An important reappraisal of the image of St Francis as it was recorded in literature, documents, architecture and art. Highly illustrated throughout, including colour and black and white plates, and containing key extracts from the major sources, this book bridges the boundaries of history and the history of art.
Originally published in 1975, this book helps students understand why the Movements of the 12th century remained much more enclosed and monastic or turned to heresy; How much the new orders of Friars owed to the earlier movements and to what extent they arose from the personal inspiration of Saint Francis and Saint Dominic. The introduction is arranged to help the documents to speak for themselves: it opens with a direct confrontation with Francis then goes back to search the religious experience of the 10th to 12th centuries for movements and especially well documented individuals who can help explain the development of fashions and ideas. There are sections on precursors, both monks and heretics, and on the papal policies towards these movements, and the introduction closes with a chapter on Dominic and an epilogue on the impact of the Friars.
This volume contains comprehensive and scholarly editions of three Anglo-Saxon saints' lives: Birinus of Dorchester-on-Thames, Kenelm of Winchcombe, and Rumwold of Buckingham. Rosalind Love provides the Latin texts, based on all known manuscript versions, with a facing-page English translation, together with full annotation and a historical introduction which sets these works in the context of the development of hagiographical literature. Love traces the growth and changes in hagiograhical writing, one of the most important genres of medieval literature and essential to the understanding of the religious mentality of the Middle Ages, and shows how the eleventh century saw significant new directions emerge in the cult of the saints and the writing of saints' lives.
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