Envy, Rosemary Lloyd says, involves what one would like to have but does not; jealousy, what one has but fears losing. Lloyd demonstrates in Closer and Closer Apart how the passion unleashed by jealousy can illuminate such concepts as self and other, gender and society. Jealousy, in her view, exerts a powerful attraction in literature, partly because it distorts the individual's perceptions of the other in highly productive ways, and partly because it serves as paradigms for reading and for storytelling. In this accessible and elegantly crafted book, Lloyd explores sexual jealousy more as a literary devise than as a literary theme. She draws her examples from novels, plays, and poetry spanning many years and from many countries, mainly nineteenth- and twentieth-century France and England but also Russia, Poland, Germany, Italy, the United States, Canada, and Australia. Among the writers she treats are Proust, Tolstoy, Dostoyevsky, Charlotte Brontë, Trollope, Barthes, and Baudelaire. After discussing various portraits of the jealous lover, Lloyd asks to what extent the literary experience of jealousy has been colored by conventional images of male and female roles. She also examines the ways in which the jealous lover deals with the "other"—whether beloved or rival. Finally, she looks at jealousy as a desire for control, represented through images of incorporation and possession.
Charles Baudelaire is often regarded as the founder of modernist poetry. Written with clarity and verve, Baudelaire's World provides English-language readers with the biographical, historical, and cultural contexts that will lead to a fuller understanding and enjoyment of the great French poet's work.Rosemary Lloyd considers all of Baudelaire's writing, including his criticism, theory, and letters, as well as poetry. In doing so, she sets the poems themselves in a richer context, in a landscape of real places populated with actual people. She shows how Baudelaire's poetry was marked by the influence of the writers and artists who preceded him or were his contemporaries. Lloyd builds an image of Baudelaire's world around major themes of his writing—childhood, women, reading, the city, dreams, art, nature, death. Throughout, she finds that his words and themes echo the historical and physical realities of life in mid-nineteenth-century Paris. Lloyd also explores the possibilities and limitations of translation. As an integral part of her treatment of the life, poetry, and letters of her subject, she also reflects on published translations of Baudelaire's work and offers some of her own translations.
Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
In this riveting narrative history, women veterans from the world wars, Vietnam, the Gulf War, Afghanistan, and Iraq tell their extraordinary stories. Evelyn M. Monahan and Rosemary Neidel-Greenlee spent fifteen years combing through archives, journals, histories, and news reports, and gathering thousands of eyewitness accounts, letters, and interviews for this unprecedented chronicle of America’s “few good women.” Women today make up more than fifteen percent of the U.S. armed forces and serve alongside men in almost every capacity. Here are the stories of the battles these women fought to march beside their brothers, their tales of courage and fortitude, of indignities endured, of injustices overcome, of the blood they’ve shed and the comrades they’ve lost, and the challenges they still face in the twenty-first century.
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