The author’s masterpiece, an epic saga of a family and an empire in decline, is “full of psychological penetration and tragic force” (The New Yorker). The Radetzky March, Joseph Roth’s classic novel of the Austro-Hungarian Empire, follows three generations of the privileged von Trotta family as Europe advances inexorably toward World War I. With a breadth and richness that draws comparison to Tolstoy, it encompasses the entire social fabric of Austro-Hungarian society. Shot through with dark humor and tragic irony, The Radetzky March is an unparalleled portrait of a civilization in decline, and as such a universal story for our times. “A masterpiece . . . The totality of Joseph Roth’s work is no less than a tragédie humaine achieved in the techniques of modern fiction. No other contemporary writer, not excepting Thomas Mann, has come close to achieving the wholeness . . . that Lukács cites as our impossible aim.” —Nadine Gordimer
Available online: https://norden.diva-portal.org/smash/record.jsf?pid=diva2:1456194 In 2020, the long-term crisis of climate change has been temporarily overshadowed by the COVID-19 emergency, pushing many governments into deep budget deficits. As countries mobilize funds to fight the pandemic and bolster their economies, it cannot be ignored that whatever measures are put in place to recover from the current crisis must not undermine efforts to tackle the longer term threat of climate change. Article 2.1.c of the Paris Agreement on climate change: “making finance flows consistent with a pathway toward low greenhouse gas emissions and climate-resilient development”, applies just as much now as before. This working paper explores how two fiscal tools, fossil fuel subsidies (FFS) and carbon pricing — putting a price on greenhouse gas (GHG) emissions through taxation or carbon markets, influence the signal sent to the market to align economic development with climate constraints. Fossil fuel subsidies act as a negative price on carbon and increase the risk of locking investment in fossil fuels that are incompatible with the low-carbon transition required to meet the Paris Agreement’s objectives. As we document in the report, the current coverage and levels of carbon pricing are also deeply insufficient to meet the goals of the Paris Agreement limiting the increase of the global average temperature to “well below 2°C” while “pursuing efforts to limit the temperature increase to 1.5 degrees C. This Working Paper explores the interplay between FFS reform and carbon pricing at the international and national levels. We note that effective carbon pricing, promoted by the Organisation for Economic Co-operation and Development and the International Monetary Fund, is a valuable tool to send effective carbon mitigation signals to the market. However, without including the impact of fossil fuel subsidies, these analyses present only a partial picture. These findings highlight the importance of increasing implicit and explicit carbon prices and reforming fossil fuel subsidies. In the context of the COVID-19 emergency, it is essential that governments, in a hurry to take action to boost their economies, don’t overlook the need to keep recovery stimulus policies aligned with climate goals.
Die strenge und stetig zunehmende Regulierung des Kapitalmarkts stellt Compliance-Verantwortliche in kapitalmarktorientierten Unternehmen immer wieder vor große Herausforderungen. Das Handbuch bereitet das Kapitalmarktrecht verständlich und praxisfreundlich auf und bietet eine Hilfe beim Aufbau bzw. der Effektivierung eines Compliance-Systems im Unternehmen. Der Aufbau folgt dem Adressatenkreis: Emittenten, Banken und Finanzdienstleister. So erhält der Praktiker Zugang zu den für ihn maßgeblichen Themenkreisen. Die Autoren zeigen die enge Verzahnung des materiellen Kapitalmarktrechts mit dem Strafrecht. Fast alle Ge- oder Verbote in den Kapitalmarktgesetzen werden mit einer Geldbuße oder gar Geld- und Freiheitsstrafe geahndet. Die straf- und bußgeldrechtlichen Aspekte des Kapitalmarktrechts werden daher in einem eigenen Teil ausführlich und abschließend erläutert. Das Handbuch verbindet so die kapitalmarktrechtliche Compliance mit der Criminal Compliance.
On March 19, 2013, a distinguished group of writers and critics gathered at the Newark Museum’s Billy Johnson Auditorium in Newark, New Jersey, to celebrate the extraordinary career and lasting literary legacy of Philip Roth on the occasion of his 80th birthday. This keepsake volume gathers remarks from the evening’s speakers, a fitting tribute to the only living novelist whose work is collected in the Library of America series. Here you’ll find Jonathan Lethem, hilariously recounting his first consciousness-raising encounter with Roth’s work through the Kafkaesque novel The Breast; Hermione Lee, tracing the Shakespearian themes in Roth’s books, from Portnoy’s Complaint to The Humbling; Alain Finkielkraut, offering a deep reading of Roth’s final novel, Nemesis; Claudia Roth Pierpont, assessing Roth’s portrayal of women in such books as Sabbath’s Theater and The Human Stain; Edna O’Brien, recalling her long friendship with Roth; and the author himself, offering a quintessentially Rothian valediction.
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.
Stimulus spending to address the economic crisis brought on by the COVID-19 pandemic has the potential to either facilitate the transition away from fossil energy or to lock in carbon-intensive technologies and infrastructure for decades to come. Whether they are focused on green sectors or not, stimulus measures can alleviate or reinforce socio-economic inequality. This Element delves into the data in the Energy Policy Tracker to assess the extent to which energy policies adopted during the pandemic will expedite decarbonization and explores whether governments address inequities through policies targeted to disadvantaged, marginalized and underserved individuals and communities. The overall finding is that the recovery has not been sufficiently green or just. Nevertheless, a small number of policies aim to advance distributive justice and provide potential models for policymakers as they continue to attempt to 'build back better'. This title is also available as Open Access on Cambridge Core.
Interviews with the people who worked with Roth during the artist's time spent in Chicago, Providence, New York, Philadelphia, and Los Angeles.Dieter Roth (1930-1998) was one of the most innovative and challenging artists of the twentieth century. During preparations for a recent retrospective at the Museum of Modern Art in New York, it became clear that America played a crucial role in Roth's artistic development. In Philadelphia he and his students experimented with new graphic and photographic techniques, which resulted in SNOW, a major work now owned by MoMA. It was in Providence that he had his first large studio, and the work made there is pivotal in the development of Roth's oeuvre, including his paintings and prints that incorporated perishable foodstuffs. In Los Angeles, Roth made his famous Steeple Chase (A Race) exhibition, using suitcases filled with different cheeses. Many of the works Roth created during that period are illustrated here in full color. 780 color illustrations.
The malign figure of the Antichrist endures in modern culture, whether religious or secular; and the spectral shadow he has cast over the ages continues to exert a strong and powerful fascination. Philip C. Almond tells the story of the son of Satan from his early beginnings to the present day, and explores this false Messiah in theology, literature and the history of ideas. Discussing the origins of the malevolent being who at different times was cursed as Belial, Nero or Damien, the author reveals how Christianity in both East and West has imagined this incarnation of absolute evil destined to appear at the end of time. For the better part of the last two thousand years, Almond suggests, the human battle between right and wrong has been envisaged as a mighty cosmic duel between good and its opposite, culminating in an epic final showdown between Christ and his deadly arch-nemesis.
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