Robert Miller’s life had been rough for the last two years but now it was crumbling around him. After finding out his daughter's death wasn't an accident, but a murder, he frantically grasps for answers. Robert and his family are hurled head first into the vicious plan of a psychotic killer. Some don't make it out of the death gauntlet as Robert comes face to face with a past he desperately wishes he could forget. This fast paced suspense/thriller will keep you guessing until the very end.
Mormon missionary Elder Aaron Lee is a murderer; although he does not see it that way. He and his mission companion walk the Salt Lake City streets spreading the teachings of the LDS Church. His life changed forever the day he killed James Barone, a gay man living in Salt Lake City, UT. "What would lead a Mormon missionary to murder?" That was the one question that kept looping through Detective Klingensmith's mind. He and his partner Detective Robbins are about to find out in a journey that will expose secrets from the past and will take them from Salt Lake City to the red rocks of southern Utah.
Women and Media is a thoughtful cross-cultural examination of the ways in which women have worked inside and outside mainstream media organizations since the 1970s. Rooted in a series of interviews with women media workers and activists collected specifically for this book, the text provides an original insight into women’s experiences. Explains the ways that women have organized their internal and external campaigns to improve media content (or working conditions) for women, and established womenowned media to gain a public voice. Identifies key issues and developments in feminist media critiques and interventions over the last 30 years, as these relate to production, representation and consumption. Functions as both a research case study and a teaching text.
An excellent and diligently researched biography of Julia Boggs Dent Grant (1826-1902), the wife of the 18th President of the United States, Ulysses S. Grant, and First Lady of the United States from 1869 to 1877. An active participant in presidential matters, The First Lady was widely regarded to possess tremendous strength of character, sharing in the mixed fortunes of her husband, promoting his welfare, loved and cared for her family, and fulfilled her patriotic duty as First Lady. She reveled in her role as hostess to the nation, and by all accounts brought warmth and a home-like atmosphere to the White House. Includes over 15 B&W illustrations.
With a foreword by Iain Sinclair. London is an ancient city, whose foundation dates back literally thousands of years into the legendary prehistory of these islands. Not surprisingly it has accumulated a large number of stories, both historic and mythical, during this period, many of which, though faithfully recorded at the time, have lain almost forgotten in dusty libraries throughout the city. The Secret Lore of London is a guide to the legends, including a discussion of their importance as part of the oral tradition of Britain, combining Prehistoric, Celtic, Arthurian, Roman, Saxon and Norman levels - each of which has contributed to the many-layered life of the city. The first part contains a unique selection of essays (some printed here for the first time) by experts in their fields, each of whom possesses a unique interest in the legends of these islands, and who have written widely on associated themes. The second part of the book will consist of a Gazetteer of the sites mentioned which are still in existence, together with various other sites of associated interest, compiled by the Editor, the contributors, and members of the London Earth Mysteries Group. This part will be fully updated and extended to include many more sites. The result is a wide ranging and wholly fascinating book, with wide sales application possible. A series of appendixes will include William Stukley's extraordinary document The Brill, which relates to the ancient prehistoric sites around the area of present day St. Pancras, and excerpts from some of the best known 19th and early 20th century works on Legendary London by Lewis Spence and Harold Bayley Contributors to the book are: Nigel Pennick John Matthews Caroline Wise Caitlín Matthews Carol Clancy R.J. Stewart Bernard Nesfield-Cookson Gareth Knight Robert Stephenson Geraldine Beskin Chesca Potter William Stukeley Lewis Spence Harold Bayley Alan V. Insole Ross Nichols
Equivocation replaced Thomistic analogy as a means of predicting God in the minds of many seventeenth-century divines. In this study, Professor Asals analyses George Herbert’s use of language as a method of devotion in his major cycle poem, The Temple. Tracing the logical notion of equivocation (here the extensive us of puns and pun-like verbal devices) as prediction through other influences on his poetry, she argues that the very basis of Herbert’s work lies in its responsibility in predicting God as One and Love. Asals explains that, for Herbert, the act of writing a poem—the actual handwriting—was a sacramental and ceremonial act of worship recreating Christ’s death on the cross: ink becomes blood. The sign on the printed page points sacramentally to the blood it signifies. Thus, the domain of Herbert’s poetry reaches from earth to heaven and from heaven to earth. Continuing with an examination of Herbert’s language, including aspects of phonology, morphology, and syntax, Asals reveals its two-fold significance in expression and meaning. Through a detailed reading of the entire corpus, she investigates the profound influence of Augustinianism and Wisdom literature on the way poetry works and explores the meaning of gesture and its importance to Herbert’s Anglicanism—his belief in the importance of ceremony. In the final chapter, on the topos of Magdalene, its relationship to Herbert’s mother, and his mother’s importance to his writing, Asals argues that Anglicanism as a way to God (and God as a way to himself) is at the very core of Herbert’s poetics. This book establishes a new critical milieu in which Herbert may be interpreted and sheds new light on the poetry of other writers of the period.
Genetic Improvement of Farmed Animals provides a thorough grounding in the basic sciences underpinning farmed animal breeding. Relating science to practical application, it covers all the major farmed animal species: cattle, sheep, goats, poultry, pigs and aquaculture species.
A comprehensive account of Polychaetes in Australia. Based on nearly 2400 references, the authors reveal the wealth of diversity in the largely unknown world of these worm groups, in terms of their morphology, behaviour, reproduction and significance in marine ecosystems.
Robert Miller’s life had been rough for the last two years but now it was crumbling around him. After finding out his daughter's death wasn't an accident, but a murder, he frantically grasps for answers. Robert and his family are hurled head first into the vicious plan of a psychotic killer. Some don't make it out of the death gauntlet as Robert comes face to face with a past he desperately wishes he could forget. This fast paced suspense/thriller will keep you guessing until the very end.
Mormon missionary Elder Aaron Lee is a murderer; although he does not see it that way. He and his mission companion walk the Salt Lake City streets spreading the teachings of the LDS Church. His life changed forever the day he killed James Barone, a gay man living in Salt Lake City, UT. "What would lead a Mormon missionary to murder?" That was the one question that kept looping through Detective Klingensmith's mind. He and his partner Detective Robbins are about to find out in a journey that will expose secrets from the past and will take them from Salt Lake City to the red rocks of southern Utah.
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.
Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices. Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from the public-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated in manuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry in manuscript spanning the decades before, during, and after the Civil Wars.
In 1588 Anthony Munday published A Banquet of Daintie Conceits, containing twenty-two new moral poems in various verse forms. Ranked with the best comic playwrights of his day, including Shakespeare, he was also a travel-writer, religious spy, actor, translator, royal messenger, deviser of civic entertainments, and historian. Munday confessed that he was not knowledgeable in music, yet he named a tune for singing each poem. Intriguingly, unlike typical broadside ballad tunes, most of Munday’s tunes are dances, and of the twenty-two named, fourteen are known from solo instrumental arrangements. Despite that survival, despite the poet’s fame, and despite an 1812 edition of the poems from the unique extant copy, this is the first attempt to set Munday’s Banquet lyrics to their respective music. Poems with unidentified melodies are set to period tunes that fit their versifications, making all the lyrics singable for the first time in over 400 years.
Scholars have long studied how institutions emerge and become stable. But why do institutions sometimes break down? In this book, Michael L. Ross explores the breakdown of the institutions that govern natural resource exports in developing states. He shows that these institutions often break down when states receive positive trade shocks - unanticipated windfalls. Drawing on the theory of rent-seeking, he suggests that these institutions succumb to a problem he calls 'rent-seizing' - the predatory behavior of politicians who seek to supply rent to others, and who purposefully dismantle institutions that restrain them. Using case studies of timber booms in Indonesia, Malaysia and the Philippines, he shows how windfalls tend to trigger rent-seizing activities that may have disastrous consequences for state institutions, and for the government of natural resources. More generally, he shows how institutions can collapse when they have become endogenous to any rent-seeking process.
An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicize their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received.
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