Conscious Leadership in the Workplace is a guidebook for individuals and leaders to lead more effectively and to support and create dynamic, successful, and inclusive environments, by taking a deeper dive into the importance of addressing individual unconscious bias. Unconscious bias can impact the diversity of the workforce and the success of an organization in a global marketplace. Conscious Leadership in the Workplace gives helpful tips for leaders to consider how they currently lead, address their unconscious biases and behaviors, and transform their leadership to effectively lead themselves and others.
The Diversity Agenda offers effective solutions to those endeavoring to maximize their firm's potential through the benefits diversification can bring.
Conscious Leadership in the Workplace is a guidebook for individuals and leaders to lead more effectively and to support and create dynamic, successful, and inclusive environments, by taking a deeper dive into the importance of addressing individual unconscious bias. Unconscious bias can impact the diversity of the workforce and the success of an organization in a global marketplace. Conscious Leadership in the Workplace gives helpful tips for leaders to consider how they currently lead, address their unconscious biases and behaviors, and transform their leadership to effectively lead themselves and others.
He’s waited centuries for a woman like her. Too bad she’s the devil’s lover. When Hannah was asked by a demigod to help end the world, she agreed without hesitation. Yet months have passed since the so-called apocalypse; the world is still spinning, the demigod in question is MIA, and Hannah finds herself doubting everything she thought was true. After the world didn’t end, Gula, the Sin of Gluttony, was ordered by Lucifer to guard some random human. But like everything else with the devil, the reasons why weren’t clear. Gula has his own theories, namely that Lucifer got his freak on with a human for the first time in forever, which would be swell…if Hannah wasn’t the type of woman Gula himself has waited centuries to find. A new assignment brings Gula closer to Hannah that he ever dreamed possible, and that’s dangerous for a whole host of reasons. When the girl you love happens to be the devil’s mistress, pursuing her is an excellent way to end up dead. But the more Gula tries to use his head, the more his heart gets in the way. And when the apocalypse-happy demigod shows up again, Gula discovers more than his life is on the line. ___________________________________________________________________________________ Buffy meets Good Omens. A tale of devils, angels, demons, and everything in between. Product may include sacrilegious humor, irreverent beliefs and explicit, too-hot-for-prime-time adult scenes. This series is best enjoyed when read in order.
Matilda, wife of the great William, the Conqueror, was an exceedingly handsome woman, and as she had received the best education that was possible in her times, she was as celebrated for her learning as for her beauty. She was, besides, generous and religious, and had all the qualities necessary for the position she was called upon to fill. She was famed for her fancy-work, which was looked upon as one of the most important and desirable occupations for ladies of rank; and any woman who could spin, weave and embroider was considered quite a treasure. Matilda had three cousins who were such skilful needlewomen, that they were sought in marriage by the greatest princes of Europe. Their work has not been preserved, but Matilda's still remains and is called the Bayeux Tapestry. It is the most wonderful achievement in needlework ever accomplished by any woman. But we shall tell more about it, by-and-bye. Matilda's father was Earl of Flanders, a rich, powerful prince, skilled in the arts of peace and war. He was, besides, such a popular man that all the rulers in his neighborhood were anxious to win the hand of his beautiful daughter. Her cousin, William of Normandy, was the most accomplished of them all, and loved her devotedly. He was handsome, brave and talented, and so strong, that, it is said, no man could bend his bow but himself. And he was such a sure marksman, that even when riding at full speed, he seldom missed his aim. It is remarkable that although he was the tallest man in his army, he passed through all his battles without the loss of a drop of blood, until towards the close of his career, when he was wounded by his own son. Strange to say, this young man did not find favor in the eyes of his lady cousin at all; this mortified him so much, that he resolved to win her in spite of herself. He had a rival in a young Saxon nobleman named Brihtric Meaw, who had come to Flanders as ambassador from Edward the Confessor, then on the British throne. This favored gentleman was so fair and light-haired that he was nicknamed "Snow." Matilda loved him in secret, which is probably the reason why she would not listen to her cousin William. But Brihtric Meaw does not seem to have cared particularly for her, and so did not find out what her sentiments were towards him. Thus, quite innocently, he never attempted to court her, and she could not forgive his indifference. Still her mind was filled with him, and this made her treat William coldly. He was not to be baffled, however, but courted her through seven long and tedious years. At last he became impatient, so one day when Matilda was going home from church, he managed to meet her, as lovers will. Perhaps she was more unkind to him than usual and made him angry, otherwise I do not know how to account for his behavior on that occasion, but he seized hold of her, rolled her in the dirt, then actually beat her. Before she had time to call for help, after she had recovered from her surprise, he jumped on his horse, and rode off as fast as he could go.
Medicine and Healing Practices in Ancient Egypt provides a new perspective on healthcare and healing treatments in Egypt from the Predynastic to the Roman periods. Rather than concentrating exclusively on diseases and medical conditions as evidenced in ancient sources, it provides a ‘people-focused’ perspective, asking what it was like to be ill or disabled in this society? Who were the healers? To what extent did disease occurrence and treatment reflect individual social status? As well as geographical, environmental and dietary factors, which undoubtedly affected general health, some groups were prone to specific hazards. These are discussed in detail, including soldiers’ experience of trauma, wounds and exposure to epidemics; and conditions - blindness, sand pneumoconiosis, trauma and limb amputations – resulting from working conditions at building and other sites. Methods of diagnosis and treatment were derived from special concepts about disease and medical ethics. These are explored, as well as the individual contributions and professional interactions of various groups of healers and carers. Medical training and practice occurred in various locations, including temples and battlefields; these are described, as well as the treatments and equipment that were available. Ancient writers generally praised the Egyptian healers’ knowledge, expertise, and professional relationship with their patients. A brief comparison is drawn between this approach and those prevailing elsewhere in Mesopotamia, Greece and Rome. Finally, Egypt’s legacy, transmitted through Greek, Roman and Arabic sources, is confirmed as the source of some principles and practices still found in modern ‘Western’ medicine. Combining information from the latest studies on human remains and the authors’ biomedical research, this book brings the subject up to date, enabling a wide readership to access often scattered information in a fascinating synthesis.
This book offers the tools teachers need to get started with a more thoughtful and compelling approach to teaching history, one that develops literacy and higher-order thinking skills, connects the past to students’ lives today, and meets social studies 3C standards and most state standards (grades 6–12). The author provides over 90 primary sources organized into seven thematic units, each structured around an essential question from world history. As students analyze carefully excerpted documents—including speeches by queens and rebels, ancient artifacts, and social media posts—they build an understanding of how diverse historical figures have approached key issues. At the same time, students learn to participate in civic debates and develop their own views on what it means to be a 21st-century citizen of the world. Each unit connects to current events with dynamic classroom activities that make history come alive. In addition to the documents themselves, this teaching manual provides strategies to assess student learning; mini-lectures designed to introduce documents; activities and reproducibles to help students process, display, and integrate their learning; guidance to help teachers create their own units; guidelines for respectful student debate and discussion; and more. Book Features: A timely aid for secondary school teachers tasked with meeting standards and other state-level quality requirements.An approach that promotes student engagement and critical thinking to replace or augment a traditional textbook.Challenges to the “master narrative” of world history from figures like Queen Nzinga and Huda Sha’arawi, as well as traditionally recognized historical figures such as Pericles and Napoleon.Essential questions to help students explore seven of the most important recurring themes in world history.Role-plays and debates to promote interaction among students.Printable copies of the documents included in the book can be downloaded at tcpress.com.
After two millennia of avoiding conflict, he’s gone and fallen in love with the antichrist. Daughter of a prominent politician, Lily has spent her life trying to keep stories of her unusual abilities from leaking to the press. With her mother running for president, though, Lily finds herself under more intense scrutiny than ever before. And restraining her powers becomes more difficult with every nasty headline. Ace, the Sin of Sloth, has kept a close watch on Lily ever since he left her on her adopted mother’s doorstep. Now, posing as her secret service protection, he knows there are truths about his feelings that he can no longer ignore. No matter that he knows who her real mother is, and what that makes her. When Lily loses control of her abilities, she makes herself the target of those who believe she is the key to ending the world. Her only hope is Ace, whose determination to keep her safe, even from himself, takes them on the run from all of Heaven and Hell. But as she and Ace grow closer and the stakes grow higher, Lily must grapple with the fact that she might just be the antichrist after all, capable of ending the world…whether she wants to or not. ___________________________________________________________________________________ Buffy meets Good Omens. A tale of devils, angels, demons, and everything in between. Product may include sacrilegious humor, irreverent beliefs and explicit, too-hot-for-prime-time adult scenes. This series is best enjoyed when read in order.
In this book, author Rosalie Schwartz uses the 1933 RKORadio Pictures production Flying Down to Rio to examine the interplay of technology and popular culture that shaped a distinctive twentiethcentury sensibility. The musical comedy connected airplanes, movies, and tourism, ending spectacularly with chorus girls dancing on the wings of airplanes high above Rio de Janeiro, Brazil. The Hollywood fantasy capped three decades during which airplanes and movies engendered new expectations and redefined peoples sense of wellbeing, their personal satisfactions, and their interpersonal relations. Wilbur and Orville Wright flew their airplane in 1903, at the same time that filmmakers began to project edited, filmed stories onto large screens. Spectators found entertainment value in both airplane competitions and motion pictures, and movie producers brought the thrill of aviators antics to a rapidly expanding audience. Meanwhile, air shows and competitions attracted large crowds of tourists. Mass tourism grew as a leisuretime activity, stimulated in part by travelogues and feature films. By 1930, the businessmen who envisioned transporting tourists to their destinations by airplane struggled to overcome the movieexaggerated association of flight with danger. Schwartz weaves these threads into a story of human daring and persistence, political intrigue, and international competition. From Wilbur and Orville to Fred and Ginger, Schwartzs narrative follows the fortunes of aviation and movie pioneers and the foundations and growth of Pan American Airways and RKORadio Pictures, the two companies that came together in Flying Down to Rio. By the end of the twentieth century, aviation, movies, and mass tourism had become powerful global industries, contributing to an internationally connected, entertainmentoriented culture. What was once unthinkable had now become expected.
Used by generations of physicians who encounter patients with dermatological diseases, Lever’s Dermatopathology: Histopathology of the Skin comprehensively covers skin disease in which histopathology plays an important role in diagnosis. The updated 12th Edition, edited by Drs. David E. Elder, Rosalie Elenitsas, George F. Murphy, Misha Rosenbach, Adam I. Rubin, John T. Seykora, and Xiaowei Xu, maintains the proven, clinicopathologic classification of cutaneous disease while incorporating a “primer” on pattern-algorithm diagnosis. It features larger images throughout, as well as thoroughly revised content with new diseases and new information on pathophysiology and molecular pathogenesis—all in an easy-to-navigate, highly readable format.
The Women’s Media Center—founded by Jane Fonda, Gloria Steinem, and Robin Morgan—presents its first comprehensive guide to using accurate, inclusive, creative, and clear language. At a time when language is too often used to “spin” instead of communicate, Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language was created to help everyone understand and be understood. Unspinning the Spin offers the convenience of a dictionary, the authority of a usage guide, the helpfulness of a thesaurus, and the wit and wisdom of an entertaining and authoritative teacher of the subject. Organized alphabetically for easy use, with cross-references to related words, phrases, and issues, this book goes beyond the scope of the usual reference book. It mines a wide variety of fields to present the background, current uses, accuracy, alternatives, and best practices for choosing and decoding common words and phrases, and offers a trove of suggestions for bias-free language. Unspinning the Spin is a practical, indispensable how-to that is fun to read. It’s invaluable for journalists, bloggers, students, teachers, government officials, and communications professionals, and it will be compelling for any reader who loves the English language. The author, Rosalie Maggio, has been an expert and widely read authority on language for more than 25 years. She is the author of the award-winning Dictionary of Bias-Free Usage and the editor of The New Beacon Book of Quotations by Women. Unspinning the Spin includes a preface by Robin Morgan, feminist activist, former editor-in-chief of Ms., and award-winning author of more than 20 books; and Gloria Steinem, writer, activist, editor, bestselling author, and cofounder of Ms. This book is the first publication of WMC Press, the publishing arm of the Women’s Media Center. “Given the growing awareness of sexism imbedded in our everyday speech, we—and the news media in particular—need alternative language. Unspinning the Spin should be a welcome resource for journalists, and for anyone who works with words, to consult. At last we have a comprehensive, authoritative (and funny!), feminist Fowler’s.” —Suzanne Braun Levine, author, first editor of Ms., and first woman editor of The Columbia Journalism Review “Language is power and debates are won or lost on how the arguments are shaped. Anyone who cares about politics, power, and the histories we make today will find Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language a reference for all seasons.” —Katrina vanden Heuvel, Editor and Publisher of The Nation
Basing her approach on historical sources, Rosalie Osmond explores the way the soul has been represented in different cultures and at different times, from ancient Egypt and Greece, through medieval Europe and into the 21st century.
The Wooden Spoon is, in essence, an Italian Roots. The story traces the arrival of an Italian family from Sicily to America. Using actual historical events as a backdrop, we follow the family from being immigrants to fully mainstream Americans without them ever loosing their rich Italian culture. Because the book is based on unverified stories told around the kitchen table [hence the changing of surnames], as well as actual events, The Wooden Spoon is a compelling blend of fiction and non-fiction; a multi-cultural experience within a semi-autobiographical memoir. In many respects, it is also a womans story as well as the primary characters are women. The books title is derived from the women cooking in the kitchen, with an ever present wooden spoon, or at the kitchen table with coffee gossiping away. Youll watch Maria and Rosarios six children grow and raise their own families; their eldest daughters (the authors mother and grandmother) youngest child (the author) meeting the man shell marry at the books conclusion. Along the way, the reader will bond with the family, making them their own. Theyll share countless laughs and spill many tears as they spend 54 years with the family. Another property of the book is that it embraces the beloved aspects of the Godfather type stories with very, very little Mafia references. It was the psychodynamics of an Italian family which sustained those stories. Here, the family IS the story. If you liked Moonstruck, you'll love The Wooden Spoon.
The title of this book, taken from Thomas Goffe's unwieldy com plimentary poem to Constantijn Huygens, expresses some part of my own debt to him. Seven years ago, in search of a key to Anglo Dutch relations in the late Renaissance, I was rewarded by this gigantic Huygens, because of his close Connections with English life and his deep involvement with the life of bis own country apparently the perfect guide to the difficult and often tedious territory of Anglo-Dutch cultural relations. To the student attacking a new subject, wealth of documen tation means much: Huygens left behind him eight volumes of poetry, six volumes of letters, together with many published books, pamphlets and notes, rich in the material of his English 1 journeys. However illuminating at the start of an investigation, this wealth soon proved itself an embarrassment. After a little I was plunged into a cloud of unknowing, feverishly striking out in too many directions, following too many leads, amassing too many notes on too many subjects. For Huygens was almost too good an exemplar of his time: his interests were too wide to comprehend, his manifold function too difficult to grasp. No Rum pelstiltskin came at night to help, no friendly ants to clear away the mountains of grain.
Rosalie Hook's diaries of her doings at home and abroad with her painter husband provide a fascinating window on the Victorian art world. James Clarke Hook, a brilliant and successful painter whose "Hookscapes" uniquely acquainted the British public with the beauties of their shores, first took his young bride to Italy on a traveling studentship awarded by the Royal Academy; and Rosalie eagerly records her response to the art treasures around her, to the ceremonies surrounding the Pope at Easter, to Vesuvius in eruption, and then to the political upheavals of the Risorgimento. Her Italy Diary vividly documents a sympathetic English response to the volatile southern culture. The son of a bankrupt, James Clarke Hook (1819-1907) managed, at a time of unprecedented prestige for the artist, to paint himself into country-gentlemanhood.
Scottish-American Gravestones, 1700-1900, by David Dobson, contains more than 1,500 death records arranged alphabetically according to the surname of the decedent. While the transcriptions vary, all of them also give the decedent's date and place of death and the source of the information, as well as, in many instances, the names of the individual's parents, name of spouse, and even a word or two about occupation. While this diminutive volume can scarcely purport to be the final word on its subject, it nonetheless affords a substantial number of links to researchers hoping to bridge the gap between Scotland and North America.
William & Rosalie" is the gripping and heartfelt account of two young Jewish people from Poland who survived six different German slave and concentration camps throughout the Holocaust.
In 1943 William and Rosalie Schiff, newly married in the Krakow Ghetto, were forcibly separated and sent on individual journeys through a 'surreal maze of hate'. Saved by the legendary Oscar Schindler, they were reunited at the Plaszow work camp, where they were at the mercy of the bestial SS commandant Amon Goth (played by Ralph Fiennes in Schindler's List). When Rosalie was shipped out for a work detail at another camp, William stowed away on a train, desperate to catch up with her; but the train took him to the notorious Auschwitz death camp instead. By turns riveting, harrowing and moving, Even to the Edge of Doom tells the story of two young people who stayed alive against the odds to find one another again. William and Rosalie Schiff lived in Dallas, Texas and devoted themselves full time to teaching people the dangers of prejudice and hate until their deaths in 2010 (William) and 2014 (Rosalie). Craig Hanley is a graduate of Harvard University and is a professional writer and journalist.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.