About this Book and this Book Series A Bible Story Called Easter and the Birth of Christianity: KJV pilot version - English is an illustrated chronological Bible-excerpt story covering the events surrounding Jesus Christ’s final Passover week through the following Pentecost observance. This first illustrated book in the series covers the most significant eight weeks of Christianity’s beginnings. The events covered here comprise core components of Christian theology. The book-template source for each book in the series is the published and copyrighted Appendix A, which specifies how to integrate the 63 public domain watercolor images created in the 1890’s by French artist James Tissot with 655 selected Bible verses recorded in the first century in the Greek language by the authors of the New Testament Gospels. The book template’s matrix format, “Gospels’ Comparative Text Alignment” [G’CTA], creates a single chronological story through the parallel alignment of the four Gospel authors’ narratives. This matrix format is often referred to as a Harmony of the Gospels. This first illustrated book in the series, KJV pilot version, is a derivative work compilation that presents the 655 Bible verses in English, using the KJV Bible translation commissioned by King James I of England in 1604 and completed in 1611; a significant upgrade to the translation occurred in 1769. The KJV translation is now considered public domain, except in the United Kingdom. The planned next book in the series will also be in English using the NLT Bible translation (New Living Translation.) A “fair use” permission for publication using this Bible translation has been granted by Tyndale House Publishers. Negotiations are also in process to produce other series books in English using the NABRE (Catholic), NIV (New International Version) and the NKJV (New King James Version) Bible translations.
The book presents the historical evolution of gold mining activities in the Egyptian and Nubian Desert (Sudan) from about 4000 BC until the Early Islamic Period (~800–1350 AD), subdivided into the main classical epochs including the Early Dynastic – Old and Middle Kingdoms – New Kingdom (including Kushitic) – Ptolemaic – Roman and Early Islamic. It is illustrated with many informative colour images, maps and drawings. An up to date comprehensive geological introduction gives a general overview on the gold production zones in the Eastern Desert of Egypt and northern (Nubian) Sudan, including the various formation processes of the gold bearing quartz veins mined in these ancient periods. The more than 250 gold production sites presented, are described both, from their archaeological (as far as surface inventory is concerned) and geological environmental conditions, resulting in an evolution scheme of prospection and mining methods within the main periods of mining activities. The book offers for the first time a complete catalogue of the many gold production sites in Egypt and Nubia under geological and archaeological aspects. It provides information about the importance of gold for the Pharaohs and the spectacular gold rush in Early Arab times.
ARLISS Glasstar's humdrum existence is changed forever as she finds herself running for her life accompanied by three rather odd looking characters as they are they're pursued by a frightening band of men on horseback rapidly bearing on them. She has no choice but to enter the well between the worlds and travel to Eartheart.
Out of the frying pan, into the fire . . . Courtney Archer is known for hosting the show Cooking with the Farmer’s Daughter . . . despite the fact that she’s actually a pediatrician’s daughter. Now she’s signed on for a role on The American Baking Battle. On this reality show, she can start developing a more authentic image for herself—and as a bonus, the usual backstabbing and manufactured drama isn’t part of the Baking Battle script. But genuine drama is heating up behind the scenes . . . During a film shoot in the scenic Pocono Mountains, Courtney has to juggle career commitments like pots on a six-burner stove. Adding to the stress is Mick, a contestant who finds out about her fake farm-girl story. Determined to succeed at her new gig, she whips up a cherry cobbler in a cast-iron fry pan one evening and leaves it out to cool. But the next morning, it’s Mick’s body that’s cooling—right next to Courtney’s pan, now classified as a murder weapon . . .
Bodenheimer defines the personal paradoxes that helped to shape Eliot's fictional characters and narrative style. Bodenheimer revisits pivotal episodes in Mary Ann Evans's life and career, including the "Holy War" through which she asserted her youthful religious skepticism; her decision to elope with the married writer George Henry Lewes; and her marriage with John Cross after Lewes's death. Bodenheimer also discusses the rumor campaign that led to the discovery that "George Eliot" was a woman, and she traces the trajectory of Eliot's impassioned conflict between her ambition and her womanhood.
Extraordinary Bodies is a cornerstone text of disability studies, establishing the field upon its publication in 1997. Framing disability as a minority discourse rather than a medical one, the book added depth to oppressive narratives and revealed novel, liberatory ones. Through her incisive readings of such texts as Harriet Beecher Stowe's Uncle Tom's Cabin and Rebecca Harding Davis's Life in the Iron Mills, Rosemarie Garland-Thomson exposed the social forces driving representations of disability. She encouraged new ways of looking at texts and their depiction of the body and stretched the limits of what counted as a text, considering freak shows and other pop culture artifacts as reflections of community rites and fears. Garland-Thomson also elevated the status of African-American novels by Toni Morrison and Audre Lorde. Extraordinary Bodies laid the groundwork for an appreciation of disability culture and an inclusive new approach to the study of social marginalization.
Rosemarie von Bl cher was born in 1920 in the Prussian Baltic province of Pomerania (Pommern). Coming from the same family of German nobility as the illustrious general who led the Prussians at the Battle of Waterloo, she grew up in her very own paradise on her father's estate - an idyllic world of peace, harmony and beauty. But sinister forces would soon shatter her world forever. Hitler came to power during her high school years, and the perverse policies of the new regime soon changed her life. As a medical student in occupied Poland, Rosemarie witnessed some of the atrocities inflicted on the population by the SS. Although courted by the wealthy Count Werner von der Schulenburg - owner of a large estate in Saxony-Anhalt - her fairy tale wedding provided no escape from the terrors of the time. Members of Werner's family were involved in the Valkyrie plot to assassinate the F hrer, and Rosemarie later endured occupation, expropriation, and house arrest by the Russians. Following her miraculous rescue, she escaped with her husband to the West where, unlike many of their class, they managed to rise above the ruins to embrace a new life of service in post-war Germany. Werner eventually became a pastor, believing that his country would only find its way back from the pseudo-religion of National Socialism by turning to its Christian roots. Rosemarie's is a story of how inherited spiritual values survive the loss of a childhood paradise to nourish a new happiness through family, friendships, and community. As an unvarnished first-hand account of a time when European civilization suffered one of its most savage assaults, it is still ultimately uplifting, filled with lyrical - and sometimes comical - surprises. "Rosemarie first wrote this story for her grandchildren, who wanted to know about her tumultuous life in 20th-century Germany. It has been translated into English by Norman Diffey, a friend of hers for nearly fifty years.
In this compelling and accessible book, Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.
The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.
Provides information in manageable chunks, which is reinforced by questions and activities that encourage students to consider the practical application of science to everyday life. This work is useful for Higher Tier GCSE students.
The mystical, ecstatic religions of the Greco-Roman culture, direct threats to the newer Judeo-Christian movements, were obliterated. Here is a thorough description of the Eleusian mysteries, and traces of cultural conflicts at the root of Kosher law and.
Vampires learn from Serella Stone, a witch from the 13th century, that energy in any form can only be restructured, but never destroyed. That becomes the basis for how it ́s possible that Audra Trivette and Gaetano Minotti are still very much in existence and out for revenge. Audra seeks to destroy Christian by taking his one love through a debilitating disease, while Gaetano seeks his revenge on Jesse Nestarius, the angel who fought him for Serella centuries ago. Only Serella seems to have the key to unite both sides in the ultimate battle between good and evil, but this time the battle grounds are on both sides of the line between heaven and earth. Spiritual Vengeance is Rosemarie ́s finest triumph in depicting how closely related both sides of existence can actually be, and what it might take to effect the desired results in both.
Tracing the unforgettable tale of a little black girl from a small Ohio town who dared to dream above her station, this memoir captures the larger history of black people in America, from the arrival of Ellamae Simmons' ancestors aboard a slaving vessel in 1775, to the electrifying election of the nation's first African American president. Ellamae came of age at a time when even the most gifted Negro girls were expected to become domestics in white homes. But Ellamae yearned to study medicine, and she set about creating a world in which she could do just that. For most of her 97 years, she has been writing her story of struggle and triumph against the odds, refusing to let disappointment or heartbreak turn her aside. Delving into themes of inclusion and social justice, education and mental health, marriage and family, this is the story of a woman who wasn't content to just witness history, she went out and made her own.
The past twenty years have seen an explosion of work by feminist philosophers and several surveys of this work have documented the richness of the many different ways of doing feminist philosophy. But this major new anthology is the first broad and inclusive selection of the most important work in this field. There are many unanswered questions about the future of feminist philosophy. Which of the many varieties of feminist philosophy will last, and which will fade away? What kinds of accommodations will be possible with mainstream non-feminist philosophy? Which will separate themselves and flourish on their own? To what extent will feminists change the topics philosophers address? To what extent will they change the very way in which philosophy is done? However these questions are answered, it is clear that feminist philosophy is having and will continue to have a major impact on the discipline of philosophy. This volume is the first to allow the scholar, the student, and other interested readers to sample this diverse literature and to ponder these questions for themselves. Organized around nine traditional “types” of feminist philosophy, Feminism and Philosophy is an imaginatively edited volume that will stimulate readers to explore many new pathways of understanding. It marks a defining moment in feminist philosophy, and it will be an essential text for philosophers and for feminist theorists in many other fields.
The Image of GOD we have in our soul has the potential of enhancing our life. This happens when the image of GOD is one of goodness, justice, and encouragement. The opposite is also true. A GOD image can be destructive, inflict guilt, cause insecurity, and foster condemnation of self and others. In a refreshing and life-giving way the two authors, Rosemarie Kohn and Susanne Sonderbo, present a slideshow of insights: Kohn as the Biblical theologian, Sonderbo using developmental psychology. They address how a "Toxic Faith" can poison and writhe a person's life into absolutism. This happens, they note, when one image of GOD becomes dominant and exclusive of all other images. A section of the book is devoted to an analysis of the homosexuality debate inside and outside the Norwegian church. Using over 1400 letters from the "Sunde Case" in 1999 they uncover a variety of GOD images: rigid and judgmental, warm and comforting, some based on Scripture and others on a broad range of human experiences hoping in a gentle and loving GOD. Kohn and Sonderbo have through their work met many people with a GOD image causing much hurt and pain. It is the authors' hope that the book will be a helpful tool in reflection on and perhaps reconstruction of the GOD image to which the reader has grown accustomed. They advocate lifelong growth in faith. The book also provides pastors and therapists with a key to understanding. Both authors plead a case for images of GOD that focus on inclusivity, love, and friendship--offering inner strength and hopeful living. They also make a strong case for how our image of GOD is not so much about theology but rather about growth and development in our personal lives. How we imagine GOD says a great deal about how we look at ourselves and others.
What do you do when your father becomes the enemy of your family? Danny McMillan never knew that his father was abusing his mother, until a night of violence that shattered his family forever. Watching in the courtroom as his father is sentenced, Danny struggles with divided loyalties -- to his mother on one side and to his father whom he wants to forgive on the other. After one trial is over, another begins for Danny. Social services and the police convince Danny's mother that they must go into a victim protection program. Danny is asked to leave everything behind -- his home, his friends, and the love and support of his grandparents. In a new city and attending a new school, Danny is even given a new name -- David Mayer. But who is David? He is someone that Danny does not want to be, living a life he cannot accept. As David, he is pushing boundaries he never would have pushed.
The many facets of black family life have not always been fully visible in American literature. Black families have often been portrayed as chaotic, fractured, and emotionally devastated, and historians and sociologists are just beginning to acknowledge the resilience and strength of African American families through centuries of hardship. In Mending the World, a host of beloved writers celebrate the richness of black family life, revealing how deep, complicated, and joyous modern kinship can be. From James McBride's tender recollection of the man who claimed eight stepchildren as his own to Toi Derricotte's moving portrait of a pregnant teenager who decides to keep her child; from Debra Dickerson's lament over the shooting that crippled her nephew to Charles Johnson's whimsical look at a married couple's mid-life crisis; from Shay Youngblood's moving fictional evocation of a lost mother to poet Kendel Hippolyte's poignant telling of a father's unexpected legacy, this inspiring volume presents-through fiction, memoir, and poetry-a multi-layered and optimistic portrait of today's black America. Mending the World features fiction, personal memoir, and poetry by new writers (some publishing here for the first time) and established members of the canon.
Confronted with the reality of her HIV-positive status, Rosemarie Stone also has to deal with husband Carl's illness and his rapid decline to death as a result of AIDS. She not only has to cope with the shock and feeling of betrayal but also with the guilt and shame as well as the stigma and discrimination that follows anyone living with the virus. In No Stone Unturned, Rosemarie Stone describes in vivid and heartbreaking detail her first reactions to the news of Carl's illness and the elaborate attempts they both engineer to cover-up their status from Jamaican society and even close family members This is the story of Rosie's own fight against the debilitating effects of the virus and against the inevitable stigma and discrimination; of her retreat from Jamaican society; of the solace and comfort she has found in family and close friends and in contact with others living with the virus. Her story describes the realities of our worst fears - the absolute dread of those who find they are HIV positive, which is the result of the stigma NOT the virus itself. It is a woman's story of courage and resilience; but it is also an amazing love story, however love is defined. After 13 years, Rosie makes the agonizing decision to share her story with the world. Told without bitterness or recrimination, it is sad but at the same time inspirational and educational. No one reading these memoirs will remain untouched by her experiences.
Geog. is a course specially written for Key Stage 3 of the revised (year 2000) National Curriculum. It combines a rigorous approach to content with a lively presentation and style. For the pupil, the course provides clear, step-by-step illustrated explanations and plenty of questions and activities. For the teacher, both specialist and non-specialist, the course offers effective classroom delivery and reliable support.
So! You think you know the story of the Magi and the Nativity? Well let me introduce you to the real heroes and heroine of this story. Follow sweet, comical Dub-Dub, the wise yogi master, Gonzophares, the young, handsome Antar, and beautiful and independent Zenobia from Isfahan in Persia to the stable in Bethlehem where they find the Christ child. Following the brilliant star, the four camels lead the Magi through desert storms to ancient Bablyon and then to the Great Desert City of Palms, Palmyra where they are attacked by thieves and onto exotic Damascus, the Jasmine City of many gates, spice filled markets, lush fragrant gardens, beautiful houses of wealth where they are entertained with much food, music and story-telling. Continuing their journey, they travel Southward through the Golan Mountains into the Sea of Galilee, to the towns of Bethsaida and Hyppos and their entrance into the Great Palace of Herod in Jerusalem. Along the journey the camel friends encounter other animal friends who help them in their quest and
All religions are pleasing to God but the salvation of our souls can only be made possible by God's grace. There is only one true religion that our salvation can be assured, the Christian religion. Billion called themselves Christians and they were drawn to Christ for what He did for us, dying on the cross so we will be justified, redeemed and saved. What was and is so amazing with the Christian faith was the resurrection of Christ after He died on the Cross. In the history of mankind there never been an incident that a man rose from the dead after three days. The book revealed who Christ is to us. Like St. Francis of Assisi prayed all the time to Christ, JESUS MY ALL. Thus, we know why the great saint of Assisi prayed this way. Christians likewise do the same and all of our brothers and sister deprived of Christ should remember Jesus as our All.
The first atlas in many years giving researchers a good visual reference of the status of their cell lines. Given the increasing importance of well defined cellular models in particular in biomedical research this is a sorely needed resource for everyone performing cell culture.
Ey up, it's not only footie, pints and pies that are better up north - the humour also takes some beating. Whether it's comics like Peter Kay, Les Dawson and Victoria Wood, telly shows like Corrie and Open All Hours, or writers like Alan Bennett and Keith Waterhouse, the funniest and best-loved invariably hail from the land of perpetual drizzle (another thing they do better). This grand collection of northern wit is packed with these favourites and more. Likely lads and lippy lasses cast a wry eye on subjects close to the heart of every northerner, including - brass, grub, graft, courting, cricket, tittle-tattle and t'weather - adding up to a feast of northern hilarity.
On April 19, 1973, Rosemarie D'Alessandro's daughter, Joan, said "Goodbye, Mommy," as she ran out the door. Joan was a Brownie Scout, and she was excited about delivering the last two boxes of Girl Scout cookies to a neighbor. Her mother didn't know it would be the last time that she would see her seven-year-old child alive. Her neighbor sexually assaulted and brutally murdered her joyful little girl. The crime stunned the suburban community of Hillsdale, New Jersey, and the entire nation. The emphasis on child safety changed overnight. Rosemarie was numb with grief, but she was able to get some peace and solace by her belief that there was a hopeful message in the significant days Joan was killed and found. Twenty years later, when her killer shockingly had a chance to get out of prison, she started a grassroots movement and the community united together to get over one hundred thousand signatures opposing his parole. Rosemarie saw that laws had to be changed to stop the injustice that her family had to go through. Her efforts led to the passage of five laws on the state and federal level that would help to protect children and give victims more rights. An unimaginable turn of events took place when a man brought her 332 letters that Joan's killer wrote. After he died in 2021, Rosemarie felt free to share all the letters in their entirety, which gives the reader a rare opportunity to see inside the mind of a killer. In this book, The Message of Light amid Letters of Darkness, the letters are included with Rosemarie's summaries and comments, and she tells the parallel story of her life and activism during the time period the letters were written. Her story shows the power of the human spirit as Rosemarie finds a way to make something hopeful out of horrendous tragedy. She perseveres to go for what she believes in despite unexpected obstacles and hardships. She doesn't let hate and animosity take her down, freeing her to go forward and become Joan's voice. Fifty years later, Joan's legacy of hope, justice, and love shines brighter than ever.
Centered around the relationship between art and political transformation. From Charlottë Bronte and Virginia Woolf, to Marlene van Niekerk and William Kentridge, artists and intellectuals have tried to address the question: How to deal with the legacy of exclusion and oppression? Via substantive works of art, this book examines some of the answers that have emerged to this question, to show how art can put into motion something new and how it can transform social and cultural relations in a sustainable way. In this way, art can function as an effective form of cultural critique. In the course of this book, a range of artworks are examined, through a postcolonial and feminist lens, in which revolt—both as a theme and as a medium-specific technique or/as critique —is made visible. Time and time again, revolt takes the form of a slow and thorough working through of the position of the individual in relation to her history and her contemporary geopolitical circumstances. It thus becomes evident that renewal and transformation in art and society are most successful when they proceed according to the method of self-reflexive cultural critique; when they do not present themselves as revolution, radical breaks with the past, but rather as processes of revolt in which knowledge of the past is investigated, complemented, corrected, and bent to a new collective will.
In the mid- late 1800s and early 1900s, Thomas Hardy produced a plethora of eclectic works that were considered too candid and even sacrilegious for their time. Hardy's publishing of fiction, drama, poetry, and the short story ranks him with Shakespeare, one of few other authors in the English language to write major works in more than one literary genre. Growing up, Hardy apprenticed as an architect but soon realized his true calling was writing. He based much of his work on his homeland and local culture in England, creating the fictional county of Wessex, the setting for most of his works. This companion explores the life of Hardy, examining his career and most important works. Ideal for high school and undergraduate students, as well as readers with a general interest in Hardy's life and works, this book takes a close look at Hardy's unconventional works and why he ultimately decided to abandon novel-writing in favor of his first love-poetry.
A fascinating and authoritative account of the controversies and possibilities surrounding nuclear waste disposal, providing expert discussion in down-to-earth language.
During the first ten years of his career in psychological medicine, Sigmund Freud espoused a theory of unconsciousness which predated his own. As Rosemarie Sand describes in The Unconscious without Freud, he would evolve this theory over the course of his career and eventually apply it to his own psychological practice. Once Freud's hypothesis of unconscious mental functioning was published, the same professionals who had valued the traditional concept turned against what they considered to be a catastrophic, logically indefensible revision. The scientific investigation of unconscious influences was retarded for decades as a war zone opened between implacable opponents and intransigent defenders of the Freudian concept of unconscious mind. In the din of this battle, the traditional theory, free of the features which Freud's foes could not accept, was forgotten. Sand argues that a return to this original theory, which psychotherapists and experimenters might both espouse, could contribute to a cessation of hostilities and lead to the peaceful development of a theory of the unconscious—one that is free from the stigma that is currently attached to Freudian theory.
A collaborative book on the works of Charles Dickens that takes the form of a dialogue between the two authors. The literary conversation prioritizes the act of live reading and the experience of encountering an intense or problematic feeling when reading Dickens's works.
The first oral biography of John F. Kennedy Jr. is an extraordinarily intimate, comprehensive look at the real man behind the myth. Sharing never-before-told stories and insights, his closest friends, confidantes, lovers, classmates, teachers, and colleagues paint a vivid portrait of one of the most beloved figures of the 20th century, revealing how the boy who saluted became the man America came to know and love who still captures public imagination twenty-five years after his tragic death. Born into the spotlight, John F. Kennedy Jr. lived a short but remarkable life filled with expectation, ambition, family pressures, love, and tragedy. JFK Jr. dives deep into his complicated psyche and explores the what-ifs, illuminating both the cultural and political moment he inhabited and the way this son of a president, so full of promise and possibility, embodied America’s most cherished hopes.
Working Girl meets What Remains in this New York Times bestselling, behind-the-scenes story of an unlikely friendship between America’s favorite First Son, John F. Kennedy Jr. and his personal assistant, a blue-collar girl from the Bronx. Featured in the documentary I Am JFK Jr.! From the moment RoseMarie Terenzio unleashed her Italian temper on the entitled nuisance commandeering her office in a downtown New York PR firm, an unlikely friendship bloomed between the blue-collar girl from the Bronx and John F. Kennedy Jr. Many books have sought to capture John F. Kennedy Jr.’s life. None has been as intimate or as honest as Fairy Tale Interrupted. Recalling the adventure of working as his executive assistant for five years, RoseMarie portrays the man behind the icon—patient, protective, surprisingly goofy, occasionally thoughtless and self-involved, yet capable of extraordinary generosity and kindness. She reveals how he dealt with dating, politics, and the paparazzi, and describes life behind the scenes at George magazine. Captured here are her memories of Carolyn Bessette, how she orchestrated the ultra-secretive planning of John and Carolyn’s wedding on Cumberland Island—and the heartbreak of their deaths on July 16, 1999, after which RoseMarie’s whole world came crashing down around her. Only now does she feel she can tell her story in a book that stands as “a fitting personal tribute to a unique boss . . . deliriously fun and entertaining” (Kirkus Reviews).
Confronted with the reality of her HIV-positive status, Rosemarie Stone also has to deal with husband Carl's illness and his rapid decline to death as a result of AIDS. She not only has to cope with the shock and feeling of betrayal but also with the guilt and shame as well as the stigma and discrimination that follows anyone living with the virus. In No Stone Unturned, Rosemarie Stone describes in vivid and heartbreaking detail her first reactions to the news of Carl's illness and the elaborate attempts they both engineer to cover-up their status from Jamaican society and even close family members This is the story of Rosie's own fight against the debilitating effects of the virus and against the inevitable stigma and discrimination; of her retreat from Jamaican society; of the solace and comfort she has found in family and close friends and in contact with others living with the virus. Her story describes the realities of our worst fears - the absolute dread of those who find they are HIV positive, which is the result of the stigma NOT the virus itself. It is a woman's story of courage and resilience; but it is also an amazing love story, however love is defined. After 13 years, Rosie makes the agonizing decision to share her story with the world. Told without bitterness or recrimination, it is sad but at the same time inspirational and educational. No one reading these memoirs will remain untouched by her experiences.
This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.
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