By &"the fear of freedom&" Greer means the unconscious flight from the heavy burden of individual choice an open society lays upon its members. The miraculous represents a heavenly power brought down to earth and tied to the life of the community. Understanding how miracles were perceived in the late antiquity requires us to put aside the notion of a miracle as the violation of the natural order. &"Miracles&" for the church fathers refers to anything that evokes wonder. Rowan Greer is not concerned with conclusions about the truth or falsity of the miracles reported in the ancient sources. He is concerned with how the miracle stories shaped the way people understood Christianity in the fourth and fifth centuries. Once the Church gained the predominance in the Empire as part of the Constantinian revolution, most Christians thought that a new Christian commonwealth was in the making. The miracles associated with the cult of the saints (the martyrs and their relics) in the Christian Empire were part of this sacralization. In the Roman imperial church we find a tension between the Christian message, which revolved around virtue and the individual, and corporate piety that focused upon the empowering of the people of God. With Augustine we find Christian Platonism transformed into a &"new theology&" far more congruent with the corporate poetry that had by then developed. An emphasis upon grace and upon God's sovereignty fits a preoccupation with miracles better than the old emphasis upon human freedom and virtue and sets the stages for the Western Middle Ages and the cult of the saints, organized and made central to Christian piety. From a study of Roman imperial Christianity before the collapse of the West we discover the tendency to substitute one kind of freedom for another. Freedom as the capacity of human beings to choose the good does not, of course, disappear, but on the whole it is made subordinate to notions of God's sovereign grace and even to an insistence upon the authority of the church.
In his writings and his career Gregory of Nyssa assumes many roles. He is a Christian Platonist, a spiritual guide for ascetics and those seeking the vision of God, as well as one of those who shaped the Trinitarian doctrine of God espoused at Constantinople in 381. But he is also a popular preacher and, paradoxically, someone unafraid of deeper speculations regarding the meaning of the Christian ideal. The translations in Part One illustrate these various concerns, but are not a sufficient basis for the thesis of Part Two, one that attempts to answer the question of how to describe the coherence of a thinker far from systematic. One solution is to appeal to Gregory's conviction that after this world all Christians, indeed all humans, will be united in diversity, and that this means that all are now on the one path to their destiny, however much their progress may differ. This answer does not pretend to solve all problems, nor does it rule out other approaches to Gregory's thought. But it locates Gregory's work in the liturgical and sacramental life of the church that includes ordinary as well as elite Christians.
A discussion by a broadly respected authority of the complicated relationship between theology and ordinary life in the early church. The first section of the book scrutinizes theology with a view to understanding its bearing upon Christian understandings of life (the theological &“stories&” of Irenaeus, Gregory of Nyssa, and Augustine). The second section examines aspects of ordinary life and explores how Christians related them to religious ideas (the family, hospitality, citizenship, monasticism, and attitudes toward the collapse of the Roman Empire in the West). & This very learned piece of work, which reflects lengthy study of original texts as well as of the current and important secondary literature, is distinctive because it does not conform to the present reigning ideology: The author writes as a convinced Christian thinker. He believes that there is no such thing as a purely detached observer and that the best way of being critical and fair is to make no secret of one&’s presuppositions, but to face them so as to be able to discount them when necessary. This quality makes the work interesting and suggestive. The book is of importance to scholars and theologians and to all concerned with the early church.
LOVED it. Tightly-plotted elegance, 50s glamour and suspense. Put it on your lists' Jessie Burton A dark and dazzling debut from a beguiling new voice - for fans of Beautiful Ruins and Lessons in Chemistry. Lois Saunders thought that marrying the right man would finally cure her loneliness. But as picture-perfect as her husband is, she is suffocating in their loveless marriage. In 1951, though, unhappiness is hardly grounds for divorce - except in Reno, Nevada. At the Golden Yarrow, the most respectable of Reno's 'divorce ranches' Lois finds herself living with half a dozen other would-be divorcees, all in Reno for the six weeks' residency that is the state's only divorce requirement. They spend their days riding horses and their nights flirting with cowboys, and it's as wild and fun as Lake Forest, Illinois, was prim and stifling. But it isn't until Greer Lange arrives that Lois's world truly cracks open . . . Gorgeous, beguiling, and completely indifferent to societal convention, Greer is unlike anyone Lois has ever met - and she sees something in Lois that no one else ever has. Under her influence, Lois begins to push against the limits that have always restrained her. But how much can she really trust her mysterious new friend? And how far will she go to forge her independence, on her own terms? Set in the glamourous, dizzying world of 1950s Reno, THE DIVORCEES is a dark, riveting page-turner and a dazzling exploration of female friendship, desire, and freedom. 'I straight up loved it. It's so stylish, so elegant, each sentence a delectable little treat . . . and the nods towards darkness and things unravelling are so thrilling and chicly done' Elizabeth Macneal, bestselling author of The Doll Factory 'An excellent, deeply compelling read' Lauren Groff, bestselling author of Matrix and Fates and Furies 'A delicious literary page-turner from a fierce new voice' Rebecca Makkai, bestselling author of I Have Some Questions for You and The Great Believers 'A stunning debut. Tense, dark, and richly layered, lovers of Patricia Highsmith will devour this compulsively readable, standout novel' Katy Hays, New York Times bestselling author of The Cloisters 'I adored The Divorcees - such an atmospheric and layered story of female independence, solidarity and deception, set on a Reno 'divorce ranch' in 1951. As a divorcée, I devoured it' Julie Mae Cohen 'A sultry fever dream of a novel . . . This book shimmers and startles on every page' Whitney Scharer, author of The Age of Light 'The women of The Divorcées captivated me . . . an unforgettable, lushly assured novel' Clare Beams, author of The Illness Lesson 'A stunning portrayal of the lengths women in 1950s America must go to in order to ensure their safety and freedom. Compelling, rich and with a dark undercurrent, I couldn't put it down. An outstanding debut' Marianne Cronin, 100 Years of Lenni and Margot 'As stylish as it's cover, with razor sharp prose and an atmosphere simmering with tension, I have savoured every word' Jennie Godfrey, author of The List of Suspicious Things
A "delicious" (Rebecca Makkai) and "deeply compelling" (Lauren Groff) debut novel set at a 1950s Reno "divorce ranch," about the complex friendship between two women who dare to imagine a different future Lois Saunders thought that marrying the right man would finally cure her loneliness. But as picture-perfect as her husband is, she is suffocating in their loveless marriage. In 1951, though, unhappiness is hardly grounds for divorce—except in Reno, Nevada. At the Golden Yarrow, the most respectable of Reno’s famous “divorce ranches,” Lois finds herself living with half a dozen other would-be divorcees, all in Reno for the six weeks’ residency that is the state’s only divorce requirement. They spend their days riding horses and their nights flirting with cowboys, and it’s as wild and fun as Lake Forest, Illinois, is prim and stifling. But it isn’t until Greer Lang arrives that Lois’s world truly cracks open. Gorgeous, beguiling, and completely indifferent to societal convention, Greer is unlike anyone Lois has ever met—and she sees something in Lois that no one else ever has. Under her influence, Lois begins to push against the limits that have always restrained her. How far will she go to forge her independence, on her own terms? Set in the glamorous, dizzying world of 1950s Reno, where housewives and movie stars rubbed shoulders at gin-soaked casinos, The Divorcees is a riveting page-turner and a dazzling exploration of female friendship, desire, and freedom.
A complete film guide to all of your films and television shows that pertain to WWII. Included are every WWII film produced throughout the world. Historical and informative. Stories behind the Hollywood Canteen, USO shows, War Bond drives, those who served or were classified as 4F during the war. Many interested stories!
The Comprehensive Film Guide to Amateur Sleuth, Detective & Police Stories of Film and Television. A look at the writers, Private Invetigators, Lawyers, and the Hollywood Personal that produced them, and other interesting stories that have Mystery and Intrigue.
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