The Island begins with a haunting 1848 journal entry from a man jailed on Spike Island in Ireland: "Gazing on grey stones, my eyes will grow stony." Nearly 150 years later, Rosemary Canavan, an accomplished poet and painter, teaches literacy at the prison on Spike Island. How do her painter's eyes and poet's spirit meet the the stony grey of prisoners' eyes? Throughout these poems, and especially in her long sequence "The Island," Canavan explores with tenderness and pathos the plight of the incarcerated. With lyrics that seem to be written in primary color, Canavan also celebrates love and children, her struggles as a working mother, and the emerging, vibrant feminist consciousness of a new generation of Irish women"--
What we think of our bodies and what we wear says something about who we are and how we belong. This was the same in the ancient world. Rosemary Canavan explores the imagery of clothing and body in the first century CE Christian writing. An examination of statuary, funerary monuments and coins in this geographical location contemporaneous with the letter's writing reveals how clothing and body images were understood. This is then placed in dialogue with the metaphorical use of clothing and body in other texts, especially the Letter to the Colossians. Social identity and rhetorical studies draw on archaeological, epigraphical, iconographical and literary sources to formulate a new approach to biblical interpretation aptly named "visual exegesis.
What we think of our bodies and what we wear says something about who we are and how we belong. This was the same in the ancient world. Rosemary Canavan explores the imagery of clothing and body in the first century CE Christian writing. An examination of statuary, funerary monuments and coins in this geographical location contemporaneous with the letter's writing reveals how clothing and body images were understood. This is then placed in dialogue with the metaphorical use of clothing and body in other texts, especially the Letter to the Colossians. Social identity and rhetorical studies draw on archaeological, epigraphical, iconographical and literary sources to formulate a new approach to biblical interpretation aptly named "visual exegesis.
“A spirited collection of witnessing from all the periods of Scottish history”—in the words of Cromwell to Conan Doyle, poets to nurses to warriors (The New York Review of Books). This is a vivid, wide-ranging account of Scotland’s history, composed of numerous stories and observations by those who experienced it firsthand through the centuries. Contributors range from Tacitus, Mary, Queen of Scots, and Oliver Cromwell to Adam Smith, David Livingstone, and Billy Connolly. These include not only historic moments—from Bannockburn to the opening of the new Parliament in 1999—but also testimonies like that of the eight-year-old factory worker who was dangled by his ear out of a third-floor window for making a mistake; the survivors of the 1746 Battle of Culloden, who wished perhaps that they had died on the field; John Logie Baird, inventor of television; and great writers including Arthur Conan Doyle, Robert Louis Stevenson, and the editor of Encyclopedia Britannica. From the battlefield to the sports field, this is living, accessible history told by criminals, servants, housewives, poets, journalists, nurses, prisoners, comedians, and many more.
While Bloomsbury is now associated with Virginia Woolf and her early-twentieth-century circle of writers and artists, the neighborhood was originally the undisputed intellectual quarter of nineteenth-century London. Drawing on a wealth of untapped archival resources, Rosemary Ashton brings to life the educational, medical, and social reformists who lived and worked in Victorian Bloomsbury and who led crusades for education, emancipation, and health for all. Ashton explores the secular impetus behind these reforms and the humanitarian and egalitarian character of nineteenth-century Bloomsbury. Thackeray and Dickens jostle with less famous characters like Henry Brougham and Mary Ward. Embracing the high life of the squares, the nonconformity of churches, the parades of shops, schools, hospitals and poor homes, this is a major contribution to the history of nineteenth-century London.
This guide covers sites on and off the beaten track and contains extensive choices for places to stay and eat, detailed background on history, culture, art, and mythology and a handy language guide. There is comprehensive coverage of ancient sites as well as recommendations for outdoor activities ranging from skiing Mt. Parnassos to water sports off Lefkada. 16-page full-color section on art and architecture. 130 maps. 18-page color insert.
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