If it were not for the mercy of God and His unfathomable provisions, this story might not have been told. Rosalind Smith's unvarnished memoir tells the story of her childhood and young adulthood growing up in Philadelphia, Pennsylvania. It details how she, despite having earned several degrees, eventually spiralized into drugs and alcohol. With often brutal honesty, Lady Smith peels back the veneer and reveals the ugliness of her past-the generational sins that have affected her, her relationship with her family, her time homeless and on the streets, and an uncompromising act one night in her bathtub. She revisits her past, and praises God for her victorious present, praying that God will use her story to change someone's future.
This study explores why women in the English Renaissance wrote so few sonnet sequences in comparison with Continental women writers and English male authors. Rosalind Smith examines the relationship between gender and genre in the early modern period, and the critical assumptions currently underpinning questions of feminine agency within genre.
We live with the idea of sin every day – from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you’ re next laying the law down or – heaven forfend – about to do something beyond the pale yourself.
This collection profiles understudied figures in the book and print trades of the seventeenth century. With an equal balance between women and men, it intervenes in the history of the trades, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, paper-maker, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on numerous individual figures, and on the tribulations and innovations of the print trade in the century of revolution.
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