Today, twenty-five years since Diana's death, seems the right moment for a reassessment of this remarkable woman. Did the Royal Family learn lessons from her life, about protection and privacy, about how to incorporate 'outsiders' into their ranks, about how to manage scandal? Did it take any lessons from her death, and the public's reaction not only to that, but to the behaviour of, in particular, the Queen and Prince Charles, in the aftermath? Or have the family and the Palace - 'the men in grey suits', as Diana called them - continued on the same track, unchanged, repeating many of the mistakes made with her, from her first nervous ventures in royal circles to her later defiance of traditional protocols? These and many other questions are explored in this authoritative book, written by two people closely associated with Diana: Inspector Ken Wharfe was the Princess's police protection officer for six years during the most turbulent period of her marriage to Prince Charles. Ros Coward was chosen as author of the official book by the Diana, Princess of Wales Memorial Trust. Their book is both an examination of the people and events of the time, and an elegiac tribute to one of the most iconic figures of the late twentieth century.
Comprehensive portrait of the life and humanitarian work of Diana, Princess of Wales authorized by the late Princess' Estate and her Memorial Fund. With gatefolds, acetate overlays, 100 exclusive images and 400 others chosen for their style or memorable qualities, this lavishly produced hardback is the ultimate keepsake to remember Diana by. The tragic death of Diana, Princess of Wales, shook the world. No one who lived through the days in the late summer of 1997 will ever forget the unprecedented outpourings of grief, shock and anger that followed. In the days leading up to her funeral it seemed as if the whole of humanity was mourning her loss. Many books have been written about Diana, but now for the first time is a book written by those closest to her ... This will be the ultimate keepsake for everyone to remember Princess Diana by, and will contain contributions from her family and friends. Illustrated throughout with over 500 images, 100 of which are exclusive. The foreword is by Nelson Mandela with an introduction by Diana's sister, Lady Sarah McCorquodale, and all royalties will go to Diana's fund. This book explores Diana's life, and what will be the lasting impact of her
Today, twenty-five years since Diana's death, seems the right moment for a reassessment of this remarkable woman. Did the Royal Family learn lessons from her life, about protection and privacy, about how to incorporate 'outsiders' into their ranks, about how to manage scandal? Did it take any lessons from her death, and the public's reaction not only to that, but to the behaviour of, in particular, the Queen and Prince Charles, in the aftermath? Or have the family and the Palace - 'the men in grey suits', as Diana called them - continued on the same track, unchanged, repeating many of the mistakes made with her, from her first nervous ventures in royal circles to her later defiance of traditional protocols? These and many other questions are explored in this authoritative book, written by two people closely associated with Diana: Inspector Ken Wharfe was the Princess's police protection officer for six years during the most turbulent period of her marriage to Prince Charles. Ros Coward was chosen as author of the official book by the Diana, Princess of Wales Memorial Trust. Their book is both an examination of the people and events of the time, and an elegiac tribute to one of the most iconic figures of the late twentieth century.
The first witnesses to the resurrection were not men, but women - and without women, the Easter story would not have happened at all. These hidden voices of the Bible's story are found through the Old Testament and the New Testament. In this daily Lent devotional, join Ros Clarke as she uncovers the women of the Bible who are essential to the Easter weekend. From Eve to the Shummamite, and from Deborah to Ruth, Forty Women will open your eyes to the power of the gospel. Exploring a different character each day to take you from Ash Wednesday to Easter Sunday, Forty Women is an uplifting and inspirational look at what we can learn from the different women of the Bible. Looking at their lives, triumphs and failures, Ros Clark shows us how these women are examples of faith and warning against sin, whose seemingly ordinary lives connect with an extraordinary God. The perfect Lent book, Forty Women shows us how these women's stories cast fresh light on the Bible in unexpected ways, whilst their shared humanity reminds us of wonderful truths and promises of God's word to His people as we prepare to celebrate the ultimate promise of the resurrection at Easter. Forty Women can be read in small groups or individually, and is an ideal read for anyone wanting to learn more about the women of the Bible and the witnesses to the resurrection, as well as for anyone looking for Biblical encouragement during Lent. Its daily devotions can easily fit into a busy schedule, and will give you a new appreciation for these often overlooked Biblical figures. Join Ros Clarke this Lent, and see the women of the Bible as never before.
In her home village, Aivee is worse than nobody. If her secret identity as a half-demon leaks out, she's dead. But in the capital city she will reinvent herself as a dancer. She'll be wealthy, and adored by thousands. Nobody will be able to hurt her. Will they? Nori knows how cruel the city can be. She's lost her mother to its plagues, and lately her younger sister has joined the ranks of its disappeared. But she's not giving up. The ruling classes think they can treat people worse than beasts and strip them of their human rights. Powerful factions want to keep the epidemic of missing people a secret. Well, they can eat her blades. Nori joins a group of vigilantes fighting for answers, and voices in her head urge her to recruit Aivee to the cause. These vigilantes are bumbling amateurs, as likely to get themselves killed as to save anyone. But Nori is changing, going mad, lusting for battle and remembering centuries-old conflicts. She will whip them into shape, or die trying. Bloodthirsty gangs, inhuman mages, and dragon gods have it in for the people of Kaddon city. Yes, Nori is mad. But she's not nearly even.
This entertaining, quirky yet profound quasi-memoir is full of delightful stories about a determined and loving young English girl who marries a larrikin boy from Bondi. He tells her:'You'll like it, Rosa, St Kilda's by the beach, we can go swimming. And we can go on picnics, take the Lambretta to visit the Dandenongs.'Rosa assumed the Dandenongs were 'Mr and Mrs', another of these weird Australian names, didn't sound like a Jewish family ...As British as Earl Grey tea, Rosa has spent most of her life in Melbourne. Her children and grandchildren are all Australian-born, as was Alan, her writer husband. But Rosa is hesitant about an unconditional commitment to Vegemite, mateship and the ANZAC legend; she remains a perennial migrant, often amused by her memories, here presented with a deliberate overlay of lies and licence.Her family's history is nearer to Dickens than the shtetls of Eastern Europe; Rosa herself recalls Dunkirk and the Blitz. Beyond the conservatism of 1950s London that she escaped, Rosa flings open the windows and doors to invite the reader into her Anglo-Australian-Jewish family. She refrains from delving into deep psychological examinations of what it means to be an only child, an only grandchild, a reluctant Jewish teenager, and muse to a man whose terrible childhood scarred him for life; the 'clues' are all there for the curious reader to discover.
Brand new stories with the characters you love from THE BOLD AND THE BEAUTIFUL. It's the anniversary of Phoebe's death and Steffy is overwhelmed by the memories of her twin. Rick knows just how Steffy is feeling. He, too, is thinking of Phoebe and the accident. When Liam sees Rick and Steffy comforting each other, he is furious and demands that Steffy choose either Rick or him. Brooke tells Rick that Steffy will break his heart. Steffy's head is spinning with all their words as she jumps on her motorbike and speeds away. Are they right? Is she dangerous to anyone who gets close to her?
Whether writing about her foiled attempt to seduce her husband, the homesick Irishman she found on the beach or why dog-people and cat-people can never be friends, Ros Thomas does so with the kind of humour and clarity that keeps her readers coming back week after week. These stories are for anyone who has grown up, fallen in love, failed, persevered - and is still looking for the meaning of modern life. Startlingly funny, revealing, and profoundly genuine, Ros Thomas will have you laughing, reminiscing and nodding in recognition.
This scheme takes an investigative approach to history, developing pupils' thinking skills as they explore the subject. There are tasks designed to ensure progression, plus integrated extended writing to develop literacy skills.
Winner of the 2013 Desmond Elliott Prize Longlisted for the 2013 Women's Prize for Fiction You're the author of the greatest plays of all time. But nobody knows. And if it gets out, you're dead. On May 30, 1593, a celebrated young playwright was killed in a tavern brawl in London. That, at least, was the official version. Now Christopher Marlowe reveals the truth: that his "death" was an elaborate ruse to avoid a conviction of heresy; that he was spirited across the English Channel to live on in lonely exile; that he continued to write plays and poetry, hiding behind the name of a colorless man from Stratford—one William Shakespeare. With the grip of a thriller and the emotional force of a sonnet, this remarkable novel in verse gives voice to a man who was brilliant, passionate, and mercurial. A cobbler's son who counted nobles among his friends, a spy in the Queen's service, a fickle lover and a declared religious skeptic, Christopher Marlowe always courted trouble. In this memoir, love letter, confession, and settling of accounts, Ros Barber brings Christopher Marlowe and his era to vivid life in The Marlowe Papers.
One guilty secret will tear her life apart... After a series of heart-breaking miscarriages, Kate's marriage is hanging by a thread. When her husband Michael tells her he has shocking news, at first, she thinks the worst - he's been having an affair. It would explain why he's been so distant. Instead, he reveals that the daughter he abandoned twenty years ago is coming to stay. Kate is blindsided by the sudden arrival of Imogen mere hours later. Her new stepdaughter is beautiful but troubled and seems wary of her own father. All the same, Kate is pleased to find herself connecting with Imogen, until one day, Imogen reveals a disturbing secret to her stepmother, making her swear never to tell a soul. With Kate already keeping secrets of her own, she worries her marriage will crumble under the weight of another. But perhaps it's not Imogen's intrusion Kate should be worried about. Perhaps it's Michael's past she should have been looking at all along... A completely addictive domestic suspense novel that will keep you guessing into the early hours of the morning. Perfect for fans of The Stepdaughter, Amanda Robson and Adele Parks. What readers are saying about The Stepmother: 'This elegantly written suspense novel quickly drew me in and transported me into the lives of Kate and Michael and their dysfunctional marriage... Compels the reader to keep turning the pages... A very satisfying and well-written novel.' M. M. DeLuca 'Loved this one! So easy to read and lots of twists and turns along the way. Definitely a quick read and one I recommend.' NetGalley Reviewer 'I really enjoyed this book, I was hooked from the first chapter and couldn't put it down, loads of twists & turns to keep one guessing' NetGalley Reviewer 'A marriage in tatters and a shocking surprise. This thriller is just that, thrilling until the end. Definitely not for the faint-hearted.' NetGalley Reviewer 'I really enjoyed this story... It was well written and truly heartfelt... A great read that I would recommend.' NetGalley Reviewer 'An original domestic thriller telling the story of a stepmother caught between the rock and a hard place... Highly recommended!' NetGalley Reviewer 'I really enjoyed this book... A unique perspective on the step-parent spectrum. Carne really makes you think and question the secrets of her characters. The Stepmother is a great read.' NetGalley Reviewer 'This is a story of a marriage failing, death and life's drama. Well written and gripping. This is my first book by Ros Carne and look forward to her next book.' NetGalley Reviewer 'I really enjoyed it. There were enjoyable twists to keep me guessing and I'd definitely read more by this author in the future.' NetGalley Reviewer
The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history.While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing.
In Cymbeline: Constructions of Britain, Ros King argues that because of previous misunderstanding of the nature and history of tragi-comedy, critics have mistaken the tone of Shakespeare's play. Although it is often dismissed as a pedestrian 'romance', or at best a self-parodic reworking of previous Shakespearean themes, she proposes that Cymbeline's fantastical, black comedy and its facility for keeping multiple plots all in the air together are in fact a tour de force of dramaturgical construction. King's multi-faceted approach combines strikingly perceptive commentaries on the text's most notoriously difficult passages, with descriptions of performance, and analysis of the text's historical, cultural and literary contexts. In this wide-ranging study, the play becomes a focus for considering early modern England's encounters with its Scottish king, with religious struggle in Europe, and with the indigenous peoples of North America. King demonstrates that the play's dramaturgical structure enables it to raise daring questions about the nature of government, the rights of birth and of succession, and the concepts of 'empire', supplying a curiously bitter and indeed tragic undercurrent to the final 'happy' ending while attempting to neutralise contemporary religious conflict. Having explored the influences that went into the writing of Cymbeline, King devotes her final chapter to the play's later reception and shows how it has been made to respond to different cultural pressures over time. Using as a test case the outrageously ebullient production at Shakespeare Santa Cruz, 2000, for which she was dramaturg, she outlines an ethic for interpretation and considers the problems to be faced in both criticism and performance when realising the text as living theatre for a modern audience.
Whether the fault of tedious teachers or hammy actors, Shakespeare is often seen as dry and impenetrable. In this fast-paced introduction, Ros King sets out to remind us of the sheer beauty and sophistication that can make Shakespeare's works a joy for any audience. Exploring his invention, wit, along with his uncanny characterisation, King argues archaic language should be no barrier to the modern reader. With summaries of The Bard's life and background, explanations of the plays' origins, and instructions on how to read his poetry, Shakespeare: A Beginner's Guide provides all the tools the general reader needs to embrace our greatest writer.
Did you know that Sirimavo Bandaranaike of Sri Lanka was the first woman in the world to become a democratically elected prime minister? That Tina Anselmi of Italy was a wartime resistance fighter who became the first woman to serve as a cabinet minister? Or that Sylvie Kinigi of Burundi was the first woman to serve as a prime minister in Africa? It is high time these extraordinary women who helped shape our world became household names, and this book brings them at last to the fore. Women Who Won is a celebration of 70 women from the last 100 years: politicians from around the globe who fought for election in a man’s world... and won. Beautifully illustrated by artist Emmy Lupin, it features well-known figures, including Kamala Harris, Benazir Bhutto, Ellen Johnson Sirleaf, Jacinda Ardern and Julia Gillard, alongside lesser-known women whose stories are ready to be heard: Shidzue Katō, one of the first women elected to the Diet of Japan Yulia Tymoshenko, the first woman prime minister of Ukraine Shirley Chisholm, the first Black woman elected to the US Congress Peri-Khan Sofieva, the first democratically elected Muslim woman Ethel Blondin-Andrew, the first Indigenous woman elected to Canadian parliament Women of the past, but also women of the present and future. Women who smashed the political glass ceiling. Women who fought to leave a positive legacy for future generations. Women who paved the way for girls of today to become women who won.
This Handbook provides an introductory guide to The Winter's Tale offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.
She wants to learn everything – about you. Mel has practised law for twenty years. She is well-regarded by her peers. Her clients are happy. But behind the scenes her life is disordered. Her son grows increasingly distant from her. The married man she is sleeping with fails to give her what she needs. When a trainee lawyer is allocated to Mel it is poor timing. The last thing she wants is a pupil watching her every move. And Natasha does watch. She sees each detail – and every mistake. Mel cannot shake the feeling that Natasha isn’t just learning the job. She is learning Mel. Natasha is good at getting what she wants, and now Mel has the power to give her all she desires. But when Mel chooses not to, Natasha knows just what Mel’s vulnerabilities are – and how to turn them against her. Mel’s secrets could ruin her. But who will be believed? A twisted and gripping tale of desperation and revenge perfect for fans of Renée Knight, Sarah Vaughan and Michelle Frances. Praise for The Pupil ‘Tense, twisty, and a great read.’ Sharon Bolton, author of The Split ‘I really enjoyed this book... For fans of Apple Tree Yard and Blood Orange’ Reader review ‘An excellent novel... highly recommended’ Reader review ‘A brilliant suspenseful novel’ Reader review
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