Unpublished writings of Colin Rowe—letters, essays, lectures, and a postcard—clarify his thinking on key concepts while revealing his wit and erudition. Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works The Mathematics of the Ideal Villa and Other Essays (1976) and Collage City (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, “carefully careless,” both witty and erudite. I Almost Forgot gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally scathing, they fill in personal details and clarify key concepts in Rowe’s work. In these writings, Rowe tells of the “Corbu superstructure upon a beaux-arts base” that refugee Polish architects and their students introduced to his alma mater, the University of Liverpool, in the early 1940s. He characterizes his controversial essay “The Mathematics of the Ideal Villa” as a “pretty clever but, otherwise, perfectly innocent little article,” and reports that Le Corbusier’s Villa Schwob “played an entirely disproportionate role in my mental life.” Rowe’s voice and opinions are strong in his discussions of architecture, current events, and his own life and work. Each piece begins with a brief introduction by the volume editor. The writings are illustrated by images of Rowe’s drawings, letters, and postcards; photographs and drawings of Rowe’s only built work; and illustrations chosen by Rowe for lectures.
Spanning a period of over half a century, from the early 1940s until his death in 1999, Colin Rowe wrote a multitude of letters to his parents in England and to friends Henry Russell Hitchcock and Ernst Gombrich; to colleagues Stanford Anderson, Robert Maxwell, Michael Spens, Alan Colquhoun, Alvin Boyarsky, John Miller; to architects Louis Kahn and Peter Eisenman; and most intimately and candidly, to his brother, sister-in-law, and nephews in Oxford, England.
Colin Rowe has achieved legendary status as one of a handful ofoutstanding studio teachers of architecture and urban design to emergewithin the last two generations. Colin Rowe has achieved legendary status as one of a handful of outstanding studio teachers of architecture and urban design to emerge within the last two generations. His writings reveal the powerful insight and dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century. Divided into three volumes, in more or less chronological order, As I Was Saying includes articles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscure journals, and many are published here for the first time.
Colin Rowe has achieved legendary status as one of a handful of outstanding studio teachers of architecture and urban design to emerge within the last two generations. His writings reveal the powerful insight and dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century. Divided into three volumes, in more or less chronological order, As I Was Saying includes articles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscure journals, and many are published here for the first time.
edited by Alexander Caragonne Colin Rowe has achieved legendary status as one of ahandful of outstanding studio teachers of architecture and urban design to emerge within the lasttwo generations. His writings reveal the powerful insight and dispassionate, authoritativeintelligence that mark him as one of the preeminent architectural thinkers of this perplexing halfcentury.Divided into three volumes, in more or less chronological order, As I Was Saying includesarticles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscurejournals, and many are published here for the first time.
This book is a critical reappraisal of contemporary theories of urban planning and design and of the role of the architect-planner in an urban context. The authors, rejecting the grand utopian visions of "total planning" and "total design," propose instead a "collage city" which can accommodate a whole range of utopias in miniature.
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Colin Rowe has achieved legendary status as one of a handful of outstanding studio teachers of architecture and urban design to emerge within the last two generations. His writings reveal the powerful insight and dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century. Divided into three volumes, in more or less chronological order, As I Was Saying includes articles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscure journals, and many are published here for the first time.
edited by Alexander Caragonne Colin Rowe has achieved legendary status as one of a handful of outstanding studio teachers of architecture and urban design to emerge within the last two generations. The publication of his first essay, "The Mathematics of the Ideal Villa" (1947), has commanded the attention of legions of students and colleagues who came to question, as did he, the eternal verities of modern architecture as propounded by the giants of the early twentieth century. Rowe's writings reveal a powerful insight and a dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century. Divided into three books, in more or less chronological order, As I Was Saying includes articles, essays, eulogies, lectures, reviews, and memoranda; some have appeared only in obscure periodicals, and many have never been published at all. Also included is a retrospective view of selected work of the Urban Design Studio at Cornell and other projects by Rowe and his students and colleagues. The first volume, Texas, Pre-Texas, Cambridge, comprises those items written during Rowe's first extended introduction to the United States (1951-1958), prior to and during his two-year tenure at the University of Texas in Austin, followed by those written while at Cambridge University (1958-1962). The second volume, Cornelliana, contains writings on architecture he prepared while teaching at Cornell University from 1962 until his retirement. The third, Urbanistics, deals primarily with urban design.
edited by Alexander Caragonne Colin Rowe has achieved legendary status as one of ahandful of outstanding studio teachers of architecture and urban design to emerge within the lasttwo generations. His writings reveal the powerful insight and dispassionate, authoritativeintelligence that mark him as one of the preeminent architectural thinkers of this perplexing halfcentury.Divided into three volumes, in more or less chronological order, As I Was Saying includesarticles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscurejournals, and many are published here for the first time.
Colin Rowe has achieved legendary status as one of a handful of outstanding studio teachers of architecture and urban design to emerge within the last two generations. His writings reveal the powerful insight and dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century. Divided into three volumes, in more or less chronological order, 'As I Was Saying' includes articles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscure journals, and many are published here for the first time.
Genetic Algorithms: Principles and Perspectives: A Guide to GA Theory is a survey of some important theoretical contributions, many of which have been proposed and developed in the Foundations of Genetic Algorithms series of workshops. However, this theoretical work is still rather fragmented, and the authors believe that it is the right time to provide the field with a systematic presentation of the current state of theory in the form of a set of theoretical perspectives. The authors do this in the interest of providing students and researchers with a balanced foundational survey of some recent research on GAs. The scope of the book includes chapter-length discussions of Basic Principles, Schema Theory, "No Free Lunch", GAs and Markov Processes, Dynamical Systems Model, Statistical Mechanics Approximations, Predicting GA Performance, Landscapes and Test Problems.
You know that amazing moment when the guy you've been crushing on finally notices you? And you have a fantastic conversation? And then, the next day, he doesn't even recognize you, let alone drop to his knees and declare he'll be yours forever? Yeah, that hurts. And that's pretty much Blueberry Waller's life. Freshman year might have started off as zero for Blue, but when she gets a part in the school musical as her crush's mother, it's her chance to get noticed by him. Yes, Heath is much cooler than she is. Yes, he's a senior, and she's a freshman. And yes, he has to kiss another girl in the play. But when he runs into Blue at a cast party, suddenly, she's on his radar. Things are moving fast, faster than Blue is prepared for. It takes her three best friends, and a very hot senior named Colin, to help her figure things out….until things suddenly become a lot more complicated than she ever intended…including a first kiss that's all wrong. Or is it? Books in the Mapleville High Series: The Truth About Thongs How to Date a Bad Boy Pedicures Don't Like Dir Geeks Can Be Hot The Fake Boyfriend Experiment Ice Cream, Jealousy & Other Dating Tips Author's Note: This novel was originally published in paperback in 2004 by Dorchester Publishing with the title Putting Boys on the Ledge under the author's pen name of Stephie Davis. This edition has been substantially revised and expanded.
The definitive book on tall ships sailing today, with fascinating backgrounds to the most interesting ships, regattas and races, all lavishly illustrated with colour photography.
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