An authentic guide to the festive, mouthwatering sweets of Southern Italy, including regional specialties that are virtually unknown in the US, as well as variations on more popular desserts such as cannoli, biscotti, and gelato. As a follow-up to her acclaimed My Calabria, Rosetta Costantino collects 75 favorite desserts from her Southern Italian homeland, including the regions of Basilicata, Calabria, Campania, Puglia, and Sicily. These areas have a history of rich traditions and tasty, beautiful desserts, many of them tied to holidays and festivals. For example, in the Cosenza region of Calabria, Christmas means plates piled with grispelle (warm fritters drizzled with local honey) and pitta 'mpigliata (pastries filled with walnuts, raisins, and cinnamon). For the feast of Carnevale, Southern Italians celebrate with bugie ("liars"), sweet fried dough dusted in powdered sugar, meant to tattle on those who sneak off with them by leaving a wispy trail of sugar. With fail-proof recipes and information on the desserts' cultural origins and context, Costantino illuminates the previously unexplored confectionary traditions of this enchanting region.
In this cutting-edge work, Rosetta R. Haynes explores the spiritual autobiographies of five nineteenth-century female African American itinerant preachers to discover the ways in which they drew upon religion and the material conditions of their lives to fashion powerful personas that enabled them to pursue their missions as divinely appointed religious leaders. Haynes examines the lives and narratives of Jarena Lee (1783--?), Zilpha Elaw (c. 1790--?), Julia Foote (1823--1900), Amanda Berry Smith (1837--1915), and Rebecca Cox Jackson (1795--1871) through an innovative conceptual framework Haynes terms "radical spiritual motherhood" -- an empowering identity deriving from the experience of "sanctification," a kind of spiritual perfection following conversion. Drawing upon conventional nineteenth-century standards for motherhood, radical spiritual motherhood also challenges traditional standards: These were women whose religious missions authorized them to preach in public, to assume an activist role, and to declare sexual autonomy through celibacy. They redefined their relationships to the powers that be by becoming instruments of God in a kind of protofeminist gesture. Haynes uses historical methods, feminist literary theory, and liberation theology to investigate the ways these women, as reflected especially in their autobiographies, employed the idea of motherhood to fashion strong, authentic identities as women called to preach the gospel. Though radical spiritual motherhood is an identity specifically adopted by free black women, the lives and texts of these itinerant preachers retain close ties to those of enslaved black women through the negative cultural stereotypes assigned to both groups. To illustrate this connection, Haynes analyzes the writings of the preachers within the context of the narratives of former slaves Harriet Jacobs, Mary Prince, and Sojourner Truth. Haynes also links the lineage of radical spiritual motherhood to a modern woman by considering Pauli Murray (1910--1985), the first African American woman (and the second African American) to be ordained as an Episcopal priest. By looking at Murray's intellectual and spiritual development, especially her feminist ideologies, social activism, and espousal of liberation theology, Haynes shows that Murray was in fact a modern-day radical spiritual mother. Pioneering and accessible, Radical Spiritual Motherhood marks a turning point in the study of both African American literature and women's studies.
About the Book Sandra Rosetta Morris shares the story of her life, her family history, and her take on philosophy. After discovering H.I.M. God, she writes what she has been through and what she has learned from Him. Sandra’s book proves that there is only one God and Satan is very much present. Morris’s words will cause a change of heart and mind. About the Author Sandra Rosetta Morris worked as a nurse for twenty-four years. She left the nursing profession to follow her dream of becoming a writer. Morris is the mother to four children.
It is billed as the crime of the century as the fictitious character Diabetes is put on trial for the murder of millions! Diabetes and his co-conspirators Salt, Sugar and High Cholesterol are the sole contributors of poor health and death via the everyday food most consume.Ruby Rosetta Russell Riley, a retired nurse, witnessed firsthand the ravages on the human body by these and other harmful overly processed foods. She personifies this harmful disease and deadly additives and chemicals in the form of characters who are arrested and taken to trial, held in front of the world, so they can make an informed judgement.This book will change the way you think about food and unveil the mysteries of food labels and help you make healthier choices.
In 2008, the United States made history when it elected the first African American to serve as its countrys president. This was a momentous occasion for both black and white Americans. In Somebody in the White House Looks like me, author Rosetta L. Hopkins shares interviews of average people in the black community to reveal how they felt about the election of a black president and his inauguration and what their expectations of the new president-elect were at the time. Ms. Hopkins interviewed ordinary black people ages sixteen to ninety-three of both sexes and from a broad occupational spectrum to capture their feelings and thoughts about the election of the first black president. Including original poetry and photos, Somebody in the White House Looks like Me documents the interviewees emotions of joy or disbelief as they discuss their recollections on the state of America today and in the past. Recording the silent and unheard voices of everyday black people whose opinions are often neglected, Somebody in the White House Looks like Me recognizes that moment in time when the division among the races was minimized for a greater good.
The Civil Rights Movement was not only an epochal social and political event but also a profound moral turning point in American history. Here, for the first time, social ethicist Ross examines the religiously motivated activism of black women in the movement and its moral import.
How afforestation reveals the often-concealed politics between humans and plants In Plant Life, Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using three supracontinental case studies—scientific forestry in the American prairies, colonial control in Africa’s Sahelian grasslands, and Chinese efforts to control and administer territory—Elkin explores the political implications of plant life as a tool of environmentalism. By exposing the human tendency to fix or solve environmental matters by exploiting other organisms, this work exposes the relationship between human and plant life, revealing that afforestation is not an ecological act: rather, it is deliberately political and distressingly social. Plant Life ultimately reveals that afforestation cannot offset deforestation, an important distinction that sheds light on current environmental trends that suggest we can plant our way out of climate change. By radicalizing what conservation protects and by framing plants in their total aliveness, Elkin shows that there are many kinds of life—not just our own—to consider when advancing environmental policy.
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. CliffsNotes on The Bluest Eye & Sula covers two of Toni Morrison’s unforgettable novels. The Bluest Eye, Morrison’s first novel, focuses on Pecola Breedlove, a lonely, young black girl living in Ohio in the late 1940s. Through Pecola, Morrison exposes the power and cruelty of white, middle-class American definitions of beauty. Sula, Morrison’s second novel, focuses on a young black girl named Sula, who matures into a strong and determined woman in the face of adversity and the distrust, even hatred, of her by the black community in which she lives. Morrison delves into the strong female relationships and how these bonds nurture and threaten individual identity. This study guide will take you beneath the surface of Morrison’s complex characters to uncover their universal themes. Helpful background information about the author brings these novels into context for even greater understanding. Other features that help you study include Complete character lists A character map that graphically illustrates the relationships among the characters Character analyses of major players Glossary of difficult terms Critical essays Review questions and essay topics Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
You don't want to be digging there,' Ma says like he can hear her. No one can hear her, just us boys. We're the dead Finnegans – Ma, Thomas, Ben and me. Ten-year-old John Finnegan can't leave his garden. Ever since they were murdered he, his brothers and his ma have been stuck there, caught between the worlds of the living and the dead. Unseen and unnoticed, he watches the events after his life unfold – including the actions of his murderer. James Stack is born dirt-poor on an Irish tenant farm and the great famine shadows his childhood. But his clever sister's lace making may save the family – until Aileen is sent to the other side of the world on a convict ship. To save her, James joins the redcoats and follows her across dangerous waters to a hopeful new land. But can he ever leave the death and hunger of his homeland behind? Based on the 1865 Otahuhu murders, Purgatory is a startling, gripping novel from an immensely talented new author.
A work of understated elegance and cumulative power, this novel eases readers into a drama unfolding within a Catholic family in Italy on the eve of World War II. As scenes only dimly understood by the child Lorenza are revisited by the woman she becomes, what seemed a family affair?a romance involving Lorenza?s mother, her father?s Jewish friend Arturo, and her aunt Margot in Switzerland?begins to reveal the broader outlines of the drama of history, in particular the tragedy of Italy?s Jews during the Holocaust. Limning the interplay of past and present, of memory and presence, this haunting work by one of Italy?s foremost writers brings to life the subtleties and complexities of history as it is experienced, interpreted, and relived within the most intimate of realms.
When little Piper Callaghan appears at Hope’s Home, too traumatized to speak after discovering her murdered mother’s body, Dr. Madison Wagner hopes to make the child’s possible father, writer Luke Callaghan, take responsibility for the bloody chaos he’s apparently created. For his part, Luke has his own story and refuses to be patronized. But when they discover Piper is the victim of prominent citizens profiting from an online international child sex ring, Madison and Luke understand they’re in this fight together. And guiding them from beyond the grave is a murdered young mother seeking retribution…and atonement. Madison and Luke must prevail against overwhelming odds, or their relentless pursuit of truth will hurtle them toward a shocking reality neither ever anticipated.
WHAT is my little Mistress Mary trying to do? The whir of the spinning-wheel was stilled for a moment as Mrs. Lyon glanced in surprise at the child who had climbed up on a chair to look more closely at the hourglass on the chimneypiece. I am just trying to see if I can find the way to make more time, replied Mary. That's not the way, daughter, laughed the busy mother, as she started her wheel again. "When you stop to watch time, you lose it. Let your work slip from your fingers faster than the sand slips-that's the way to make time!" If busy hands can indeed make time, we know why the days were so full of happy work in that little farm-house among the hills of western Massachusetts. It takes courage and ceaseless toil to run a farm that must provide food and clothing for seven growing children, but Mrs. Lyon was never too busy or too tired to help a neighbor or to speak a word of cheer.
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