A new wave of entrepreneurs is leading a global paradigm shift towards values-driven business. This book empowers you to challenge the status quo and create value through its unique and adaptive approach to venture-building by design. Authored by a multidisciplinary team of practicing design strategists, business leaders, academics, and entrepreneurs, this hands-on guide models strategic design as a mindset for starting up: framing problems, applying methods, identifying opportunities, and creating pathways forward through futures and systems thinking. Carefully curated case studies of young impact-driven entrepreneurs along with resources, including action-based frameworks, diagrams, and templates for founders to replicate, and a reader’s checklist to enable the transformation of daily practice, will open new dimensions that amplify the global shift towards a more regenerative world and a multiverse of possibilities. Are you ready to journey to places where ideas for products, services, and experiences transform how we live and work? Then this guide is for you: the Design-Driven Entrepreneur.
In recent times clothing has come to be seen as a topic worthy of study, yet there has been little source material available. This three-volume edition presents previously unpublished documents which illuminate key developments and issues in clothing in nineteenth-century England.
Integrating analytical tools from feminist theory, cultural studies and sociology to illuminate detailed historical evidence, Sonya Rose argues that gender was a central organizing principle of the nineteenth-century industrial transformation in England. She elaborates a cultural theory of gender that suggests why it is an inherent aspect of all social and economic relations. Analysing employer strategies and state policies and the role of work in family life, she demonstrates that neither industrial transformation nor class relations can be understood when reduced to gender-neutral and abstract forces.
There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.
In recent times clothing has come to be seen as a topic worthy of study, yet there has been little source material available. This three-volume edition presents previously unpublished documents which illuminate key developments and issues in clothing in nineteenth-century England.
Written by an amateur gardener for amateurs, Rose Kingsley's 1908 work shares her practical experience cultivating roses with those interested in cultivating their own.
Prior to World War I, Britain was at the center of global relations, utilizing tactics of diplomacy as it broke through the old alliances of European states. Historians have regularly interpreted these efforts as a reaction to the aggressive foreign policy of the German Empire. However, as Between Empire and Continent demonstrates, British foreign policy was in fact driven by a nexus of intra-British, continental and imperial motivations. Recreating the often heated public sphere of London at the turn of the twentieth century, this groundbreaking study carefully tracks the alliances, conflicts, and political maneuvering from which British foreign and security policy were born.
Lloyd George once spoke of 'a very powerful combination - in its way the most powerful in the country'. Its proceedings were invariably conducted at Cliveden, the country estate of the fabulously wealthy Nancy and Waldorf Astor. Collectively dubbed 'God's Truth Ltd', the group included leading politicians, academics, writers and newspaper editors. Its pedigree impeccable, its social standing beyond reproach, its persuasive powers permeated the clubs and institutions of London, the senior common rooms of Oxbridge colleges, the quality press and the great country houses of England. Suddenly, in the late 1930s, the 'Cliveden Set' was catapulted into uncalled-for notoriety. It had been identified as a cabal that sought to manipulate, even determine, British foreign policy in order to uphold its narrow class interests. It would use any means, however devious - even negotiate a humiliating, dishonourable settlement with Nazi Germany - to maintain its privileges, those of a decaying ruling class. But was the 'Cliveden Set' a traitorous cabal, challenging 'the constitutional structures of British democracy', or simply an unstructured think-tank of harmless do-gooders? Norman Rose discerningly probes this fascinating tale, brilliantly disentangling fact from fiction, and setting this privileged clique in the wider perspective of its times.
The first half of Tapestry consists of a historical overview of African Americans in southeastern Connecticut from 1680 to 1865. The authors focus on the arrival of blacks in Connecticut, the African-American family, and the role played by African Americans in the Revolutionary and Civil wars. Much of the action takes place in the towns of Groton, East Haddam, New London, Chatham, and Hebron. In the second part of the volume, Dr. Rose and Mrs. Brown produce, as illustrations, genealogical sketches of the following African-American families: Beman, Boham, Bush, Freeman, Hallan, Hyde, Jacklin, Jackson, Lathrop, Magira, Mason, Moody, Peters, Quash, Rogers, and Wright. While readers will discover information in a number of these genealogies that is repeated in Brown and Rose's Black Roots in Southeastern Connecticut, 1650-1900, researchers should check the accounts in Tapestry for embellishments"--Publisher website (December 2008).
A new wave of entrepreneurs is leading a global paradigm shift towards values-driven business. This book empowers you to challenge the status quo and create value through its unique and adaptive approach to venture-building by design. Authored by a multidisciplinary team of practicing design strategists, business leaders, academics, and entrepreneurs, this hands-on guide models strategic design as a mindset for starting up: framing problems, applying methods, identifying opportunities, and creating pathways forward through futures and systems thinking. Carefully curated case studies of young impact-driven entrepreneurs along with resources, including action-based frameworks, diagrams, and templates for founders to replicate, and a reader’s checklist to enable the transformation of daily practice, will open new dimensions that amplify the global shift towards a more regenerative world and a multiverse of possibilities. Are you ready to journey to places where ideas for products, services, and experiences transform how we live and work? Then this guide is for you: the Design-Driven Entrepreneur.
Alice Douglas stands across the street from Tranquility with a letter, a kitchen knife, and a broken heart. She is not sure what to expect from the Manhattan theater, or Aunt Lilith, the black sheep family member who owns it, but has nowhere else to turn. Alice quickly learns that Tranquility is not quite a theater, not quite a nightclub, not quite a bar. It is a place where orchids, dahlias, and chrysanthemums grow in the walls, where butterflies in paintings flutter their wings, and where the air smells different to each person that visits. Aunt Lilith tells Alice to listen. The people that work at Tranquility—the singers, the bartender, the receptionist—work there for a reason. For some that work at Tranquility, it is their forever home, and for others, their stay is temporary. At the end of the week, Alice must return to college. But no one leaves Tranquility unchanged. + three new stories set in the When the Flowers Breathe universe, an author interview, mocktails, and more!
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