Flauth the groogle and Iriel a shadowman are caught up in an inter-dimensional invasion of Earth, when they try to help a young human during an attack. As events progress and the invaders gain a foothold, the unlikely companions are drawn together to confront its ancient source.
Flauth the groogle and Iriel a shadowman are caught up in an inter-dimensional invasion of Earth, when they try to help a young human during an attack. As events progress and the invaders gain a foothold, the unlikely companions are drawn together to confront its ancient source.
What happened when Jane Austen’s heroines and heroes were finally wed? Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all. This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.
Richard J. Aldrich and Rory Cormac reveal the remarkable relationship between the British Royal Family and the intelligence community, from the reign of Queen Victoria, through two world wars and the Cold War, to the present day. Based on painstaking archival research, the authors have uncovered a wealth of detail that changes our understanding of the role of the monarch in modern British politics, intelligence, and international relations. Far from being a dry tome, on page after page Crown, Cloak, and Dagger offers surprising revelations and stories of intrigue. The book begins with the reign of Queen Victoria, when persistent attempts to assassinate her demanded the creation of security services. Successive queens and kings have all played an active role in steering British intelligence, sometimes running parallel networks against the wishes of prime ministers. Even today, Queen Elizabeth II receives "copy No.1" of every intelligence report and likely knows more state secrets than any person alive. This book demonstrates that even in the era of constitutional monarchy, queens and kings continue to be far more than figureheads of state. Crown, Cloak, and Dagger is a fascinating and fast-paced history that will inform as well as entertain anyone with an interest in history, espionage, and the Royal Family"--
Drawing together some of the leading academics in the field of Shakespeare studies, this volume examines the commonalities and differences in addressing a notionally 'Celtic' Shakespeare. Celtic contexts have been established for many of Shakespeare's plays, and there has been interest too in the ways in which Irish, Scottish and Welsh critics, editors and translators have reimagined Shakespeare, claiming, connecting with and correcting him. This collection fills a major gap in literary criticism by bringing together the best scholarship on the individual nations of Ireland, Scotland and Wales in a way that emphasizes cultural crossovers and crucibles of conflict. The volume is divided into three chronologically ordered sections: Tudor Reflections, Stuart Revisions and Celtic Afterlives. This division of essays directs attention to Shakespeare's transformed treatment of national identity in plays written respectively in the reigns of Elizabeth and James, but also takes account of later regional receptions and the cultural impact of the playwright's dramatic works. The first two sections contain fresh readings of a number of the individual plays, and pay particular attention to the ways in which Shakespeare attends to contemporary understandings of national identity in the light of recent history. Juxtaposing this material with subsequent critical receptions of Shakespeare's works, from Milton to Shaw, this volume addresses a significant critical lacuna in Shakespearean criticism. Rather than reading these plays from a solitary national perspective, the essays in this volume cohere in a wide-ranging treatment of Shakespeare's direct and oblique references to the archipelago, and the problematic issue of national identity.
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