“I left the South in search of the Enlightenment. I’m pro-choice, in favor of gay marriage, and against creationism and the war in Iraq. But both my parents’ people are deep Southern from many generations, and I spent a little over a third of my life, including the presumably most formative years (toilet training through college), living in the South. Mathematically, that makes me just about exactly as Southern as the American people, 34 percent of whom are Southern residents. But it goes deeper than math—my roots are Southern, I sound Southern, I love a lot of Southern stuff, and when my [Northern] local paper announces a festival to ‘celebrate the spirit of differently abled dogs,’ I react as a Southerner. I believe I care as much about dogs’ feelings as anybody. It is hard for me to imagine that a dog with three legs minds being called a three-legged dog.” A sly, dry, hilarious collection of essays—his first in more than ten years—from the writer who, according to The New York Times Book Review, is “in serious contention for the title of America’s most cherished humorist.” This time Blount focuses on his own dueling loyalties across the great American divide, North vs. South. Scholarly, raunchy, biting and affable, ol’ Roy takes on topics ranging from chicken fingers to yellow-dog Democrats to Elvis’s toes. And he shares experiences: chatting with Ray Charles, rounding up rattlesnakes, watching George and Tammy record, meeting an Okefenokee alligator (also named George, or Georgette), imagining Faulkner’s tennis game, and being swept up, sort of, in the filming of Nashville. His yarns, analyses, and flights of fancy transcend all standard shades of Red, Blue, and in between. Roy on language: “Remember when there was lots of agitated discussion of Ebonics, pro and con? I kept waiting for someone to say that if you acquire white English, you can become Clarence Thomas, whereas if you acquire black English, you can become Quentin Tarantino.” Roy on eating: “The way folks were meant to eat is the way my family ate when I was growing up in Georgia. We ate till we got tired. Then we went “Whoo!” and leaned back and wholeheartedly expressed how much we regretted that we couldn’t summon up the strength, right then, to eat some more.” Roy on racism: “Anybody who claims . . . not to have ‘a racist bone’ in his or her body is, at best, preracist and has a longer way to go than the rest of us.” Blount’s previous books have included reflections on a Southern president (Jimmy Carter), a novel about a Southern president (Clementine Fox), a biography of Robert E. Lee, a celebration of New Orleans, a memoir of growing up in Georgia, and the definitive anthology of Southern humor. Long Time Leaving is the capper. Maybe it won’t end the Civil War at last, but it does clarify, or aptly complicate, divisive delusions on both sides of the longstanding national rift. It’s a comic ode to American variety and also a droll assault on complacency North and South—a glorious union of diverse pieces reshaped and expanded into an American classic, from one of the most definitive and esteemed humorists of our time.
An indispensible guide to southernness from revered humorist and unapologetic curmudgeon Roy Blount Jr. When a simple-talking, peanut-warehousing, grit-eating Southern Baptist Cracker got himself nominated for president of the United States in 1976, it set Roy Blount Jr. to thinking—about the South, about southerners, and about southernness. The result is a collection of savagely funny and insightful takes on redneck heaven, whiskey, blood, possums, and a great number of other things. Blount turns his gimlet eye on his Dixie home, and in the process, he clears up long-held misconceptions (and creates new ones) about the people who reside below the Mason-Dixon line. Crackers delivers classic Blount, whether you are a proud southerner or a clueless Yankee.
A funny and incisive collection of essays on oddities of life in the 1980s, from one of America’s most cherished humorists First published in 1985, Not Exactly What I Had In Mind is Roy Blount Jr.’s smart and witty examination of the era’s most glaring absurdities—from the ever-growing deficit under then-president Reagan to the Game Theory–like levels of strategy required to pack for a vacation. In “Testimonial, Head-on,” Blount offers a loving ode to the virtues of full-bodied beer. In “Who You Gonna Call?” he enumerates the indefatigable charms of Bill Murray. And in “What You Personally Can Do about the Federal Deficit,” he proposes a brilliantly simple and populist way to reduce government debt—and probably make your neighborhood post office very happy in the process. Powered by Roy Blount’s irresistible sense of humor, Not Exactly What I Had in Mind revels in Reagan-era topics, but with a humor that is truly timeless.
Our best-laid plans will yield to fate. And we will say, “We lived. We ate.” Roy Blount Jr. is one of America’s most cherished comic writers. He’s been compared to Mark Twain and James Thurber, and his books have been called everything from “a work of art” (Robert W. Creamer, The New York Times Book Review) to “a book to read till it falls apart” (Newsweek). Now, in Save Room for Pie, he applies his much-praised wit and charm to a rich and fundamental topic: food. As a lifelong eater, Blount always got along easy with food—he didn’t have to think, he just ate. But food doesn’t exist in a vacuum; there’s the global climate and the global economy to consider, not to mention Blount’s chronic sinusitis, which constricts his sense of smell, and consequently his taste buds. So while he’s always frowned on eating with an ulterior motive, times have changed. Save Room for Pie grapples with these and other food-related questions in Blount’s signature style. Here you’ll find lively meditations on everything from bacon froth to grapefruit, Kobe beef to biscuits. You’ll also find defenses of gizzards, mullet, okra, cane syrup, watermelon, and boiled peanuts; an imagined dialogue between Adam and Eve in the Garden of Eden; input from Louis Armstrong, Frederick Douglass, and Blaze Starr; and of course some shampooed possums and carjacking turkeys. In poems and songs, limericks and fake (or sometimes true) news stories, Blount talks about food in surprising and innovative ways, with all the wit and verve that prompted Garrison Keillor, in The Paris Review, to say: “Blount is the best. He can be literate, uncouth, and soulful all in one sentence.”
A funny novel of the first “First Husband,” from an author who “writes in the grand tradition of such American humorists as Mark Twain and Will Rogers” (Library Journal). Guy Fox first encountered Clementine on the campus of Dingler College. She was running, stark naked, away from an on-campus protest and the police who were pursuing her. Guy and Clementine’s romance wound through turbulent social movements of the ’60s and ’70s, all the way to Clementine’s ascension to the Oval Office. As the nation’s very first First Husband, Guy is privy to the surreal intricacies of presidential life, and he sets out to write a light and thoroughly uncontroversial memoir about his relationship with Clementine. But the First Hubby can’t help but let some of his more mischievous qualities slip through into his book . . . The thoroughly charming First Hubby is an engrossing novel about politics, family, and the art of marriage that “offers an emphatic and romantic ‘yes’ to the question ‘Can true love survive the Oval Office’?” (The New Yorker).
Am I pig Enough for you yet? The more I gorge, The more gorgeous I'll get. We have all gazed at sheep and cows in fields by the side of the road. And we have seen them gazing back. What are they thinking? And what about those funny looks we get from horses, pigs, geese, ducks, llamas, and, yes, chickens? This book opens up the inner lives of livestock, revealing their concerns about relationships, food-chain issues, and why people see cows and want to go "Mooo." Valerie Shaff and Roy Blount Jr. have created another classic -- combining incomparable photographs with Blount's brilliant verse to give readers rare insight into the weird world of the denizens of the barnyard. In Texas, Ohio, Massachusetts, Here's what is for certain. If you cross paths with an angry goose, it's Your butt will be hurtin'.
A charming collection of original and often hilarious insights into what puppies and young dogs really think How do puppies see the world? One another? Us? I Am Puppy, Hear Me Yap offers honest, original, and often hilarious insights into how puppies and young dogs might answer these questions. From sleepy golden retriever pups to sophisticated poodles, personality shines through in each of Valerie Shaff's remarkable photographs. The images, accompanied by Blount's puppy poetry, with the "canine measure somewhere between ordered and free," make this book a delight for dog lovers and, until dogs learn to talk, the best way to understand the "inner puppy" in all of them.
Ali G: How many words does you know? Noam Chomsky: Normally, humans, by maturity, have tens of thousands of them. Ali G: What is some of 'em? —Da Ali G Show Did you know that both mammal and matter derive from baby talk? Have you noticed how wince makes you wince? Ever wonder why so many h-words have to do with breath? Roy Blount Jr. certainly has, and after forty years of making a living using words in every medium, print or electronic, except greeting cards, he still can't get over his ABCs. In Alphabet Juice, he celebrates the electricity, the juju, the sonic and kinetic energies, of letters and their combinations. Blount does not prescribe proper English. The franchise he claims is "over the counter." Three and a half centuries ago, Thomas Blount produced Blount's Glossographia, the first dictionary to explore derivations of English words. This Blount's Glossographia takes that pursuit to other levels, from Proto-Indo-European roots to your epiglottis. It rejects the standard linguistic notion that the connection between words and their meanings is "arbitrary." Even the word arbitrary is shown to be no more arbitrary, at its root, than go-to guy or crackerjack. From sources as venerable as the OED (in which Blount finds an inconsistency, at whisk) and as fresh as Urbandictionary.com (to which Blount has contributed the number-one definition of "alligator arm"), and especially from the author's own wide-ranging experience, Alphabet Juice derives an organic take on language that is unlike, and more fun than, any other.
Fresh-squeezed Lexicology, with Twists No man of letters savors the ABC's, or serves them up, like language-loving humorist Roy Blount Jr. His glossary, from adhominy to zizz, is hearty, full bodied, and out to please discriminating palates coarse and fine. In 2008, he celebrated the gists, tangs, and energies of letters and their combinations in Alphabet Juice, to wide acclaim. Now, Alphabetter Juice. Which is better. This book is for anyone—novice wordsmith, sensuous reader, or career grammarian—who loves to get physical with words. What is the universal sign of disgust, ew, doing in beautiful and cutie? Why is toadless, but not frogless, in the Oxford English Dictionary? How can the U. S. Supreme Court find relevance in gollywoddles? Might there be scientific evidence for the sonicky value of hunch? And why would someone not bother to spell correctly the very word he is trying to define on Urbandictionary.com? Digging into how locutions evolve, and work, or fail, Blount draws upon everything from The Tempest to The Wire. He takes us to Iceland, for salmon-watching with a "girl gillie," and to Georgian England, where a distinguished etymologist bites off more of a "giantess" than he can chew. Jimmy Stewart appears, in connection with kludge and the bombing of Switzerland. Litigation over supercalifragilisticexpialidocious leads to a vintage werewolf movie; news of possum-tossing, to metanarrative. As Michael Dirda wrote in The Washington Post Book World, "The immensely likeable Blount clearly possesses what was called in the Italian Renaissance ‘sprezzatura,' that rare and enviable ability to do even the most difficult things without breaking a sweat." Alphabetter Juice is brimming with sprezzatura. Have a taste.
“I left the South in search of the Enlightenment. I’m pro-choice, in favor of gay marriage, and against creationism and the war in Iraq. But both my parents’ people are deep Southern from many generations, and I spent a little over a third of my life, including the presumably most formative years (toilet training through college), living in the South. Mathematically, that makes me just about exactly as Southern as the American people, 34 percent of whom are Southern residents. But it goes deeper than math—my roots are Southern, I sound Southern, I love a lot of Southern stuff, and when my [Northern] local paper announces a festival to ‘celebrate the spirit of differently abled dogs,’ I react as a Southerner. I believe I care as much about dogs’ feelings as anybody. It is hard for me to imagine that a dog with three legs minds being called a three-legged dog.” A sly, dry, hilarious collection of essays—his first in more than ten years—from the writer who, according to The New York Times Book Review, is “in serious contention for the title of America’s most cherished humorist.” This time Blount focuses on his own dueling loyalties across the great American divide, North vs. South. Scholarly, raunchy, biting and affable, ol’ Roy takes on topics ranging from chicken fingers to yellow-dog Democrats to Elvis’s toes. And he shares experiences: chatting with Ray Charles, rounding up rattlesnakes, watching George and Tammy record, meeting an Okefenokee alligator (also named George, or Georgette), imagining Faulkner’s tennis game, and being swept up, sort of, in the filming of Nashville. His yarns, analyses, and flights of fancy transcend all standard shades of Red, Blue, and in between. Roy on language: “Remember when there was lots of agitated discussion of Ebonics, pro and con? I kept waiting for someone to say that if you acquire white English, you can become Clarence Thomas, whereas if you acquire black English, you can become Quentin Tarantino.” Roy on eating: “The way folks were meant to eat is the way my family ate when I was growing up in Georgia. We ate till we got tired. Then we went “Whoo!” and leaned back and wholeheartedly expressed how much we regretted that we couldn’t summon up the strength, right then, to eat some more.” Roy on racism: “Anybody who claims . . . not to have ‘a racist bone’ in his or her body is, at best, preracist and has a longer way to go than the rest of us.” Blount’s previous books have included reflections on a Southern president (Jimmy Carter), a novel about a Southern president (Clementine Fox), a biography of Robert E. Lee, a celebration of New Orleans, a memoir of growing up in Georgia, and the definitive anthology of Southern humor. Long Time Leaving is the capper. Maybe it won’t end the Civil War at last, but it does clarify, or aptly complicate, divisive delusions on both sides of the longstanding national rift. It’s a comic ode to American variety and also a droll assault on complacency North and South—a glorious union of diverse pieces reshaped and expanded into an American classic, from one of the most definitive and esteemed humorists of our time.
The author of Alphabet Juice presents a wry exploration of the complicated consequences of food choices in today's world, sharing meditative poems, limericks and satirical articles on subjects ranging from bacon froth and kobe beef to the global climate and personal health., "--NoveList.
In the book his laughing and loving readers have been waiting for, our generation's master of full-hearted humor lays open the soul of his life story. Roy Blount Jr.--Georgia boy turned New York wit, lover of baseball and interesting women, bumbling adventurer, literary lion, salty-limerick virtuoso and impassioned father--journeys into the past and his psyche (also all the way to China, sixty feet underwater and to various Manhattan hot spots) in search of the answers to three riddles that have haunted him intimately: One: the riddle of "the family curse." Two: the riddle of what drives him (or anyone) to be funny. Three: the riddle of what so cruelly tangled his unseverable bond with the beguiling, beaten orphan girl who became the impossible mother who raised him to Be Sweet. Roy Blount's memoir is sardonic and sentimental, hilarious and grieving, brazen and bashful, tough and tender--sometimes by turns and sometimes all at once. Almost harshly honest, yet sportively wayward, Be Sweet resonates with the complex but bouncy chords of a whole man singing, clinkers and all.
Ali G: How many words does you know? Noam Chomsky: Normally, humans, by maturity, have tens of thousands of them. Ali G: What is some of 'em? —Da Ali G Show Did you know that both mammal and matter derive from baby talk? Have you noticed how wince makes you wince? Ever wonder why so many h-words have to do with breath? Roy Blount Jr. certainly has, and after forty years of making a living using words in every medium, print or electronic, except greeting cards, he still can't get over his ABCs. In Alphabet Juice, he celebrates the electricity, the juju, the sonic and kinetic energies, of letters and their combinations. Blount does not prescribe proper English. The franchise he claims is "over the counter." Three and a half centuries ago, Thomas Blount produced Blount's Glossographia, the first dictionary to explore derivations of English words. This Blount's Glossographia takes that pursuit to other levels, from Proto-Indo-European roots to your epiglottis. It rejects the standard linguistic notion that the connection between words and their meanings is "arbitrary." Even the word arbitrary is shown to be no more arbitrary, at its root, than go-to guy or crackerjack. From sources as venerable as the OED (in which Blount finds an inconsistency, at whisk) and as fresh as Urbandictionary.com (to which Blount has contributed the number-one definition of "alligator arm"), and especially from the author's own wide-ranging experience, Alphabet Juice derives an organic take on language that is unlike, and more fun than, any other.
Any number of writers could spend an entire season with an NFL team, from the first day of training camp until the last pick of the draft, and come up with an interesting book. But only Roy Blount Jr. could capture the pain, the joy, the fears, the humor—in short, the heart—of a championship team. In 1973, the Pittsburgh Steelers were super, but missed the bowl. Blount’s portrait of a team poised to dominate the NFL for more than a decade recounts the gridiron accomplishments and off-the-field lives of players, coaches, wives, fans, and owners.
An indispensible guide to southernness from revered humorist and unapologetic curmudgeon Roy Blount Jr. When a simple-talking, peanut-warehousing, grit-eating Southern Baptist Cracker got himself nominated for president of the United States in 1976, it set Roy Blount Jr. to thinking—about the South, about southerners, and about southernness. The result is a collection of savagely funny and insightful takes on redneck heaven, whiskey, blood, possums, and a great number of other things. Blount turns his gimlet eye on his Dixie home, and in the process, he clears up long-held misconceptions (and creates new ones) about the people who reside below the Mason-Dixon line. Crackers delivers classic Blount, whether you are a proud southerner or a clueless Yankee.
Thirtieth Anniversary EditionAny number of writers could spend an entire season with an NFL team, from the first day of training camp until the last pick of the draft, and come up with an interesting book. But only Roy Blount Jr. could capture the pain, the joy, the fears, the humor—in short, the heart—of a championship team. In 1973, the Pittsburgh Steelers were super, but missed the bowl. Blount's portrait of a team poised to dominate the NFL for more than a decade recounts the gridiron accomplishments and off-the-field lives of players, coaches, wives, fans, and owners. About Three Bricks Shy . . . is considered a classic; Sports Illustrated recently named it one of the Top 100 Sports Books of All Time. This thirtieth-anniversary edition includes additional chapters on the Steelers' Super Bowl wins, written for the 1989 paperback, as well as a new introduction by the author.
Getting back to basic truths that we have lost sight of through no fault of my own. A humorous collection of newspaper columns including "I Don't Eat Dirt Personally," "How to Walk in New York," "Filofax Fever," and other reflections on American life.
Nearly eighty years after its release, the Marx Brothers film Duck Soup remains one of the most influential pieces of political satire in history. In Hail, Hail, Euphoria!, bestselling author Roy Blount Jr. tells the history and making of Duck Soup, examining the comedic genius of the Marx Brothers in their finest hour and nine minutes. In Duck Soup, a slim, agile, quick-witted, self-assured young man is summoned to save a nation from financial ruin. As the nation's new president, he brings together a team of rivals, a band of brothers. Those brothers are Pinky, Chicolini, and Lt. Bob Roland. Their leader? None other than Rufus T. Firefly. The humor and idiosyncratic wit of Duck Soup are saluted by the author's own in this gem of a book, offering a behind-the-scenes tale of show business and brotherhood that only a true Marx Brothers aficionado could tell.
Nearly eighty years after its release, the Marx Brothers film Duck Soup remains one of the most influential pieces of political satire in history. In Hail, Hail, Euphoria!, bestselling author Roy Blount Jr. tells the history and making of Duck Soup, examining the comedic genius of the Marx Brothers in their finest hour and nine minutes. In Duck Soup, a slim, agile, quick-witted, self-assured young man is summoned to save a nation from financial ruin. As the nation's new president, he brings together a team of rivals, a band of brothers. Those brothers are Pinky, Chicolini, and Lt. Bob Roland. Their leader? None other than Rufus T. Firefly. The humor and idiosyncratic wit of Duck Soup are saluted by the author's own in this gem of a book, offering a behind-the-scenes tale of show business and brotherhood that only a true Marx Brothers aficionado could tell.
Now celebrating its fortieth anniversary, Roy Blount Jr.’s classic account of the 1973 Pittsburgh Steelers—a team on the cusp of once-in-a-generation greatness The Pittsburgh Steelers of the 1970s are mentioned in any conversation about the greatest dynasties in NFL history. A year before Pittsburgh’s first Super Bowl victory launched a decade of domination, Roy Blount Jr. spent a season traveling with the team, recording the ups and downs, both large and small, in the lives of men who would soon reach the pinnacle of success in their sport. He covers everything from the birth of the “Steel Curtain” defense to the unique connection the people of Pittsburgh had with their hard-nosed team. Interspersed with vivid depictions of players like Terry Bradshaw, “Mean” Joe Greene, and Ernie “Fats” Holmes, as well as the team owners, the Rooney clan, About Three Bricks Shy of a Load harks back to a bygone era when offensive linemen could weigh about the same as the backs they blocked for, when the highest-paying team’s highest-paid player—Bradshaw—made $400,000, and when one team was able to win four Super Bowls in six years—a feat that remains unrivaled today. Uproariously funny and brilliantly written, About Three Bricks Shy of a Load was named one of the Top 100 Sports Books of All Time by Sports Illustrated.
Fresh-squeezed Lexicology, with Twists No man of letters savors the ABC's, or serves them up, like language-loving humorist Roy Blount Jr. His glossary, from adhominy to zizz, is hearty, full bodied, and out to please discriminating palates coarse and fine. In 2008, he celebrated the gists, tangs, and energies of letters and their combinations in Alphabet Juice, to wide acclaim. Now, Alphabetter Juice. Which is better. This book is for anyone—novice wordsmith, sensuous reader, or career grammarian—who loves to get physical with words. What is the universal sign of disgust, ew, doing in beautiful and cutie? Why is toadless, but not frogless, in the Oxford English Dictionary? How can the U. S. Supreme Court find relevance in gollywoddles? Might there be scientific evidence for the sonicky value of hunch? And why would someone not bother to spell correctly the very word he is trying to define on Urbandictionary.com? Digging into how locutions evolve, and work, or fail, Blount draws upon everything from The Tempest to The Wire. He takes us to Iceland, for salmon-watching with a "girl gillie," and to Georgian England, where a distinguished etymologist bites off more of a "giantess" than he can chew. Jimmy Stewart appears, in connection with kludge and the bombing of Switzerland. Litigation over supercalifragilisticexpialidocious leads to a vintage werewolf movie; news of possum-tossing, to metanarrative. As Michael Dirda wrote in The Washington Post Book World, "The immensely likeable Blount clearly possesses what was called in the Italian Renaissance ‘sprezzatura,' that rare and enviable ability to do even the most difficult things without breaking a sweat." Alphabetter Juice is brimming with sprezzatura. Have a taste.
A funny and incisive collection of essays on oddities of life in the 1980s, from one of America’s most cherished humorists First published in 1985, Not Exactly What I Had In Mind is Roy Blount Jr.’s smart and witty examination of the era’s most glaring absurdities—from the ever-growing deficit under then-president Reagan to the Game Theory–like levels of strategy required to pack for a vacation. In “Testimonial, Head-on,” Blount offers a loving ode to the virtues of full-bodied beer. In “Who You Gonna Call?” he enumerates the indefatigable charms of Bill Murray. And in “What You Personally Can Do about the Federal Deficit,” he proposes a brilliantly simple and populist way to reduce government debt—and probably make your neighborhood post office very happy in the process. Powered by Roy Blount’s irresistible sense of humor, Not Exactly What I Had in Mind revels in Reagan-era topics, but with a humor that is truly timeless.
A hilarious exploration of male-female communication and other momentous topics Men don’t tell women things for various reasons. 1. The things in question may not be true.2. It is better to keep one’s mouth shut and be thought a pig than to open it and oink.3. There is a certain pleasure in holding certain considerations close to the chest.4. When there is a topic that might complicate a situation in which a woman is pleased for a man to hold her close to his chest, a man does not want to mess with it.5. It is hard to be manly while making pained moaning sounds.6. Men, whether or not they have the Right Stuff, have never quite gotten a secure grip on the concept of the Wrong Thing. The more Roy Blount Jr. thought about what men don’t tell women, the more he began to realize that nearly all of his writing involved things people don’t tell people. Things the sick don’t tell the well, things southerners don’t tell northerners, things authors don’t tell readers, things all too few of us tell anyone at all. But especially the things men don’t tell women. This riotous collection of classic Blount humor is chock full of those gender trade secrets—and plenty of yodeling too.
A funny novel of the first “First Husband,” from an author who “writes in the grand tradition of such American humorists as Mark Twain and Will Rogers” (Library Journal). Guy Fox first encountered Clementine on the campus of Dingler College. She was running, stark naked, away from an on-campus protest and the police who were pursuing her. Guy and Clementine’s romance wound through turbulent social movements of the ’60s and ’70s, all the way to Clementine’s ascension to the Oval Office. As the nation’s very first First Husband, Guy is privy to the surreal intricacies of presidential life, and he sets out to write a light and thoroughly uncontroversial memoir about his relationship with Clementine. But the First Hubby can’t help but let some of his more mischievous qualities slip through into his book . . . The thoroughly charming First Hubby is an engrossing novel about politics, family, and the art of marriage that “offers an emphatic and romantic ‘yes’ to the question ‘Can true love survive the Oval Office’?” (The New Yorker).
How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt offers a theological vision of the comic, and shows its practical use in differentiating God from the Devil. The viewpoint presupposed is a special application of the incongruity theory of humor, which sees humor as an attempt to deal with inexplicable occurrences. Eckardt shows how humor can make faulty explanations tolerable for examining evil and suffering, particularly the notion that God can somehow be "excused" for the terrible evils extant in the world. Eckardt critiques dualistic views that make the Devil and God independent sovereign beings, and monistic views that try to reduce evil to non-being. Eckardt holds God to be ultimately responsible for evil, in such ways that the only final resolution of evil-if there is such-is a form of divine comedy. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From The Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.
DIVDIVAn eclectic collection from Roy Blount Jr., master of American humor writing/divDIV I’ll tell you what kind of book I believe in: one that makes people say, at first sight, what the first person who ever saw a camel must have said: “What in the world is that?” And then, after a while, “Yet it seems to fit together some way.”/divDIV In this laugh-a-minute assortment of essays, travel writing, poems, and even the occasional crossword puzzle, Roy Blount Jr. covers sixty-four different subjects, all unified by his trademark humor. “Tan” is a personal essay about Blount’s lifelong battle with—sometimes for and sometimes against—that elusive summer glow. “Wild Fish Ripped My Flesh” chronicles his misadventures navigating the Amazon River. And “Lit Demystified Quickly” is a tongue-in-cheek poem about larger-than-life literary figures such as James Joyce, William Faulkner, and Walt Whitman./divDIV Camels Are Easy, Comedy’s Hard is a classic compendium of the wisecracks and wisdom for which Blount is renowned./divDIV/div/div
Laugh-out-loud observations from “America’s foremost humorist” (Chicago Tribune). What Men Don’t Tell Women: Well, that’s just for starters. Roy Blount Jr. realized that nearly all of his writing involved things people don’t tell people: what Southerners don’t tell Northerners, what the sick don’t want to hear from the well, what no one would ever tell their mother, and what authors rarely admit to their readers. That all changes in this “honest . . . funny” collection of confessional essays about sex, friendship, marriage, male bonding, female patience, and Elvis (The Boston Globe). One Fell Soup: A deliciously funny stew of reviews, diatribes, investigations, meditations, assorted grumblings, and verse about the absurdities of American life, death, fears, and ambition. Included in these fifty-nine easy pieces: the truth (as Blount sees it) about nudism, cricket-fighting, bowling, macaroni and cheese, black holes and black socks, nuclear holocausts, the CIA, domesticated fowl, pork bellies, God, and more. The whole shebang from “one of the most clever (see sly, witty, cunning, nimble) wordsmiths cavorting in the English language” (Carl Hiaasen). Camels Are Easy, Comedy’s Hard: Flesh-eating piranha! Synchronized swimming! Rubber chickens! Edith Wharton! Crossword puzzles! All and then some in this giddy compendium of essays, celebrity profiles, silly games, and side trips. Parts sports journalism, literary criticism, travel writing, and aborted novel, tossed with a few poems and a neo-Biblical one-act play, this is an uproarious—and sometimes heartening—anthology of adventures from “one writer who never fails to please” (The Village Voice).
A collection of short pieces about everything from genius and God to socks and lentils, from one of America’s most beloved humor writers One Fell Soup brings together the reviews, diatribes, investigations, meditations, and poetry of Roy Blount Jr., a writer as insightful as he is funny. Culled from his many columns and magazine writings, this volume offers an unparalleled look at the varied interests of a writer the New York Times has compared to Mark Twain—albeit with a far greater demonstrated interest in love songs about gravy, ice cream, and mac and cheese. “Chickens” celebrates the vast cultural importance—and criminal neglect—of the most abundant domesticated fowl. “So This Is Male Sexuality” examines the unsettling specter of sex researchers like Masters and Johnson looming over one’s private thoughts. And “Merely Shot in the Head” ponders the absurd willpower of a man who finishes a full marathon after taking a bullet ten miles into the race.
Laugh-out-loud observations from “America’s foremost humorist” (Chicago Tribune). What Men Don’t Tell Women: Well, that’s just for starters. Roy Blount Jr. realized that nearly all of his writing involved things people don’t tell people: what Southerners don’t tell Northerners, what the sick don’t want to hear from the well, what no one would ever tell their mother, and what authors rarely admit to their readers. That all changes in this “honest . . . funny” collection of confessional essays about sex, friendship, marriage, male bonding, female patience, and Elvis (The Boston Globe). One Fell Soup: A deliciously funny stew of reviews, diatribes, investigations, meditations, assorted grumblings, and verse about the absurdities of American life, death, fears, and ambition. Included in these fifty-nine easy pieces: the truth (as Blount sees it) about nudism, cricket-fighting, bowling, macaroni and cheese, black holes and black socks, nuclear holocausts, the CIA, domesticated fowl, pork bellies, God, and more. The whole shebang from “one of the most clever (see sly, witty, cunning, nimble) wordsmiths cavorting in the English language” (Carl Hiaasen). Camels Are Easy, Comedy’s Hard: Flesh-eating piranha! Synchronized swimming! Rubber chickens! Edith Wharton! Crossword puzzles! All and then some in this giddy compendium of essays, celebrity profiles, silly games, and side trips. Parts sports journalism, literary criticism, travel writing, and aborted novel, tossed with a few poems and a neo-Biblical one-act play, this is an uproarious—and sometimes heartening—anthology of adventures from “one writer who never fails to please” (The Village Voice).
Thirtieth Anniversary EditionAny number of writers could spend an entire season with an NFL team, from the first day of training camp until the last pick of the draft, and come up with an interesting book. But only Roy Blount Jr. could capture the pain, the joy, the fears, the humor—in short, the heart—of a championship team. In 1973, the Pittsburgh Steelers were super, but missed the bowl. Blount's portrait of a team poised to dominate the NFL for more than a decade recounts the gridiron accomplishments and off-the-field lives of players, coaches, wives, fans, and owners. About Three Bricks Shy . . . is considered a classic; Sports Illustrated recently named it one of the Top 100 Sports Books of All Time. This thirtieth-anniversary edition includes additional chapters on the Steelers' Super Bowl wins, written for the 1989 paperback, as well as a new introduction by the author.
A special 10th anniversary edition of Roy Peter Clark's bestselling guide to writing, featuring five bonus tools. Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost thirty years of experience in journalism, writing, and teaching into a series of fifty short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available. Organized into four sections, "Nuts and Bolts," "Special Effects," "Blueprints for Stories," and "Useful Habits," Writing Tools is infused with more than 200 examples from journalism and literature. This new edition includes five brand new, never-before-shared tools. Accessible, entertaining, inspiring, and above all, useful for every type of writer, from high school student to novelist, Writing Tools is essential reading.
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