The liberated 60s have not reached the shores of New Zealand when Claire, a single pregnant girl is sent up-country to have her child, which is to be adopted out. The Sloane family are strangers who offer to board her through this time. But are they? Claire is thrust into the unknown when Alan and Hazel Sloane are involved in a truck accident on the farm. It is up to Claire to help. She does but is now alone on the farm. Initial fears at being alone reach a climax when an elderly man arrives to look after the animals. He is Bob Hodge, Hazel's father. Claire and Bob feed out in the snow and gradually an affinity develops between the pair. In this conservative rural area, the tranquillity of the surface hides a darker background that goes back a generation to before Claire was born. And she is directly involved. This is a story of how scars of the past are opened and conquered by the love of the present for and by Claire, a girl who becomes a woman in the months that make up 1961.
Fans of Regency-era romances will love this series, featuring the dashing Julian Kestrel. But it will also be catnip for devotees of classic gentlemen-sleuth mysteries, like those by Dorothy Sayers: with his quips, his impeccable tailoring and his knack for solving "problems" that baffle the police, Kestrel is the spiritual godfather to Lord Peter Wimsey
A very promising historical adventure' - THE TIMES 'A terrific novel' - HISTORIA MAGAZINE *** 'There is a fury in England that none shall suppress - and when it breaks forth it will shake the throne' 1264 Storm clouds are gathering as Simon de Montfort and the barons of the realm challenge the power of Henry III. The barons demand reform; the crown demands obedience. England is on the brink of civil war. Adam de Norton, a young squire devoted to the virtues of chivalry, longs only to be knighted, and to win back his father's lands. Then a bloody hunting accident leaves him with a new master: the devilish Sir Robert de Dunstanville, who does not hesitate to use the blackest stratagems in pursuit of victory. Following Robert overseas, Adam is introduced to the ruthless world of the tournament, where knights compete for glory and riches, and his new master's methods prove brutally effective. But as England plunges into violence, Robert and Adam must choose a side in a battle that will decide the fate of the kingdom. Will they fight for the king, for de Montfort - or for themselves? Searingly vivid and richly evocative, Battle Song is tale of friendship and chivalry, rivalry and rebellion, and the medieval world in all its colour and darkness. *** Readers absolutely love BATTLE SONG: 'Another five star Ian Ross novel!' ***** 'Truly is a masterclass in historical fiction' ***** 'The best historical fiction I've read in years. Up there with Hilary Mantel!' ***** 'A great well researched novel' ***** 'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' ***** 'Well written and engaging characters' ***** 'Ian Ross writes with a class and style that leaves the reader or listener thirsting for more' ***** 'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' ***** 'A gripping tale of early England' ***** 'A really good story, brought to life by an excellent narrator' *****
The beautiful, high-diving blonde had Hollywood dreams and stars in her eyes but now she seems to have disappeared without a trace. Hired by her hotheaded husband and her rummy “uncle,” Lew Archer sniffs around Malibu and finds the stink of blackmail, blood-money, and murder on every pricey silk shirt. Beset by dirty cops, a bumptious boxer turned silver screen pretty boy and a Hollywood mogul with a dark past, Archer discovers the secret of a grisly murder that just won't stay hidden.Lew Archer navigates through the watery, violent world of wealth and privilege, in this electrifying story of obsession gone mad.
The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. Many of the records documented in this volume are by the artists who introduced these songs at this time or who performed them in the original productions of the shows or movies for which they were written. The singing styles include those of cabaret performers, music-hall and vaudeville acts. Songs for the stage, screen, and radio are also included.
1265 England has a new master. Simon de Montfort's victory at the Battle of Lewes has made him king in all but name. He has vowed to restore the rights and liberties of the kingdom, but now even his friends grow wary of his power. As old alliances break down, new rebellions gather strength. The captive king's supporters muster, vowing to overthrow the new regime. Meanwhile Adam de Norton, who won the honour of knighthood on the field at Lewes, has reclaimed his ancestral lands. A peaceful and prosperous future lies before him - until he receives a summons he cannot refuse. War is inevitable. But this time, will Adam be on the winning side?
This is a story of three partsfrom what appears to be a fairly ordinary and unassuming lifestyle, to one of the United Kingdoms most secret code-breaking departments, and the discovery of a massive terrorist plot to destroy the seat of government and our royalty in front of the worlds media, on a most prestigious occasion, with a huge loss of life and injury to those members and spectators involved. Plus, it has many wonderful animals known the world over, and there is much damage on historic buildings. This shows the secret work of many differing sections of United Kingdom defense and antiterrorism departments to counter this and other threats to our way of life.
No matter what cases private eye Lew Archer takes on—a burglary, a runaway, or a disappeared person—the trail always leads to tangled family secrets and murder. Widely considered the heir to Sam Spade and Philip Marlowe, Archer dug up secrets and bodies in and around Los Angeles. Here, The Archer Files collects all the Lew Archer short stories ever published, along with thirteen unpublished “case notes” and a fascinating biographical profile of Archer by Edgar Award finalist Tom Nolan. Ross Macdonald’s signature staccato prose is the real star throughout this collection, which is both a perfect introduction for the newcomer and a must-have for the Macdonald aficionado.
The texts in this volume represent Kristin Ross's attempt to think the question of the everyday across a range of discourses, practices and knowledges, from philosophy to history, from the visual arts to popular fiction, all the way to the forms taken by collective political action in the territorial struggles of today. If everyday life is, as many have come to believe, the ideal vantage point for an analysis of the social, it is also the crucial first step in its transformation. The volume opens with a return to Henri Lefebvre's powerful attempt to think the everyday as both residue and resource, as the site of profound alienation and-by the same token-the site where all emancipatory initiatives and desires begin. The second section focuses on our attempts to represent our lived reality to ourselves in cultural forms, from painting and literature and film to an analysis of the contemporary transformations of the sub-genre most embedded in the deep superficiality of everyday life: detective fiction. The final section turns to present-day ecological occupations in the wake of the zad at Notre-Dame-des-Landes, and locates the everyday as a site for rich oppositional resources and immanent social creativity.
Since she’d joined Dex’s new company, Alicia’s days had been full of excitement and her nights full of passion in Dex’s arms. Then she discovered she was pregnant. While she wanted the baby, would Dex still want her? He’d never shown any desire to marry. Still, the baby prompted a proposal—but no declaration of love. Alicia knew that a marriage on paper could be no substitute for the real thing, but as their wedding day approached, Alicia dared to hope differently. Until their wedding night arrived and a note fell out of Dex’s suitcase...
1985, Nobert was a freshman in Abilene, Texas. All his break ups, unique jobs, and fraternity oddities. Norbert is social, kind hearted and successful at everything, but true love. He is a singer, a model (for BVD), a youth minister, quasi-college athlete, and an adult dancer. It is the best Texas college fraternity story since Proof by Kevin Reynolds. Makes you laugh, cry and remember the 1980's.
Bursting with fresh ideas, packed with practical tips, filled with wise words, this is an inspiring guide for all teachers.' Lee Elliot Major, Professor of Social Mobility, University of Exeter and co-author of What Works? 50 tried-and-tested practical ideas to help you tackle the top ten issues in your classroom. Ross Morrison McGill, bestselling author of Mark. Plan. Teach. and Teacher Toolkit, pinpoints the top ten key issues that schools in Great Britain are facing today, and provides strategies, ideas and techniques for how these issues can be tackled most effectively. We often talk about the challenges of teacher recruitment and retention, about new initiatives and political landscapes, but day in, day out, teachers and schools are delivering exceptional teaching and most of it is invisible. Ross uncovers, celebrates, and analyses best practice in teaching. Supported by case studies and research undertaken by Ross in ten primary and secondary schools across Britain, including a pupil referral unit and private, state and grammar schools, as well as explanations from influential educationalists as to why and how these ideas work, Ross explores the issues of marking and assessment, planning, teaching and learning, teacher wellbeing, student mental health, behaviour and exclusions, SEND, curriculum, research-led practice and CPD. With a foreword by Lord Jim Knight and contributions from Priya Lakhani, Andria Zafirakou, Mark Martin, Professor Andy Hargreaves and many more, this book inspires readers to open their eyes to how particular problems can be resolved and how other schools are already doing this effectively. It is packed with ideas and advice for all primary and secondary classroom teachers and school leaders keen to provide the best education they possibly can for our young people today.
In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?' When Ashbery asks this strange question, he joins a host of transatlantic avant-gardists—from the Dadaists to the 1960s neo-avant-gardists and beyond—who have dreamed of turning art into nature, of creating art that would be 'valid solely on its own terms, in the way nature itself is valid, in the way a landscape—not its picture—is aesthetically valid' (Clement Greenberg, 1939). Invisible Terrain reads Ashbery as a bold intermediary between avant-garde anti-mimeticism and the long western nature poetic tradition. In chronicling Ashbery's articulation of 'a completely new kind of realism' and his engagement with figures ranging from Wordsworth to Warhol, the book presents a broader case study of nature's dramatic transformation into a resolutely unnatural aesthetic resource in 20th-century art and literature. The story begins in the late 1940s with the Abstract Expressionist valorization of process, surface, and immediacy—summed up by Jackson Pollock's famous quip, 'I am Nature'—that so influenced the early New York School poets. It ends with 'Breezeway,' a poem about Hurricane Sandy. Along the way, the project documents Ashbery's strategies for literalizing the 'stream of consciousness' metaphor, his negotiation of pastoral and politics during the Vietnam War, and his investment in 'bad' nature poetry.
In the 1980s, a series of child sex abuse cases rocked the United States. The most famous case was the 1984 McMartin preschool case, but there were a number of others as well. By the latter part of the decade, the assumption was widespread that child sex abuse had become a serious problem in America. Yet within a few years, the concern about it died down considerably. The failure to convict anyone in the McMartin case and a widely publicized appellate decision in New Jersey that freed an accused molester had turned the dominant narrative on its head. In the early 1990s, a new narrative with remarkable staying power emerged: the child sex abuse cases were symptomatic of a 'moral panic' that had produced a witch hunt. A central claim in this new witch hunt narrative was that the children who testified were not reliable and easily swayed by prosecutorial suggestion. In time, the notion that child sex abuse was a product of sensationalized over-reporting and far less endemic than originally thought became the new common sense. But did the new witch hunt narrative accurately represent reality? As Ross Cheit demonstrates in his exhaustive account of child sex abuse cases in the past two and a half decades, purveyors of the witch hunt narrative never did the hard work of examining court records in the many cases that reached the courts throughout the nation. Instead, they treated a couple of cases as representative and concluded that the issue was blown far out of proportion. Drawing on years of research into cases in a number of states, Cheit shows that the issue had not been blown out of proportion at all. In fact, child sex abuse convictions were regular occurrences, and the crime occurred far more frequently than conventional wisdom would have us believe. Cheit's aim is not to simply prove the narrative wrong, however. He also shows how a narrative based on empirically thin evidence became a theory with real social force, and how that theory stood at odds with a far more grim reality. The belief that the charge of child sex abuse was typically a hoax also left us unprepared to deal with the far greater scandal of child sex abuse in the Catholic Church, which, incidentally, has served to substantiate Cheit's thesis about the pervasiveness of the problem. In sum, The Witch-Hunt Narrative is a magisterial and empirically powerful account of the social dynamics that led to the denial of widespread human tragedy.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
From dreams of soccer glory to the realities of the minor leagues, the high-stakes world of English football comes to life in this vivid coming-of-age novel for fans of Nick Hornby and The Art of Fielding. After his unceremonious release from a Premier League academy at nineteen, Tom feels his bright future slipping away. The only contract offer he receives is from a lower-level club. Away from home for the first time, Tom struggles on and off the field, anxious to avoid the cruel pranks and hazing rituals of his teammates. Then a taboo encounter upends what little stability he has, forcing Tom to reconcile his suppressed desires with his drive to succeed. Meanwhile, the team’s popular captain, Chris, is in denial about the state of his marriage. His wife, Leah, has almost forgotten the dreams she once held for her career. As her husband is transferred from club to club, and raising their first child practically on her own, she is lost, disillusioned with where life has taken her. A Natural delves into the heart of a professional soccer club: the pressure, the loneliness, the threat of scandal, the fragility of the body, and the struggle of conforming to the person everybody else expects you to be. Praise for A Natural “This is a bold novel. [Raisin has a] deep and unwavering empathy for others, and an ability to find flashes of beauty in life’s unforgiving ugliness. His language might be spare, but his turn of phrase is strikingly elegant. . . . The way is lit by his keen perceptions; the novel suggests the frustrations that arise when lived experience fails to align with what was imagined, and analyzes the gap between spectatorship and participation. . . . If Raisin has chosen to focus on that which stifles rather than frees us, he has done so to demonstrate precisely why we need all the things that society and circumstance suppress. . . . The confidence and skill with which he pursues his vision is not just persuasive, it’s powerful.”—The New York Times Book Review “Raisin’s transporting and acutely observed novel speaks to us all. First-rate.”—Booklist (starred review) “An intimate picture of life in the lower reaches of professional British football . . . a bold theme . . . is rendered with restraint and sympathy. . . . [A Natural] is a sensitive treatment of very different kinds of solitude and pain.”—Kirkus Reviews
How Long Have I Been Here is a collection of a variety of stories, some set in 1960s Chicago, others in Mexico around the same period and later, and still others concerned with wayward youth versus adult loneliness, with worship of a dead writer, with isolation, with old age. All, in one form or another, have to do with love and longing, with the complexities of human relationships.
A core interest of social science is the study of stratification--inequalities in income, power, and prestige. Few persons would care about such inequalities if the poor, powerless, and despised were as happy and fulfilled as the wealthy, powerful, and admired. Social research often springs from humanistic empathy and concern as much as from scholarly and scientific curiosity. An economist might observe that black Americans are disproportionately poor, and investigate racial differences in education, employment, and occupation that account for disproportionate poverty. A table comparing additional income blacks and whites can expect for each additional year of education is thus as interesting in its own right as any dinosaur bone or photo of Saturn. However, something more than curiosity underscores our interest in the table. Racial differences in status and income are a problem in the human sense. Inequality in misery makes social and economic inequality personally meaningful. There are two ways social scientists avoid advocacy in addressing issues of social stratification. The first way is to resist projecting personal beliefs, values, and responses as much as possible, while recognizing that the attempt is never fully successful. The second way is by giving the values of the subjects an expression in the research design. Typically, this takes the form of opinion or attitude surveys. Researchers ask respondents to rate the seriousness of crimes, the appropriateness of a punishment for a crime, the prestige of occupations, the fair pay for a job, or the largest amount of money a family can earn and not be poor, and so on. The aggregate judgments, and variations in judgments, represent the values of the subjects and not those of the researcher. They are objective facts with causes and consequences of interest in their own right. This work is an effort to move methodology closer to human concerns without sacrificing the scientific grounds of research as such. The
This volume brings together an impressive range of established and emerging scholars to investigate the meaning of ‘life’ in Romantic poetry and poetics. This investigation involves sustained attention to a set of challenging questions at the heart of British Romantic poetic practice and theory. Is poetry alive for the Romantic poets? If so, how? Does ‘life’ always mean ‘life’? In a range of essays from a variety of complementary perspectives, a number of major Romantic poets are examined in detail. The fate of Romantic conceptions of ‘life’ in later poetry also receives attention. Through, for examples, a revision of Blake’s relationship to so-called rationalism, a renewed examination of Wordsworth’s fascination with country graveyards, an exploration of Shelley’s concept of survival, and a discussion of the notions of ‘life’ in Byron, Kierkegaard, and Mozart, this volume opens up new and exciting terrain in Romantic poetry’s relation to literary theory, the history of philosophy, ethics, and aesthetics.
Goes beyond the stereotypes to restore Vodou to its proper place as a powerful shamanic tradition • Provides practical exercises and techniques from the Vodou tradition that can be used as safe and effective means of spiritual healing and personal transformation • Shows how to remove evil spirits and negative energies sent by others • Written by a fully initiated Houngan (Vodou shaman) Providing practical exercises drawn from all aspects and stages of the Vodou tradition, Vodou Shaman shows readers how to contact the spirit world and communicate with the loa (the angel-like inhabitants of the Other World), the ghede (the spirits of the ancestors), and djabs (nature spirits for healing purposes). The author examines soul journeying and warrior-path work in the Vodou tradition and looks at the psychological principles that make them effective. The book also includes exercises to protect the spiritual self by empowering the soul, with techniques of soul retrieval, removing evil spirits and negative energies, overcoming curses, and using the powers of herbs and magical baths.
In What Gardens Mean, Stephanie Ross draws on philosophy as well as the histories of art, gardens, culture, and ideas to explore the magical lure of gardens. Paying special attention to the amazing landscape gardens of eighteenth-century England, she situates gardening among the other fine arts, documenting the complex messages gardens can convey and tracing various connections between gardens and the art of painting. What Gardens Mean offers a distinctive blend of historical and contemporary material, ranging from extensive accounts of famous eighteenth-century gardens to incisive connections with present-day philosophical debates. And while Ross examines aesthetic writings from the seventeenth and eighteenth centuries, including Joseph Addison’s Spectator essays on the pleasures of imagination, the book’s opening chapter surveys more recent theories about the nature and boundaries of art. She also considers gardens on their own terms, following changes in garden style, analyzing the phenomenal experience of viewing or strolling through a garden, and challenging the claim that the art of gardening is now a dead one. (ed.)
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