With fortunes that have ebbed and flowed with the tides, Annapolis has graced the banks of the Severn River and the Chesapeake Bay since the seventeenth century. Generations have worked the docks, sailed its waters and hunted for Chesapeake Gold--oysters--even as the city became home to a proud military tradition in the United States Naval Academy. Local author Rosemary F. Williams presents a vivid image of Annapolis with tales of violent skirmishes between the dashing Captain Waddell and crews of outlaw oyster poachers, the crabbing rage of the twentieth century, feisty shipwright Benjamin Sallier and the city's Golden Age of Sailing. Williams's fluid prose and stunning vintage images chronicle the maritime history of this capital city and reveal its residents' deep connection to the ever-shifting waters.
This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of these frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment.
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
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