Embrace: The Child Within By: Rose La Rose Embrace the Child Within tells the story of four-year-old Graci, a lively, precocious child who witnesses a crime that causes her to “leave herself” and dissociate. The book opens with events that throw her into a lengthy tailspin of dissociation and keep her in a constant state of survival mode, not knowing who she is for over three decades. The secret of the crime is the driving force in the story that explores how this trauma silenced her and took her identity away. Then, disowned and abandoned by her family at age nineteen, Graci embarks on a long, arduous journey, unaware of her dissociation. Fueled with tenacity, resilience, and the ever-burgeoning self, she takes on the battle to discover herself all alone in the world. As a result of her trauma, Graci faces many struggles that she must overcome even when she goes through life not knowing who she really is. Eventually the truth in its entirety unfolds for Graci, except for one missing piece that proves key for helping to resolve her dissociation. No matter how old a crime is, it's never too late to tell the truth.
This open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities.
Interfaith marriage is a visible and often controversial part of American life--and one with a significant history. This is the first historical study of religious diversity in the home. Anne Rose draws a vivid picture of interfaith marriages over the century before World War I, their problems and their social consequences. She shows how mixed-faith families became agents of change in a culture moving toward pluralism. Following them over several generations, Rose tracks the experiences of twenty-six interfaith families who recorded their thoughts and feelings in letters, journals, and memoirs. She examines the decisions husbands and wives made about religious commitment, their relationships with the extended families on both sides, and their convictions. These couples--who came from strong Protestant, Catholic, and Jewish backgrounds--did not turn away from religion but made personalized adjustments in religious observance. Increasingly, the author notes, women took charge of religion in the home. Rose's family-centered look at private religious decisions and practice gives new insight on American society in a period when it was becoming more open, more diverse, and less community-bound.
This 1981 book is a study of wide range of fiction, from short stories to tales of horror, from fairy-tales and romances to science fiction, to which the rather loose term 'fantastic' has been applied. Cutting across this wide field, Professor Brooke-Rose examines in a clear and precise way the essential differences between these types of narrative against the background of realistic fiction. In doing so, she employs many of the methods of modern literary theory from Russian formalism to structuralism, while at the same time bringing to these approaches a sharp critical intuition and sound common sense of her own. The range of texts considered is broad: from Poe and James to Tolkien; from Flann O'Brien to the American postmodernism. This book should prove a source of stimulation to all teachers and students of modern literary theory and genre, as well as those interested in 'fantastic' literature.
In this gorgeous book, the acclaimed photographer Rose Eichenbaum captures the spirit, beauty, and commitment of dancers along with the dancers' own words of wisdom and guidance. More than 250 color and black and white photographs are paired with inspirational quotes from legendary and emerging dancers, including Bill T. Jones, Katherine Dunham, Ann Reinking, Mark Morris, Pina Bausch, Jawole Willa Jo Zollar, Gregory Hines, Mitzi Gaynor, Desmond Richardson, Rennie Harris, Paul Taylor, Ohad Naharin, Tiler Peck, and many more. Here, words and images explore creativity, art making, the communicative power of the human body, the challenges of balancing everyday life with the physical and practical demands of the dancer's art, and more. In these intimate portraits, Eichenbaum reveals and celebrates the world of the dancer. Sensual and mesmerizing, these images will entrance dancer and non-dancer alike—as well as anyone who loves fine photography—with their powerful depiction of the human body.
Shattering the glass ceiling in revealing new things, new innovations, and recreating a world globe, calendars, and the most accurate magnetic compass ever. Most people are unaware of whats going on around them, but a few will envision or maybe discern what lies ahead. Mankind should eliminate all the negatives and replace them with positive things, in order to save humanity from self-destruction. Mankind has to build a narrow pathway to friendship, love, cooperation around the globe, and cease building obstacles. Honesty is by choiceit is not something that you can purchase in a bookstore. Sacrificing most of my adult life to a higher cause has paid off. It was not for gain, lust, money, power, or control. I can attest that serving humanity and by contributing to society has made life most enjoyable and complete. Trusting in God is unshakeable and solid as a rock. Unbelievers should recognize that animals do not endure excruciating pain in giving birth, only women. So there is a God. Eliminating spirituality from the schools and replacing the human mind with new technology is creating robots in the generations to come, and it will be controlling the minds of the populace. Every human spirit from the time of conception grows and continues to develop in journeying through a cathartic period every step of the way until exhaling the last breath.
From the Belgian coast, across the fields of Flanders, over the valley of the Somme and down the line to the Argonne: all the major battlefields of the First World War — Ypres, Arras, Cambrai, Amiens, St?Quentin, Mons, Le Cateau, Reims, Verdun and St?Mihiel — are criss-crossed in this book over more than thirty different routes, each clearly shown on a Michelin map. Every significant feature is described in detail. Since her death in 1991,?After the Battle’s Editor, Karel Margry, has traveled every route, checking and revising the text where necessary, as?well as re-photographing every memorial. Many new ones are included, yet we have striven to keep true to the flavor of Rose’s original concept . . . before?endeavors fade. Indispensable for anyone contemplating a tour of the battlefields in Belgium and France, this book combines the years of knowledge, travel and research of its author, Rose?Coombs, who worked at the Imperial War Museum in London for nearly forty years.
Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
In A Nervous State, Nancy Rose Hunt considers the afterlives of violence and harm in King Leopold’s Congo Free State. Discarding catastrophe as narrative form, she instead brings alive a history of colonial nervousness. This mood suffused medical investigations, security operations, and vernacular healing movements. With a heuristic of two colonial states—one "nervous," one biopolitical—the analysis alternates between medical research into birthrates, gonorrhea, and childlessness and the securitization of subaltern "therapeutic insurgencies." By the time of Belgian Congo’s famed postwar developmentalist schemes, a shining infertility clinic stood near a bleak penal colony, both sited where a notorious Leopoldian rubber company once enabled rape and mutilation. Hunt’s history bursts with layers of perceptibility and song, conveying everyday surfaces and daydreams of subalterns and colonials alike. Congolese endured and evaded forced labor and medical and security screening. Quick-witted, they stirred unease through healing, wonder, memory, and dance. This capacious medical history sheds light on Congolese sexual and musical economies, on practices of distraction, urbanity, and hedonism. Drawing on theoretical concepts from Georges Canguilhem, Georges Balandier, and Gaston Bachelard, Hunt provides a bold new framework for teasing out the complexities of colonial history.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.