One of the greatest Australian artists of the 20th century, Rosalie Gascoigne (1917-1999) spent the first 23 years of her life in New Zealand before moving to Canberra. Living on the outskirts of that city, Gascoigne created art that was a song - or an 'air' in the Shakespearean sense - in praise of the infinite Australian plains.
Catalogue from the exhibition displaying the works of Rosalie Gascoigne, one of Australia's most significant sculptors. Exhibition from November 1997 to January 1998, NSW Art Gallery.
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Matilda, wife of the great William, the Conqueror, was an exceedingly handsome woman, and as she had received the best education that was possible in her times, she was as celebrated for her learning as for her beauty. She was, besides, generous and religious, and had all the qualities necessary for the position she was called upon to fill. She was famed for her fancy-work, which was looked upon as one of the most important and desirable occupations for ladies of rank; and any woman who could spin, weave and embroider was considered quite a treasure. Matilda had three cousins who were such skilful needlewomen, that they were sought in marriage by the greatest princes of Europe. Their work has not been preserved, but Matilda's still remains and is called the Bayeux Tapestry. It is the most wonderful achievement in needlework ever accomplished by any woman. But we shall tell more about it, by-and-bye. Matilda's father was Earl of Flanders, a rich, powerful prince, skilled in the arts of peace and war. He was, besides, such a popular man that all the rulers in his neighborhood were anxious to win the hand of his beautiful daughter. Her cousin, William of Normandy, was the most accomplished of them all, and loved her devotedly. He was handsome, brave and talented, and so strong, that, it is said, no man could bend his bow but himself. And he was such a sure marksman, that even when riding at full speed, he seldom missed his aim. It is remarkable that although he was the tallest man in his army, he passed through all his battles without the loss of a drop of blood, until towards the close of his career, when he was wounded by his own son. Strange to say, this young man did not find favor in the eyes of his lady cousin at all; this mortified him so much, that he resolved to win her in spite of herself. He had a rival in a young Saxon nobleman named Brihtric Meaw, who had come to Flanders as ambassador from Edward the Confessor, then on the British throne. This favored gentleman was so fair and light-haired that he was nicknamed "Snow." Matilda loved him in secret, which is probably the reason why she would not listen to her cousin William. But Brihtric Meaw does not seem to have cared particularly for her, and so did not find out what her sentiments were towards him. Thus, quite innocently, he never attempted to court her, and she could not forgive his indifference. Still her mind was filled with him, and this made her treat William coldly. He was not to be baffled, however, but courted her through seven long and tedious years. At last he became impatient, so one day when Matilda was going home from church, he managed to meet her, as lovers will. Perhaps she was more unkind to him than usual and made him angry, otherwise I do not know how to account for his behavior on that occasion, but he seized hold of her, rolled her in the dirt, then actually beat her. Before she had time to call for help, after she had recovered from her surprise, he jumped on his horse, and rode off as fast as he could go.
Why devote valuable time and effort to writing correspondence from scratch when you can have all your letters and memos written for you? Compiled by Rosalie Maggio, a best-selling author and lifelong collector of finely worded communications, Great Letters for Every Occasion gives you hundreds of model letters that you can use “as is” or easily adapt to your needs. The letters in this book cover every conceivable situation—from sensitive issues to business correspondence to holiday and special events. You’ll even find love letters and pen-pal letters. Each is clearly and concisely written, and guaranteed to convey your thoughts in a direct and engaging manner. And each and every one of them is a letter you’ll be proud to sign your name to. Want to write your own letter . . . but need help getting started? Great Letters for Every Occasion provides easy-to-follow writing formulas for 50 different kinds of messages. In addition, the “Getting Started” sections give you a wide variety of opening sentences perfect for getting your thoughts flowing. Scores of inspiring quotations, drawn from great thinkers and writers, are perfect for adding a touch of wisdom or fun to your letters. Keep this guide handy, and you’ll never struggle to put your thoughts into writing again!
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