A captivating novel that explores the little-known romance of a beloved American icon Helen Keller has long been a towering figure in the pantheon of world heroines. Yet the enduring portrait of her in the popular imagination is The Miracle Worker, which ends when Helen is seven years old. Rosie Sultan’s debut novel imagines a part of Keller’s life she rarely spoke of or wrote about: the man she once loved. When Helen is in her thirties and Annie Sullivan is diagnosed with tuberculosis, a young man steps in as a private secretary. Peter Fagan opens a new world to Helen, and their sensual interactions—signing and lip-reading with hands and fingers—quickly set in motion a liberating, passionate, and clandestine affair. It’s not long before Helen’s secret is discovered and met with stern disapproval from her family and Annie. As pressure mounts, the lovers plot to elope, and Helen is caught between the expectations of the people who love her and her most intimate desires. Richly textured and deeply sympathetic, Sultan’s highly inventive telling of a story Keller herself would not tell is both a captivating romance and a rare glimpse into the mind and heart of an inspirational figure.
The astonishing and imaginative debut novel about Helen Keller and the man she loved What comes to mind when you think of Helen Keller? Is it the deaf-mute wild child at the water pump outside her Tuscumbia, Alabama, home portrayed in The Miracle Worker or the adult activist for the rights of the disabled and women, the socialist who vehemently opposed war? Rosie Sultan’s debut novel imagines an intimate part of Keller’s life she rarely spoke or wrote about: her one and only love affair. Peter Fagan, a reporter from Boston, steps in as her secretary when her companion Annie Sullivan falls ill. The world this opens up for her is not the stuff of grade school biographies. Their affair meets with stern disapproval from Annie and from Helen’s mother, and when the lovers plot to elope, Helen is trapped between their expectations and her innermost desires. Sultan’s courageous novel insists on Helen’s right to desire, to human frailty—to be fully and completely alive.
This fully revised and thoroughly updated fifth edition of The Rough Guide to Turkey provides an insider's handbook to the country. A full colour section introduces Turkey's highlights, from the markets of Istanbul to the rock churches of Cappadocia. There are informed accounts of the country's wide-ranging sights and incisive reviews of the best places to eat, sleep and drink in every price range. Throughout the guide there is practical advice on everything from bazaar shopping to chartering a yacht. The authors also provide expert background on Turkish history, literature, music and film.
This fully revised and thoroughly updated sixth edition of the Rough Guide to Turkey is your ultimate handbook to this fascinating country.A full section introduces Turkey's highlights, from the markets of Istanbul to the rock churches of Cappadocia. There are informed accounts of the country's wide-ranging sights and incisive reviews of the best places to eat, sleep and drink in every price range. Throughout the guide there is practical advice on everything from bazaar shopping to chartering a yacht. The authors also provide expert background on Turkish history, literature, music and film and the guide comes complete with easy-to-read maps for every region. The Rough Guide to Turkey is your ultimate handbook to this fascinating country.
When Raffles sets sail from the cold, damp confines of Georgian London to make his name and fortune in the tropics, he takes with him his new wife, Olivia, a raffish beauty with a scandalous past. She infatuates both his closest friend, a poet, and one of his bitterest rivals, a soldier. Raffles sees what is going on, but he turns a blind eye – or so hopes Olivia. After Olivia’s death, and back on leave in London, Raffles, a man once again in need of a wife, makes a practical marriage. Sophia, no beauty, but curious and intelligent, embraces the opportunity of an exciting life abroad. Marriage brings her great joy but also great sadness. Her life with Raffles becomes a catalogue of loss: of their children, of their possessions, of their savings. And all the while, Raffles, driven and talented, manoeuvres at the centre of global networks of power, trade, politics and diplomacy. His scheming culminates, to his eventual glory, with the founding of a new trading post: Singapore.
The astonishing and imaginative debut novel about Helen Keller and the man she loved What comes to mind when you think of Helen Keller? Is it the deaf-mute wild child at the water pump outside her Tuscumbia, Alabama, home portrayed in The Miracle Worker or the adult activist for the rights of the disabled and women, the socialist who vehemently opposed war? Rosie Sultan’s debut novel imagines an intimate part of Keller’s life she rarely spoke or wrote about: her one and only love affair. Peter Fagan, a reporter from Boston, steps in as her secretary when her companion Annie Sullivan falls ill. The world this opens up for her is not the stuff of grade school biographies. Their affair meets with stern disapproval from Annie and from Helen’s mother, and when the lovers plot to elope, Helen is trapped between their expectations and her innermost desires. Sultan’s courageous novel insists on Helen’s right to desire, to human frailty—to be fully and completely alive.
The thousands of mourners who lined Wajid Ali Shah’s funeral route on 21 September, 1887, with their loud wailing and shouted prayers, were not only marking the passing of the last king but also the passing of an intangible connection to old India, before the Europeans came. This is the story of a man whose memory continues to divide opinion today. Was Wajid Ali Shah, as the British believed, a debauched ruler who spent his time with fiddlers, eunuchs and fairies, when he should have been running his kingdom? Or, as a few Indians remember him, a talented poet whose songs are still sung today, and who was robbed of his throne by the English East India Company? Somewhere between these two extremes lies a gifted, but difficult, character; a man who married more women than there are days in the year; who directed theatrical extravaganzas that took over a month to perform, and who built a fairytale palace in Lucknow, which was inhabited for less than a decade. He remained a constant thorn in the side of the ruling British government with his extravagance, his menagerie and his wives. Even so, there was something rather heroic about a man who refused to bow to changing times, and who single-handedly endeavoured to preserve the etiquette and customs of the great Mughals well into the period of the British Raj. India’s last king Wajid Ali Shah was written out of the history books when Awadh was annexed by the Company in February 1856. After long years of painstaking research, noted historian Rosie Llewellyn-Jones revives his memory and returns him his rightful place as one of India’s last great rulers.
The Last King in India is the story of an extraordinary man whose memory still divides opinion sharply today. Was he, as the British described him, a debauched ruler who spent his time with "fiddlers, eunuchs and women' instead of running the kingdom? Or, as most Indians believe, a gifted poet whose works are still quoted today, and who was robbed of his throne by the East India Company? Somewhere in between the two extremes lies a complex character: a man who married over 350 women, directed theatrical events lasting a month, and built a fairytale palace in Lucknow. Wajid Ali Shah was written out of the history books after his kingdom was annexed in 1856. Some even thought he had been killed during the mutiny the following year. But he lived on in Calcutta where he spent the last thirty years of his life trying to recreate his lost paradise. He remained a constant problem for the government of India, with his extravagance, his menagerie and his wives-in that order. For the first time his story is told here using original documents from Indian and British archives and meetings with his descendants.
Empire Building is a new account of the East India Company’s impact on India, focussing on how it changed the sub-continent’s built environment in the context of defence, urbanisation, and infrastructural development. Rosie Llewellyn-Jones examines these initiatives through a lens of ‘political building’ (using Indian contractors and labourers). Railways, docks, municipal buildings, freemasons’ lodges, hotels, race-courses, barracks, cemeteries, statues, canals–everything the British erected made a political statement, even if unconsciously; hence this book is concerned less with architectural styles, more with subtle infiltration into the minds of those who saw and used these structures. It assesses, in turn, Indian responses to the changing landscape. Indians often reacted favourably to new manufacturing technologies from Britain, like minting and gunpowder, while the British learnt from and adapted local methods. From military engineers and cartography to imported raw metals and steam power, Llewellyn-Jones considers the social and environmental changes wrought by colonialism. This period was marked by a shift from formerly private, Indian-controlled functions, like education, entertainment, trading and healing, to British public institutions like universities, theatres, chambers of commerce and hospitals. Stepping aside from ongoing colonialism debates, this is a fascinating account of India’s physical transformation during the Company period.
A study of the Saudi Arabian monarchy’s efforts to construct and disseminate a historical narrative to legitimize its rule. The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies. With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites’ project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state’s response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation. Praise for Archive Wars “An instant classic. With incredible insight, creativity, and courage, Rosie Bsheer peels away the political and institutional barriers that have so long mystified others seeking to understand Saudi Arabia. Bsheer tells us remarkable new things about the exercise and meaning of power in today’s Saudi Arabia.” —Toby Jones, Rutgers University, author of Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia “There are now two distinct eras in the writing of Saudi Arabian history: before Rosie Bsheer’s Archive Wars and after.” —Robert Vitalis, University of Pennsylvania, author of Oilcraft “Archive Wars explores with conceptual brilliance and historical aplomb the various forms of historical erasure central not just to the Kingdom of Saudi Arabia but to all modern states. In a finely-grained analysis, Rosie Bsheer rethinks the significance of archives, historicism, capital accumulation, and the remaking of the built environment. A must-read for all historians concerned with the materiality of modern state formation.” —Omnia El Shakry, University of California, Davis, author of The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt
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