Have you wondered about your ancestors—how they arrived in the area that they did, what were their lives like, and what legacies they passed on to future generations? This book traces one family, the Odis Harper family, from 1845 to the present day. It chronicles experiences from slavery, the Jim Crow South, the Civil Rights Movement, and current day. Readers of this book will be inspired to not only begin an ancestral search but also determine what legacy they will leave for future generations. Will you leave something for the world that will change it? Will you leave something for your family that will improve their lives? Will you write the history for the next generations? Will you let your family legacies die within these pages?
Entitled-felt Panther makes his home on Grandpa’s farm and intrude in the lives of Grandpa and his grandson, Monty. After committing a series of wicked acts against Monty, Panther finds himself in a life-threating situation until he is rescued by Grandpa and Monty. No longer feeling entitled, Panther is grateful to have them in his life. The Preacher’s Tales describes the storytelling experience through the eyes of eight-year-old Monty. A touching story, the book will keep young readers and adults alike entertained to the end. The generosity of a grandfather and grandson transforms crafty Panther into a caring friend.
Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"—the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.
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