Examines women's contribution to the evolution of the human race, and the female achievement on every level-cultural, commercial domestic, emotional, and social.
Who Cooked the Last Supper? overturns the phallusy of history and gives voice to the untold history of the world: the contributions of millions of unsung women. Men dominate history because men write history. There have been many heroes, but no heroines. Here, in Who Cooked the Last Supper?, is the history you never learned--but should have! Without politics or polemics, this brilliant and witty book overturns centuries of preconceptions to restore women to their rightful place at the center of culture, revolution, empire, war, and peace. Spiced with tales of individual women who have shaped civilization, celebrating the work and lives of women around the world, and distinguished by a wealth of research, Who Cooked the Last Supper? redefines our concept of historical reality.
Isolde's day has come. In Ireland, her mother, the Queen, lies dying. The throne of the Emerald Isle, one of the last strongholds of the goddess, awaits her. But while Ireland is her destiny, Isolde is already Queen of Cornwall, trapped in a loveless marriage to its mean-spirited King Mark. Her true love is his nephew, Tristan of Lyonesse, who has never married, remaining faithful only to Isolde. Across the sea in France, a young princess who shares Isolde's name enters the story. King Hoel named his daughtor in honor of Isolde of Ireland, and young Isolde of France has always been determined to outdo her beautiful namesake. She is a physician, too, and is called "Blanche Mains," for her white hands and healing touch. Blanche is of an age to be married, and she has chosen her husband—Tristan of Lyonesse. Her father objects, but fate favors Blanche. King Mark has become suspicious of his wife and nephew, and when Tristan is wounded in battle, he sees a chance to separate them for good. Mark sends Tristan to France to be healed by Blanche, who makes the most of the opportunity. Tristan's letters to Isolde are intercepted, and he is told that she has given him up. Near death from his wounds, Tristan sends one last, desparate letter to Isolde by a trusted servant. He is dying, he tells her, and asks for one final sign of their love. If she can forgive him for betraying her, she must come to France in a ship set with white sails. If the ship's sails are black, however, he will know that she no longer loves him. Isolde immediately leaves for France, but when Blanche sees the white-sailed ship from the castle window, she pulls the curtains and tells Tristan that the sails are black. To her horror, he turns his face to the wall and dies. There ends the traditional medieval story of Tristan and Isolde—with betrayal, death, and grief. But the original Irish lengend ends differently, and so does this book, wth magic and drama as only Rosalind Miles could write it.
Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study. In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson’s output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.
Last in a line of proud queens elected to rule the fertile lands of the West, true owner of the legendary Round Table, guardian of the Great Goddess herself . . . a woman whose story has never been told--until now. As High King and Queen, Arthur and Guenevere reign supreme across the many kingdoms of Great Britain. Still, Guenevere secretly mourns the loss of her beloved Lancelot, who has returned to the Sacred Lake of his boyhood, hoping to restore his faith in chivalry in the place where he learned to be a knight. In a glittering Pentecost ceremony, new knights are sworn to the Round Table, including Arthur's nephews, Agravain and Gawain. After many years of strife, peace is restored to Guenevere's realm. But betrayal, jealousy, and ancient blood feuds fester unseen. Morgan Le Fay, now the mother of Arthur's only son, Mordred, has become the focus of Merlin's age-old quest to ensure the survival of the house of Pendragon. From the east comes the shattering news that Guenevere may have a rival for Lancelot's love. A bleak shadow falls again across Camelot--and across the sacred isle of Avalon, where Roman priests threaten the life of the Lady herself. At the center of the storm is Guenevere, torn between her love for her husband, her people, and Sir Lancelot of the Lake. With rare and intuitive magic, Rosalind Miles brings to life a legendary woman's bravery and passion, and all the pageantry, heartbreak, violence, and beauty of an age gone by.
Camelot--a vibrant pageant of love, heartbreak, hatred, jealousy, revenge, and desire--as seen through the eyes of its queen, Guenevere Raised in the tranquil beauty of the Summer Country, Princess Guenevere has led a charmed and contented life, until the sudden, violent death of her mother, Queen Maire, leaves the Summer Country teetering on the brink of anarchy. Only the miraculous arrival of Arthur, heir to the Pendragon dynasty, allows Guenevere to claim her mother's throne. Smitten by the bold, sensuous princess, Arthur offers to marry her and unite their territory while still allowing her to rule in her own right. Their love match creates the largest and most powerful kingdom in the Isles. Arthur's glorious rule begins to crumble, however, when he is reunited with his mother and his long-lost half-sisters, Morgause and Morgan. Before Arthur's birth, his father--the savage and unscrupulous King Uther--banished his wife's young daughters, selling Morgause into a cruel marriage and imprisoning Morgan in a far-off convent. Both daughters will avenge their suffering, but it is Morgan who strikes the deadliest blows against the King and Queen, using her evil enchantments to destroy all Guenevere holds dear. When the Queen flees to Avalon, Morgan casts a spell on Arthur and seduces him. In the chaos that follows his betrayal, Arthur sends a new courtier to protect Guenevere, the young French knight Lancelot. Her loyalty to Arthur already destroyed, Guenevere falls in love with Lancelot, a love that may spell ruin for Camelot.
In the golden time of Arthur and Guenevere, the Island of the West shines like an emerald in the sea—one of the last strongholds of Goddess-worship and Mother-right. Isolde is the only daughter and heiress of Ireland’s great ruling queen, a lady as passionate in battle as she is in love. La Belle Isolde, like her mother, is famed for her beauty, but she is a healer instead of a warrior, “of all surgeons, the best among the isles.” A natural peacemaker, Isolde is struggling to save Ireland from a war waged by her dangerously reckless mother. The Queen is influenced by her lover, Sir Marhaus, who urges her to invade neighboring Cornwall and claim it for her own, a foolhardy move Isolde is determined to prevent. But she is unable to stop them. King Mark of Cornwall sends forth his own champion to do battle with the Irish—Sir Tristan of Lyonesse—a young, untested knight with a mysterious past. A member of the Round Table, Tristan has returned to the land of his birth after many years in exile, only to face Ireland’s fiercest champion in combat. When he lies victorious but near death on the field of battle, Tristan knows that his only hope of survival lies to the West. He must be taken to Ireland to be healed, but he must go in disguise—for if the Queen finds out who killed her beloved, he will follow Marhaus into the spirit world. His men smuggle him into the Queen’s fort at Dubh Lein, and beg the princess to save him. From this first meeting of star-crossed lovers, an epic story unfolds. Isolde’s skill and beauty impress Tristan’s uncle, King Mark of Cornwall, and—knowing nothing of her love for Tristan—he decides to make her his queen, a match her mother encourages as a way to bind their lands under one rule. Tristan and Isolde find themselves caught in the crosscurrents of fate, as Isolde is forced to marry a man she does not love. Taking pity on her daughter, the Queen gives her an elixir that will create in her a passion for King Mark and ensure that their love will last until death. But on the voyage to Ireland, Tristan and Isolde drink the love potion by accident, sealing their already perilous love forever. So begins the first book of the Tristan and Isolde trilogy, another stunning example of the storyteller’s craft from Rosalind Miles, author of the beloved and bestselling Guenevere trilogy.
The final thrilling chapter in the Tristan and Isolde trilogy . . . Isolde, heir to the throne of the queens, is now a sovereign in her own right. With the glories of the throne comes the responsibility of a queen, and Isolde knows she must return to her beloved Western Isle. She can no longer tolerate her marriage to King Mark of Cornwall, a marriage she has accepted for years in order to save her country from the threat of war and to be near her only love, Mark’s nephew Tristan of Lyonesse. King Mark, always cowardly and spiteful, is too heavily influenced by his monks and counselors, who loathe the powerful and independent Isolde. And so she leaves Cornwall for good and comes home to Ireland, where her lords face a growing threat from the warlike Picti, who live in the barren highlands to the north of England. The Picti have a bold new king, Darath, who is determined to take the riches of Ireland for his own people, whether by war or by marriage with Isolde. Isolde gathers her armies to confront the Picti and faces a violent conflict as well with King Mark, who vows he will not let a prize like Isolde, and Ireland, slip from his grasp. Isolde is last in a line of famous warrior queens who have guarded Ireland from time before memory, and now she—and her knight, Tristan—must play out their fate and face her enemies in a final battle, a war that could spell ruin for them both.
A spellbinding novel about Elizabeth I from the internationally bestselling author of the Guenevere and Tristan and Isolde trilogies. Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What’s more, her favorites—William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh—had made the Elizabethan era a cultural Golden Age still remembered today. But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.
Last in a line of proud queens elected to rule the fertile lands of the West, true owner of the legendary Round Table, guardian of the Great Goddess herself . . . a woman whose story has never been told—until now. Brokenhearted at her parting from Lancelot and anguished over the loss of the sacred Hallows of the Goddess, Guenevere reconciles with Arthur. But their fragile peace is threatened by a new presence at Camelot. Mordred, Arthur’s son by Morgan Le Fay, has come to be proclaimed heir to Guenevere and Arthur’s kingdoms. At his knighting, the great Round Table, owned by the Queens of the Summer Country since time immemorial, cracks down the center and a terrible darkness falls over Camelot. In the midst of the chaos appears a new knight, Sir Galahad, who may hold the key to the mystery of the stolen Hallows. His arrival sets into motion the Quest for the Holy Grail and the fall of Camelot, which brings Guenevere to the brink of the most dreaded tragedy of all . . . and may ultimately fulfill her destiny as the greatest Queen of the Isles. Available now, Guenevere, Queen of the Summer Country and The Knight of the Sacred Lake, Books 1 and 2 of the Guenevere Trilogy. Coming in July 2002, Isolde, Queen of the Western Isle, the First Book of the Tristan and Isolde Trilogy
An engaging collection that uncovers injustices in history and overturns misconceptions about the role of women in war When you think of war, you think of men, right? Not so fast. In Hell Hath No Fury, Rosalind Miles and Robin Cross prove that although many of their stories have been erased or forgotten, women have played an integral role in wars throughout history. In witty and compelling biographical essays categorized and alphabetized for easy reference, Miles and Cross introduce us to war leaders (Cleopatra, Elizabeth I, Margaret Thatcher); combatants (Molly Pitcher, Lily Litvak, Tammy Duckworth); spies (Belle Boyd, Virginia Hall, Noor Inayat Khan); reporters and propagandists (Martha Gellhorn, Tokyo Rose, Anna Politkov- skaya); and more. These are women who have taken action and who challenge our perceived notions of womanhood. Some will be familiar to readers, but most will not, though their deeds during wartime were every bit as important as their male contemporaries’ more heralded contributions.
Who Cooked the Last Supper? overturns the phallusy of history and gives voice to the untold history of the world: the contributions of millions of unsung women. Men dominate history because men write history. There have been many heroes, but no heroines. Here, in Who Cooked the Last Supper?, is the history you never learned--but should have! Without politics or polemics, this brilliant and witty book overturns centuries of preconceptions to restore women to their rightful place at the center of culture, revolution, empire, war, and peace. Spiced with tales of individual women who have shaped civilization, celebrating the work and lives of women around the world, and distinguished by a wealth of research, Who Cooked the Last Supper? redefines our concept of historical reality.
A detailed description of the planets of the solar system along with hands-on experiments and observations and full-color photographs taken by telescopes on Earth and in space.
THE PROMISE OF A HOME, THE HEARTBREAK OF AN IMPOSSIBLE LOVE As a budding journalist with a major newspaper, Remy McCallister is eager to prove herself. While investigating an unsolved crime, Remy winds up in the tightly woven Amish community of Lancaster County, the last place she would ever expect to find herself. The story leads her to Adam King and his ten younger siblings, who are trying to sustain their warm, loving home in the wake of the murder of their parents. Although Remy tries to remain professional, she is captivated by the Kings. With her own mother gone and her father disengaged from their relationship, Remy longs for a home and a family just like that of these good, simple people. Suddenly patriarch of his large family, Adam struggles to do the right thing for his siblings, his community, and his God. He neither wants nor needs the complications that spirited Remy brings. But as much as he tries to push her away, even as he counts all the ways this lovely outsider cannot possibly remain in his world—or in his heart—the wondrous light she shines upon his troubled soul cannot be denied. Adam can only pray for the strength and the faith to get this Englisher girl out of their lives for good. Snowbound with the Kings, Remy experiences the wonder and the chores of a simple winter among the Plain People, as well as the friendship of their warm community. When her peaceful interlude ends, does she dare to reveal a killer in their midst, knowing that she may lose the love of this special family and this remarkable man?
Rosalind Noreiga's job as a registered nurse was to care for others. She never imagined that she'd wake up healthy one day and be undergoing surgery the next. But that is exactly what happened to the marathon-running nurse after she suffered an aneurysm that threatened to take her life. In this memoir, she recalls growing up in her native Trinidad and Tobago, growing up in a large family, and discovering a lifelong passion for running. She also explores her struggles in America raising a son as a single mother but never losing her faith when life seemed most fragile. With striking candor, she describes the moment-to-moment trauma, treatment, and aftermath of the two aneurysms she suffered as well as her recovery and ultimate return to work. Join the author as she looks back at immigrating to a new country, working several jobs, going to school, getting divorced, raising a son on her own, and fighting to survive in this heartfelt memoir.
Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natural philosophers. Covering a wealth of literary, theological, and pedagogical texts that engage with astronomy, optics, ophthalmology, and the body, it argues for the significance of analogies for conceptualising and explaining new scientific ideas. As well as identifying their use in religious and topographical poetry, the book addresses how analogies are visible in material culture through objects such as orreries, camera obscuras, and aeolian harps. It makes the vital claim that scientific concepts become intertwined with Christian discourse through reinterpretations of origins and signs, the scope of the created universe, and the limits of embodied knowledge.
Born on a farm in Canada, Jonathan Goforth's ambition as a young boy was to study and become a politician. Little did he know then what the future held in store. At the age of eighteen he was converted to Christianity and immediately became interested in missionary work. After attending Knox College in Canada, he set out for China with his wife, Rosalind. Many hardships and trials followed. Their first child died in the spring of the following year. Others were later claimed by malaria and menengitis. In 1900 the Goforths, along with others, had to flee before the Boxer uprising. Their escape was a miracle in itself. Goforth of China is the amazing story of a man with unusual vision and determination.
They bring joy, wonder--and all the happiness of the season. Let these delightful stories of love and miracles light up your holidays with cheer. . . "Snow Angels," by Fern Michaels The only way irresistibly handsome Olympic skier Max Jorgenson wants to spend Christmas is. . .alone. But when social worker Grace Landry stumbles into his log cabin during a snowstorm, an unexpected magic rekindles his heart, his hopes, and the sweetest of Christmas dreams. . . "The Presents of Angels" by Marie Bostwick Ex-Rockette Kendra Loomis doesn't regret giving up New York's bright lights to be a Vermont minister's wife. But their small town's Christmas countdown is becoming a major stress-fest--and the only way she can save the day is to prove that giving is the most precious gift of all. . . "Decorations" by Janna McMahan All Michelle Duncan wanted for Christmas was a new life. And by helping her ailing mother she found one--as manager of a charming holiday craft store. She never expected that the fringe benefits would be muscular sculptor Baxter Brow--and one last chance to make all her wishes come true. . . "Miracle on Main Street" by Rosalind Noonan New York City policeman Joe Cody and his wife Sheila can't afford much of a holiday for their two kids. He's sure not expecting much yuletide joy while working on Christmas Day--until a desperate wish and several unexplainable events open his eyes to a wonderland of blessings and love. . .
My Sociology reconceptualizes intro sociology for the changing demographics in today’s higher education environment. Concise and student-focused, My Sociology captures students' attention with engaging stories and a focus on non-dominant populations. Rather than introducing students to theory and history at the beginning of the text, the book integrates the necessary information throughout to keep students engaged.
This book provides fresh insights into how the British press affected both British perceptions of decolonisation in Africa and British policy towards it during the ‘wind of change’ period. It also reveals, for the first time, the extent to which British newspaper coverage was of relevance to African and white settler readerships. British newspapers informed the political strategies and civic cultures of African activists, nationalists, liberal whites in Africa, the staunchest of white settler communities, and the first governments of independent African states and their opponents. The British press, British public opinion and British journalists became etched into the lived experiences of the end of empire affecting Anglo-African and Anglo-settler relations to this day. Arguing that the press cast a transnational web of influence over the decolonisation process in Africa, the author explores the relationships between the British, African and settler public and political spheres, and highlights the mediating power of the British press during the late 1950s. The book draws from a range of British newspapers, official government documents, newspaper archives, interviews, memoirs, autobiographies and articles printed in African and white settler papers. It will be of interest to historians of decolonisation, Africa, the media and the British Empire.
This annotated bibliography describes books, articles, reports, dissertations, journals, bibliographies, and reviews on African- American organizations throughout history. Entries are grouped in sections on the African-American church, the quest for civil rights, Africa-American educational institutions, professional associations, general references on organizational development, and African-American information on the Internet. An appendix lists current organizations and educational institutions. Information about Bauchum is not given. Annotation copyrighted by Book News, Inc., Portland, OR.
Isolde's time has come at last. The Queen of Ireland lies dying, relinquishing years of misrule to her patient and lovely daughter. But on all sides Isolde faces cruel opposition. Sir Breccan, one of the old Queen's knights, is determined that Ireland succumbs to the rule of men. In Cornwall, Sir Andred, nephew of Isolde's feckless and unloving husband, King Mark, is preparing to rise against her. Through all her trials, Isolde can count on Sir Tristan of Lyonesse, her faithful love of many years. But a French princess has heard of Tristan's prowess and pledges to make him her own. Cast adrift, Tristan encounters a temptation he has never faced before. Alone and under attack, can Isolde save her kingdom and her love?
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