seemingly perennial problem, despite ongoing research, policies and interventions. The second edition of this book examines the processes and practices behind this situation, and provides practical strategies to assist in addressing this complex subject.
By the time he was nineteen, Royston Vasey had married, divorced, fathered two children, spent two years in Britain's toughest Borstal, served three prison stretches and been stabbed while in the Merchant Navy. He thought his only career choice would be a life of crime. Fifteen years later, he was one of Britain's most successful comics, playing live to half a million fans a year as Roy 'Chubby' Brown. COMMON AS MUCK! tells an incredible story of hardships, heartbreak and, ultimately, success. From an impoverished childhood with his abusive father, to his brand of comedy too rude for television and his determined fight against throat cancer, COMMON AS MUCK! is a frank telling of a remarkable life, laced with Roy's irrepressible humour.
Education in Popular Culture explores what makes schools, colleges, teachers and students an enduring focus for a wide range of contemporary media. What is it about the school experience that makes us wish to relive it again and again? The book provides an overview of education as it is represented in popular culture, together with a framework through which educators can interpret these representations in relation to their own professional values and development. The analyses are contextualised within contemporary, historical and ideological frameworks, and make connections between popular representations and professional and political discourses about education. Through its examination of film, television, popular lyrics and fiction, this book tackles educational themes that recur in popular culture, and demonstrates how they intersect with debates concerning teacher performance, the curriculum and young people’s behaviour and morality. Chapters explore how experiences of education are both reflected and constructed in ways that sometimes reinforce official and professional educational perspectives, and sometimes resist and oppose them. Education in Popular Culture will stimulate critical reflection on the popular myths and professional discourses that surround teachers and teaching. It will serve to deepen analyses of teaching and learning and their associated institutional and societal contexts in a creative and challenging way.
When Archibald Liversidge first arrived at Sydney University in 1872 as reader in geology and assistant in the laboratory he had about ten students and two rooms in the main building. In 1874 he became professor of geology and mineralogy and by 1879 he had persuaded the senate to open a faculty of science. He became its first dean in 1882. Liversidge also played a major role in the setting up of the Australasian Association for the Advancement of Science which held its first congress in 1888. For anyone interested in Archibald Liversidge, his contribution to crystallography, mineral chemistry, chemical geology, strategic minerals policy and a wider field of colonial science.
Queen Elizabeth’s bloody rule over Ireland is examined in this “richly-textured, impressively researched and powerfully involving” history (Roy Foster, author of Modern Ireland, 1600–1972). England’s violent subjugation of Ireland in the sixteenth century under Queen Elizabeth I was one of the most consequential chapters in the long, tumultuous relationship between the two countries. In this engaging and scholarly history, James C. Roy tells the story of revolt, suppression, atrocities, and genocide in the first colonial “failed state”. At the time, Ireland was viewed as a peripheral theater, a haven for Catholic heretics, and a potential “back door” for foreign invasions. Tormented by such fears, lord deputies sent by the queen reacted with an iron hand. These men and their subordinates—including great writers such as Edmund spencer and Walter Raleigh—would gather in salons to pore over the “Irish Question”. But such deliberations were rewarded by no final triumph, only debilitating warfare that stretched across Elizabeth’s long rule.
On Taungurung Land: Sharing History and Culture is the first monograph to examine how the Taungurung Nation of central Victoria negotiated with protectors and pastoralists to retain possession of their own country for as long as possible. Historic accounts, to date, have treated the histories of Acheron and Mohican Aboriginal stations as preliminary to the establishment of the more famous Coranderrk on Wurundjeri land. Instead of ‘rushing down the hill’ to Coranderrk, this book concentrates upon the two foundational Aboriginal stations on Taungurung Country. A collaboration between Elder Uncle Roy Patterson and Jennifer Jones, the book draws upon Taungurung oral knowledge and an unusually rich historical record. This fine-grained local history and cultural memoir shows that adaptation to white settlement and the preservation of culture were not mutually exclusive. Uncle Roy shares generational knowledge in this book in order to revitalise relationships to place and establish respect and mutual practices of care for Country.
Residents of a care home face eviction. Their only chance of salvation - fake a Van Gogh painting and sell it in a scam. Danny Roberts' art career is going nowhere. He's penniless and he's a crap teaching job in the Three Elms care home - whose owner is quietly murdering the residents to gain their remaining assets to solve her financial problems. Ex-conman Alfie Edwards devises a plan he believes will rescue their home from bankruptcy. If Danny can fake a long lost Van Gogh painting, it can be used in a sophisticated scam and raise the millions needed to rescue the home. Danny Roberts is persuaded by Alfie, and the scam is set in motion. Oh, and just one of the problems to overcome. First, they've got to steal the original Van Gogh's famous Sunflowers painting from London's National Gallery! The story moves through the low and the high end of the art world where a painting's provenance is everything and where everyone is willing to bend the rules to gain prestige or money.
While reading memoirs, people often remark, Oh, I remember that. or I did that when I was a kid. The author presents his life's journey, which may be similar to their own experiences. The book follows the period of time beginning with the Great Depression of the 30s to the present day. It is the story of a boy from a poor working-class background who grows into a man striving for a satisfactory professional career for himself, as well as a comfortable life for his family. His experiences in achieving these goals are realized by the choices he made in his teen years and his subsequent emigration to Canada. Roy Goostrey was born in 1934 in the town of Stockport in the Industrial North-west of England. Upon leaving school he went into an apprenticeship in the mechanical engineering field, eventually working his way up to become a senior design draughtsman. In 1966, he and his family emigrated to Canada where he worked as a design engineer. An opportunity to become a qualified high-school teacher became available and he accepted a position teaching Mechanical Drafting. He taught there for twenty-three years, taking early retirement in 1989. Bugle Boy is the story of his life.
The urge to create pictures of our world has been with us ever since early man daubed a fingerful of pigment on a rock, or used primitive colours to create exquisite images of the beasts he hunted - images so breathtakingly powerful they have never been surpassed, however sophisticated we have become. This book tells the story of what painting has meant to us, and how its role has changed over the centuries. In the crisp, unstuffy commentary on each of 150 landmark works, Christie's art expert Roy Bolton leads us through the development of painting until our own age, where painting as a painterly craft has been overtaken by a proliferation of new forms introduced by contemporary art. To the question, 'Is the death of painting upon us?' the introductory chapter by Matthew Collings, the multi-award-winning TV art presenter, art historian and cultural critic, gives an inspiring answer: 'Painting justifies itself. Rather than pathetically struggling to keep up with the new freak-show culture of videos and installations, painting will only be worth having if it reconnects with its own inner life, where the old and the new are the same.' Roy Bolton's selection takes us from the Ancient World, via the Italian Renaissance, Rococo and Classicism to Impressionism, Modernism and the Contemporary World. Each painting, with its context and artist, is explained in terms designed to encourage us to judge art for ourselves. Written with authority and full of original and helpful insights, this is a history of art for our times. 'While I find it interesting to think about all sorts of art, I prefer painting to any of it. Painting is soulful, important, serious and humane.' Matthew Collings 'We need to de-mystify art by stripping it down to its bare essentials, then rebuilding it ourselves, using our own minds and eyes, without all the pompous clutter.' Roy Bolton
In a regional history of colonization and adaptation in southern Ukraine, Staples examines how diverse agrarian groups, faced with common environmental, economic, and administrative conditions, followed sharply divergent paths of development.
The Alan Clark diaries of cultural politics' Sunday Times 'At every word a reputation dies' A. N. Wilson Roy Strong is best known as the flamboyant former director of two great cultural institutions - the National Portrait Gallery and the Victoria & Albert Museum. In his first volume of diaries, he takes the reader into the heart of his career, revealing himself to be not just a mercurial and brilliant administrator, but also a shrewd observer of the glittering and political milieu into which he was drawn. We encounter David Hockney in his studio, the poignant figure of Cecil Beaton in decline, Nureyev fizzing with ideas and the Philistine Mrs Thatcher among many others, including a bevy of the Royal Family. And throughout the diaries runs the thread of an exceptional marriage, following his elopement with the designer Julia Trevelyan Oman. Splendours and Miseries provides a unique panorama of the world of the arts, fashion and society, taking us from the outrageous Swinging Sixties to the hard-edged glitz of Thatcher's Britain.
Known throughout Wales for his gentle self-deprecating sense of humour and brilliant TV and radio broadcasts, BBC presenter Roy Noble guides us through the "lay-bys" of his life; his warm, loving fifties Brynaman childhood; his college and teaching days; and his ultimate success in that most difficult of careers - showbusiness. A beautiful and entertaining depiction of the life of a truly extraordinary and much loved Welshman who has enriched the daily lives of millions. We meet his family and friends, the ordinary and the rich and famous. We rejoice at his triumphs, laugh at his blunders and cry at his unflinchingly honest depiction of personal tragedy.
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