This is an English language adaptation of a book which was published in Welsh by the same author by UWP, Evan James Williams: Ffisegydd yr Atom. The book discusses his career – what he achieved along those he worked with and the places he worked, most importantly the Physics Department at Aberystwyth University – and outlines his scientific service during the war. It also looks at the man himself – his upbringing in a Welsh speaking home and community in Ceredigion - through the accounts given by those who knew him.
With Jack the Ripper terrorizing Victorian London, a motley crew of amateur sleuths investigates the dark alleys of Whitechapel to bring the killer to justice Jack the Ripper begins his reign of terror in the year 1888 when Miss Sarah Bain, a photographer in Whitechapeland—and an independent woman with dark secrets—gets roped in on the crime. In the privacy of her studio, she supplements her meager income by taking illicit “boudoir photographs” of the town's local ladies of the night. But, when two of her models are found gruesomely murdered within weeks of one another, Sarah begins to suspect it's more than mere coincidence. Teamed with a motley crew of friends—including a street urchin, a gay aristocrat, a Jewish butcher and his wife, and a beautiful young actress—Sarah delves into the crime of the century. But just as she starts unlocking the Ripper's secrets, she catches the attention of the local police, who believe she knows more than she's revealing, as well as from the Ripper himself, whom is now bent on silencing her and her friends for good. Caught in the crosshairs of a ruthless killer, Sarah races through Whitechapel's darkest alleys to find the truth...until she makes a shocking discovery that challenges everything she thought she knew about the case. Intelligent, original, and utterly engrossing, Laura Joh Rowland's Victorian mystery The Ripper's Shadow will keep readers up through the late hours of the night.
From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L.Sayers, Margery Allingham, Ngaio Marsh, P.D. James and Ruth Rendell/Barbara Vine. Providing studies of forty-two key novels, this volume introduces these authors for students and the general reader in the context of their lives, and of critical debates on gender, colonialism, psychoanalysis, the Gothic, and feminism. It includes interviews with P.D. James and Ruth Rendell/Barbara Vine.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
Most of the literature concerning the momentous challenges facing Irish American Catholics in the first two decades of the twentieth century pay but scant attention to the role played in addressing them by the American Church. Among the myriad political, social, cultural and economic issues confronting Irish American Catholics none stand out as prominently as the unabated burden of combatting scurrilous attacks upon them by nativist forces, the task of proving themselves as loyal American citizens, and navigating the perilous waves in advancing the course of directing Irish American nationalism and the cause of Ireland's freedom. Patriotism is a Catholic Virtue ferrets out the impact the institutional Church played in affecting the course of action Irish American Catholics took regarding these three crucial missions. Whereas the task of confronting the assaults of nativism, seemingly the natural task for the institutional Church, this study provides extensive evidence of the relentless defense of Catholic virtue conducted by diocesan newspapers. Similarly, the mission of promoting Catholics as loyal American citizens was largely left in the hands of the American hierarchy, its clergy, newspapers and Catholic societies and affiliates. Lastly, this book provides evidence that the Church may well have played the decisive role in guiding its Irish American faithful along paths that, while conservatively promoting Irish nationalism, did not jeopardize an "American First" policy for Catholics. All of this was accomplished in the crucible of an emerging worldwide war.
Award-winning author Laura Joh Rowland is back with the seventh in her critically acclaimed Victorian mystery series in which Sarah Bain Barrett is pitted against a true-crime serial killer who may have ties to Jack the Ripper. London, April 1891. When the severed torso of a woman washes up on the bank of the river Thames, London believes a serial killer from the past has struck again. Crime photographer and investigator Sarah Bain Barrett is on the scene with her friends Mick O’Reilly and Lord Hugh Staunton. This is their chance to solve a grisly cold case and deliver a monster to belated justice, with help from Sarah’s husband Detective Sergeant Thomas Barrett; her sister Sally Albert, an intrepid newspaper reporter; and Hugh’s psychologist, Dr. Joshua Lewes, who’s a pioneer in the new science of criminal profiling. But the opportunity brings troubles galore: Sarah and her husband can’t agree on what direction their inquiries should take. Barrett favors concentrating on two shady characters he knows from his days a a patrol constable in Whitechapel, while Sarah suspects the charismatic leader of a polygamous religious sect from which at least one woman has gone missing. Their discord threatens not only the investigation but their marriage. To complicate matters, Sarah’s bitter enemy, Inspector Reid, is leading the police’s hunt for the killer they’re calling the Torso Murderer. Obsessed with the Ripper case and his own failure to solve it, he thinks the Ripper and the Torso Murderer are one and the same person—a notion that could steer the police investigation disastrously off course. Hot in pursuit of the killer, Reid is also hell-bent on discovering what Sarah and company have been hiding about the Ripper. The Torso Murder case threatens to expose a dangerous truth, tear apart Sarah’s close-knit band of comrades, and send them to the gallows before they can put the killer out of action.
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
Mystery crime fiction written in the Golden Age of Murder "Rowland shows how a journalist might see what a cop doesn't see, and vice versa, in intriguing ways, as the murder spans out into a black-market petrol conspiracy worthy of Foyle's War." —Booklist STARRED review In the peaceful seaside town of Broadgate, an impossible crime occurs. The operator of the cliff railway locks the empty carriage one evening; when he returns to work next morning, a dead body is locked inside—a man who has been stabbed in the back. Jimmy London, a newspaper reporter, is first on the scene. He is quick on the trail for clues—and agrees to pool his knowledge with Inspector Shelley of Scotland Yard, who is holidaying in the area. Mistrustful of the plodding local policeman, Inspector Beech, the two men launch their own investigation into the most baffling locked-room mystery—a case that could reignite Jimmy's flagging career, but one that exposes him to great danger.
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