My Sociology reconceptualizes intro sociology for the changing demographics in today’s higher education environment. Concise and student-focused, My Sociology captures students' attention with engaging stories and a focus on non-dominant populations. Rather than introducing students to theory and history at the beginning of the text, the book integrates the necessary information throughout to keep students engaged.
This chapter discusses the indications for biopsying a peripheral nerve and the factors involved in justifying this decision and then deciding which nerve to take. There is a table summarizing some of the causes of neuropathy and attempting to relate these to the probability that nerve biopsy would be helpful in diagnosis. The surgical procedure for the nerve biopsy is described including aftercare and possible complications. The techniques involved in processing and staining the nerve are discussed. This section includes the possibilities of creating artefactual damage by mishandling or poor technique, and how to avoid these. Modification to the standard resin processing schedule to allow the teasing out of individual nerve fibers is briefly described, as are methods for measuring fiber density, fiber size and myelin thickness. There is also a brief discussion of the applications of immunohistochemistry. This is followed by a section on interpretation by light and electron microscopy in which some of the more important diagnostic features are described and illustrated, as are nonspecific morphological findings. Interpretation of teased fiber preparations is discussed. Finally, some common causes of incorrect interpretation are mentioned.
Let your kids hop on to another set of amazing adventures with Bertie Bunny! An aptly titled sequel, Bertie Rides Again follows adorable Bertie on some of his most exciting adventures yet. One page after another, readers get to see what Bertie is up to; he hops to the fire station, visits the farm, he goes camping, goes to the circus, attends a wedding and swims at the pool! Furthermore, Bertie gets to meet and gain new friends. He meets mice, the seagull, and most importantly, Thomas Cat! Peppered with moral lessons, each story of Bertie Rides Again fuels young readers’ imagination and reminds older readers of the beauty of being a child.
Throughout her prodigious life, activist and lawyer Pauli Murray systematically fought against all arbitrary distinctions in society, channeling her outrage at the discrimination she faced to make America a more democratic country. In this definitive biography, Rosalind Rosenberg offers a poignant portrait of a figure who played pivotal roles in both the modern civil rights and women's movements. A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account of her sex. Undaunted, Murray forged a singular career in the law. In the 1950s, her legal scholarship helped Thurgood Marshall challenge segregation head-on in the landmark Brown v. Board of Education case. When appointed by Eleanor Roosevelt to the President's Commission on the Status of Women in 1962, she advanced the idea of Jane Crow, arguing that the same reasons used to condemn race discrimination could be used to battle gender discrimination. In 1965, she became the first African American to earn a JSD from Yale Law School and the following year persuaded Betty Friedan to found an NAACP for women, which became NOW. In the early 1970s, Murray provided Ruth Bader Ginsburg with the argument Ginsburg used to persuade the Supreme Court that the Fourteenth Amendment to the Constitution protects not only blacks but also women - and potentially other minority groups - from discrimination. By that time, Murray was a tenured history professor at Brandeis, a position she left to become the first black woman ordained a priest by the Episcopal Church in 1976. Murray accomplished all this while struggling with issues of identity. She believed from childhood she was male and tried unsuccessfully to persuade doctors to give her testosterone. While she would today be identified as transgender, during her lifetime no social movement existed to support this identity. She ultimately used her private feelings of being "in-between" to publicly contend that identities are not fixed, an idea that has powered campaigns for equal rights in the United States for the past half-century.
Surmounting a series of social and institutional obstacles to gain access to Columbia University, women played a key role in its evolution from a small, Protestant, male-dominated school into a renowned and diverse research university. At the same time, their struggles challenged prevailing ideas about masculinity, femininity, and sexual identity; questioned accepted views about ethnicity, race, and rights; and thereby laid the foundation for what we now know as gender.
In this lively and informed exploration of women's lives in the larger context of U.S. social and political history, Rosalind Rosenberg shows how American traditions of federalism, racial and ethnic diversity, geographic mobility, and relative abundance have both aided and hindered women's strides toward equality.
This title was first published in 2003. The aim of The Crisis of 1614 and The Addled Parliament is to bring literary historians together with constitutional and state historians to reflect on the political and ideological upheavals of Britain in 1614 from various perspectives. In the aftermath of new historicism and 'revisionist' Stuart historiography the time seems right for the detailed study of highly specific historical moments and localities, and 1614 seemed particularly in need of renewed attention because few traditional historians have seriously addressed the constitutional crisis of the ill-fated parliament of that year. Literary historians, too, seemed to have failed to bring this significant political moment into focus, despite the fact that there were many literary interventions in contemporary debates of the period. The volume investigates a number of key issues of this decisive political watershed - and examines not only the disastrous parliament, but also wider problems connected to commerce and economics and the freedom of political debate.
Through richly detailed accounts of individual entrepreneurs, including the prominent printer-publisher Mathew Carey, Remer reveals the economic logic behind this distinctive book trade."—The Book
Rosalind Galt offers innovative readings of some of the most popular and influential European films of the 1990s, including Emir Kusturica's 'Underground', Lars Von Trier's 'Zentropa', and Giuseppe Tornatore's 'Cinema Paradiso'.
Democratic dysfunction can arise in both 'at risk' and well-functioning constitutional systems. It can threaten a system's responsiveness to both minority rights claims and majoritarian constitutional understandings. Responsive Judicial Review aims to counter this dysfunction using examples from both the global north and global south, including leading constitutional courts in the US, UK, Canada, India, South Africa, and Colombia, as well as select aspects of the constitutional jurisprudence of courts in Australia, Fiji, Hong Kong, and Korea. In this book, Dixon argues that courts should adopt a sufficiently 'dialogic' approach to countering relevant democratic blockages and look for ways to increase the actual and perceived legitimacy of their decisions—through careful choices about their framing, and the timing and selection of cases. By orienting judicial choices about constitutional construction toward promoting democratic responsiveness, or toward countering forms of democratic monopoly, blind spots, and burdens of inertia, judicial review helps safeguard a constitutional system's responsiveness to democratic majority understandings. The idea of 'responsive' judicial review encourages courts to engage with their own distinct institutional position, and potential limits on their own capacity and legitimacy. Dixon further explores the ways that this translates into the embracing of a 'weakened' approach to judicial finality, compared to the traditional US-model of judicial supremacy, as well as a nuanced approach to the making of judicial implications, a 'calibrated' approach to judicial scrutiny or judgments about proportionality, and an embrace of 'weak – strong' rather than wholly weak or strong judicial remedies. Not all courts will be equally well-placed to engage in review of this kind, or successful at doing so. For responsive judicial review to succeed, it must be sensitive to context-specific limitations of this kind. Nevertheless, the idea of responsive judicial review is explicitly normative and aspirational: it aims to provide a blueprint for how courts should think about the practice of judicial review as they strive to promote and protect democratic constitutional values.
The nineteenth-century prison, we have been told, was a place of 'hard labour, hard board, and hard fare'. Yet it was also a place of education. Schemes to teach prisoners to read and write, and sometimes more besides, can be traced to the early 1800s. State-funded elementary education for prisoners pre-dated universal and compulsory education for children by fifty years. In the 1860s, when the famous maxim, just cited, became the basis of national penal policy, arithmetic was included by legislators alongside reading and writing as a core skill to be taught in English prisons. By c.1880 every prison in England used to accommodate those convicted of criminal offences had a formal education programme in which the 3Rs - reading, writing, and arithmetic - were taught, to males and females, adults and children alike. Not every programme, however, had prisoners enrolled in it. Illiterate Inmates tells the story of the emergence, at the turn of the nineteenth century, of a powerful idea - the provision of education in prisons for those accused and convicted of crime - and its execution over the century that followed. Using evidence from both local and convict prisons, the study shows how education became part of the modern penal regime. While the curriculum largely reflected that of mainstream elementary schools, the delivery of education, shaped by the penal environment, created an entirely different educational experience. At the same time, philosophies of imprisonment which prioritised punishment and deterrence over reformation undermined any socially reconstructive ambitions. Thus the period between 1800 and 1899 witnessed the rise and fall of the prison school in England.
For fans of Beverly Lewis and Cindy Woodsmall, Rosalind Lauer’s moving Lancaster Crossroads novel A Simple Charity reminds us that the greatest gifts come from the heart—and that everyday miracles make love possible. OF ALL THE GIFTS THAT LAST, THE GREATEST IS CHARITY. Although she is still in her twenties, Fanny Lapp has known a lifetime of love and heartache. Twice widowed, she has a home to maintain, a renovation in the works, and a family to raise—all without a husband. Fortunately, in the Amish community, help is never far away. To ease Fanny’s burdens, the bishop sends Zed Miller to the Lapp house. Fanny is drawn to kind, handsome Zed, who suffers from sins of the past. But to everything there is a season, and Fanny cannot act on her feelings while mourning her husband. Newly returned to his Amish roots after many years in the outside world, Zed knows he must prove himself to earn acceptance from his community. Without a second thought, he picks up a hammer and sets to work helping Fanny fulfill her dream of turning an old carriage house into a women’s childbirth center. Soon Zed finds himself a part of Fanny’s daily chores, sharing her laughter and sorrow. Knowing that time flows like a river, running slow and steady, Zed plans to wait on his love. But when their secret is discovered, how deep will the disapproval of their community run? A reminder that the greatest gifts come from the heart, A Simple Charity shines like the sun with the blessings of everyday miracles. Praise for Rosalind Lauer and A Simple Charity “A story of love and faith, sorrow and sadness. Lauer’s writing is from the heart and paints a believable picture of Amish life.”—RT Book Reviews “Sure to appeal to fans of Beverly Lewis and Mindy Starns Clark.”—Library Journal, on A Simple Winter “[Lauer] definitely sets the bar high for Amish romance stories.”—Fresh Fiction, on A Simple Winter
Examines the life of 18th century German immigrant and businessman Caspar Wistar. Reevaluates the modern understanding of the entrepreneurial ideal and the immigrant experience in the colonial era"--Provided by publisher.
The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson’s expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson’s life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.
A spellbinding novel about Elizabeth I from the internationally bestselling author of the Guenevere and Tristan and Isolde trilogies. Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What’s more, her favorites—William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh—had made the Elizabethan era a cultural Golden Age still remembered today. But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.
A unique collection of traditional stories about faeries, elves and goblins. Faeries, elves, goblins, leprechauns, brownies, spriggans and many other supernatural beings leap vividly off the page in this collection of haunting stories. Included are 25 stories drawing on folklore from the rich narrative heritage of Britain and Ireland. Marvel over ancient spells to summon faeries to your house, tremble at the shapeshifting powers of dangerous faery queens, lose yourself amongst the illusions of Faeryland and learn how to protect family members from the terrors of faery abduction. Interspersed with facts on faery folklore, these tales cover faery morals, elvish misdemeanours, the spells cast by goblins and the sightings of the creatures, as well as their dealings with mortals. With charming illustrations from favourite illustrators throughout, including Arthur Rackham, this book reminds us of the enduring appeal of folklore and mystery for all generations.
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
In the early 1600s, in a haunting tale titled New Atlantis, Sir Francis Bacon imagined the discovery of an uncharted island. This island was home to the descendants of the lost realm of Atlantis, who had organized themselves to seek “the knowledge of Causes, and secret motions of things; and the enlarging of the bounds of Human Empire, to the effecting of all things possible.” Bacon’s make-believe island was not an empire in the usual sense, marked by territorial control; instead, it was the center of a vast general expansion of human knowledge and power. Rosalind Williams uses Bacon’s island as a jumping-off point to explore the overarching historical event of our time: the rise and triumph of human empire, the apotheosis of the modern ambition to increase knowledge and power in order to achieve world domination. Confronting an intensely humanized world was a singular event of consciousness, which Williams explores through the lives and works of three writers of the late nineteenth century: Jules Verne, William Morris, and Robert Louis Stevenson. As the century drew to a close, these writers were unhappy with the direction in which their world seemed to be headed and worried that organized humanity would use knowledge and power for unworthy ends. In response, Williams shows, each engaged in a lifelong quest to make a home in the midst of human empire, to transcend it, and most of all to understand it. They accomplished this first by taking to the water: in life and in art, the transition from land to water offered them release from the condition of human domination. At the same time, each writer transformed his world by exploring the literary boundary between realism and romance. Williams shows how Verne, Morris, and Stevenson experimented with romance and fantasy and how these traditions allowed them to express their growing awareness of the need for a new relationship between humans and Earth. The Triumph of Human Empire shows that for these writers and their readers romance was an exceptionally powerful way of grappling with the political, technical, and environmental situations of modernity. As environmental consciousness rises in our time, along with evidence that our seeming control over nature is pathological and unpredictable, Williams’s history is one that speaks very much to the present.
Examines the lives of female social scientists in the nineteenth and early-twentieth centuries, their difficulties in gaining acceptance, and their pioneering studies of the differences between the sexes
Originally published in 1975, this book helps students understand why the Movements of the 12th century remained much more enclosed and monastic or turned to heresy; How much the new orders of Friars owed to the earlier movements and to what extent they arose from the personal inspiration of Saint Francis and Saint Dominic. The introduction is arranged to help the documents to speak for themselves: it opens with a direct confrontation with Francis then goes back to search the religious experience of the 10th to 12th centuries for movements and especially well documented individuals who can help explain the development of fashions and ideas. There are sections on precursors, both monks and heretics, and on the papal policies towards these movements, and the introduction closes with a chapter on Dominic and an epilogue on the impact of the Friars.
This collection profiles understudied figures in the book and print trades of the seventeenth century. With an equal balance between women and men, it intervenes in the history of the trades, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, paper-maker, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on numerous individual figures, and on the tribulations and innovations of the print trade in the century of revolution.
An important reappraisal of the image of St Francis as it was recorded in literature, documents, architecture and art. Highly illustrated throughout, including colour and black and white plates, and containing key extracts from the major sources, this book bridges the boundaries of history and the history of art.
Over six volumes this edited collection of pamphlets, government publications, printed ephemera and manuscript sources looks at the development of the first modern police force. It will be of interest to social and political historians, criminologists and those interested in the development of the detective novel in nineteenth-century literature.
Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natural philosophers. Covering a wealth of literary, theological, and pedagogical texts that engage with astronomy, optics, ophthalmology, and the body, it argues for the significance of analogies for conceptualising and explaining new scientific ideas. As well as identifying their use in religious and topographical poetry, the book addresses how analogies are visible in material culture through objects such as orreries, camera obscuras, and aeolian harps. It makes the vital claim that scientific concepts become intertwined with Christian discourse through reinterpretations of origins and signs, the scope of the created universe, and the limits of embodied knowledge.
Over six volumes this edited collection of pamphlets, government publications, printed ephemera and manuscript sources looks at the development of the first modern police force. It will be of interest to social and political historians, criminologists and those interested in the development of the detective novel in nineteenth-century literature.
Bertie Bunny was lying in bed one bright sunny morning with Alfie, his beloved teddy bear tucked securely under his arm. Bertie's nostrils twitched excitedly as they detected the smell of food, in this case baking coming from the kitchen. Bertie threw poor Alfie aside as he leapt out of bed and pulled on his dressing gown and slippers. Alfie lay in a heap on the floor as Bertie flew down the corridor to the kitchen and towards the smell of baking that was coming from it. When Bertie reached the kitchen, mum was nearly up to her elbows in flour and was kneading the dough for bread rolls and splits as part of her preparations for this afternoon's tea party. She had invited some of her friends over for a girly afternoon of reminiscing about the olden days when they were young. Unfortunately mum had been unable to employ someone to look after Bertie so he would be sitting in on the tea party, a thought that filled mum with absolute dread. Bertie scampered across the kitchen and clambered up onto an area of the work surface that did not have flour on it. At the corner of his eye Bertie espied three bowls of butter cream. One was ordinary butter cream for the butterfly buns which had just come out of the oven, one had coffee flavouring and one had chocolate butter cream. The last two were for two sponge cakes that were cooling on a couple of racks nearby. Bertie stretched out his paw and was about to dip it in one of the bowls when he felt a sharp slap on his paw. Mum had seen a beige furry paw coming towards one of her mixing bowls, knowing whose it was she reached out just in time to prevent Bertie from dipping a paw or two into the icing. Bertie squealed as he withdrew his paw and rubbed it. Mum had hurt him and he did not like it. Gently, mum lifted Bertie down from the worktop and urged him to take his bath. After wiping her floury hands, she ran his bath and laid out his clothes in the bedroom. She felt sorry for Alfie who was still lying on the floor where Bertie had left him. She picked his bear up, made his bed and tidied up and then went back to prepare Bertie's breakfast. Meanwhile, Bertie was laying in his bath, telling Fred, his duck, about the day that was to come and how he was looking forward to eating the tea that mum was in the midst of preparing. Mum was still baking when Bertie having had his bath, came out for his breakfast. Mum had made the bread rolls and splits and was now preparing sausage rolls and vol au vents. Bertie's mouth watered and when he had eaten his boiled egg and soldiers, Bertie begged to be allowed to help with the tea party. Gently, mum advised that it might be better if Bertie went outside to play, but warned him not to get dirty. Bertie played with his football and dreamed that he was scoring in the World Cup Finals. As he played, he gave a running commentary to anyone who was listening, unfortunately there was no-one there but Bertie did not care, he was having such a good time. In the midst of his numerous celebrations after scoring a classic goal, Bertie heard his mother calling him. Obediently Bertie trotted inside. Mum had iced the cakes and sponges which left the mixing bowls with the leftover butter creams. Now licking out bowls was right up his street. Bertie virtually climbed inside the bowls to ensure that every last scrape was out of them. When he had finished, he was covered in butter cream of all flavours from the tips of his ears to the ends of his feet. Bertie was filthy. Mum was far from happy as she stripped Bertie of his clothing and placed him in his second bath of the morning. His shorts and tee shirt were placed straight in the wash and a fresh towel was laid out for him to dry himself. Mum searched out another set of shorts and a tee shirt whilst Bertie smiled as he lay once again in the bath with Fred. Meanwhile mum had finished all the baking and had placed the food under cloths ready to bring down to the lounge l
Perfect Babies' Names is an essential resource for all parents-to-be. Taking a close look at over 3,000 names, it not only tells you each name's meaning and history, it also tells you which famous people have shared it over the years and how popular – or unpopular – it is now. With tips on how to make a shortlist and advice for avoiding names that give rise to unfortunate nicknames, Perfect Babies' Names is the ultimate one-stop guide. The Perfect series is a range of practical guides that give clear and straightforward advice on everything from getting your first job to choosing your baby's name. Written by experienced authors offering tried-and-tested tips, each book contains all you need to get it right first time.
For fans of Beverly Lewis and Cindy Woodsmall, Rosalind Lauer’s uplifting Lancaster Crossroads novel A Simple Faith brings together disparate lives in a warm Amish setting. BLESSINGS BORN OF TRAGEDY A LOVE TO HEAL ALL FEARS Rushing to the scene of a tragic highway collision, nursing student Haley Donovan draws on her training to care for the passengers in the crumpled van. The experience wins her a place in Lancaster County’s tight-knit Amish society, and draws her to kindhearted psychologist Dylan Monroe. Working side by side with Dylan, who is bringing counseling services to the small town of Halfway, Haley feels an undeniable attraction between them, yet she senses that Dylan is holding back, scarred by the wounds of his past. Elsie Lapp, the manager of Halfway’s country store, is a voice of cheer and goodwill for her customers. But Elsie’s serene world spins out of control with the terrible crash, and the young woman finds herself grappling for the simple faith that has always sustained her. Her burden is eased by Ruben Zook, a neighbor known for his snide jokes. In the aftermath of the accident, Ruben reveals a tender heart that could easily sweep her away. However, Elsie carries secrets that keep her from surrendering her heart. Exploring the ways that faith, hope, and charity bring everyone together, A Simple Faith resonates with the sweetness, purity, and power of love. Praise for Rosalind Lauer and A Simple Faith “The lives of four people converge in the wake of a horrific accident in the small Pennsylvania town of Halfway. . . . As the four connect, faith, hope, and love begin to bloom. . . . Lauer’s new Amish series launch is sure to be a hit with fans of her ‘Seasons of Lancaster County’ series.”—Library Journal “A lovely story of two sweet couples, this story will warm your heart and spirit.”—The Parkersburg News and Sentinel “Sweet, touching . . . The Amish culture, religion and way of life feel accurately depicted.”—RT Book Reviews “[Lauer] definitely sets the bar high for Amish romance stories.”—Fresh Fiction, on A Simple Winter
The first book-length study of the oriental tale in England since 1908, Fabulous Orients is an original work of criticism which illustrates the centrality of narratives of and from the eastern territories of Turkey, Persia, China, and India in the formation of the novel and constructions of western identity in a culture on the threshold of empire.
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
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