With compassion, humour and sharp-eyed irreverence, Ronna Bloom's work has made a significant impact on Canadian poetry. A Possible Trust is selected from her work to date. Bloom writes concisely of the precarious, the ephemeral, the epic, and of the fragility and determination of people in daily life and extraordinary health crises. She is attentive to suffering, as well as to spontaneous connections and gestures of love. Her poetry has been used by teachers, architects, spiritual leaders, and in hospitals across Canada. This is poetry engaged with spontaneity, presence, work, and health care. There is a tenderness here where living matters, as does dying, a valuing of the incident, the encounter, the unexpected, the sorrow and the bowl-me-over delight. Bloom speaks to us about how vulnerability, suffering, and the release into joy, can combine as an ongoing, never-ending life practice. She mines her own experience while looking out into the world with awareness, empathy and the willingness to risk being wide open. These poems stand firm with readers. Editor and poet Phil Hall's Introduction "To Lead by Crying" argues for a poetics of empathy, and is an enthusiastic retrospective of Bloom's work. In Ronna Bloom's Afterword, she traces the relevance of photography, psychotherapy, and meditation in her work. Defiant, comical, revealing, impolite yet respectful, A Possible Trust is a retrospective and celebration.
Some people are simply more successful than others are, and we all know that this often has a lot to do with their personal connections. But how do we forge those relationships? In this incisive, entertaining book, Ronna Lichtenberg reveals all. This book will give anyone who wants to be successful in business a concrete edge -- the personal advantage.
These Personal Effects add up to a life, in all its clutter and grace, its fear and anger and desire. Bloom's voice is a torch, sending its searing, fearless light into the well of self. She knows the well is bottomless, and dangerous. She goes in anyway." - Stephanie Bolster
With compassion, humour and sharp-eyed irreverence, Ronna Bloom's work has made a significant impact on Canadian poetry. A Possible Trust is selected from her work to date. Bloom writes concisely of the precarious, the ephemeral, the epic, and of the fragility and determination of people in daily life and extraordinary health crises. She is attentive to suffering, as well as to spontaneous connections and gestures of love. Her poetry has been used by teachers, architects, spiritual leaders, and in hospitals across Canada. This is poetry engaged with spontaneity, presence, work, and health care. There is a tenderness here where living matters, as does dying, a valuing of the incident, the encounter, the unexpected, the sorrow and the bowl-me-over delight. Bloom speaks to us about how vulnerability, suffering, and the release into joy, can combine as an ongoing, never-ending life practice. She mines her own experience while looking out into the world with awareness, empathy and the willingness to risk being wide open. These poems stand firm with readers. Editor and poet Phil Hall's Introduction "To Lead by Crying" argues for a poetics of empathy, and is an enthusiastic retrospective of Bloom's work. In Ronna Bloom's Afterword, she traces the relevance of photography, psychotherapy, and meditation in her work. Defiant, comical, revealing, impolite yet respectful, A Possible Trust is a retrospective and celebration.
Examines the relationship women have to the world of work and provides pragmatic advice and tips on how they can use their unique advantages to best effect and succeed in the workplace.
Deborah Ronna Baker's The Porch Down Home chronicles the life of seventeen-year-old Avie and her sister, Cassie, who live in the Midwest with their beloved grandparents, Bigmomma and Bigdaddy. Avie and Cassie have been taught right from wrong by their young-at-heart grandparents, but that doesn't stop Avie from getting into mischief every once in a while, like the time she 'borrows' a stash of Bigdaddy's healing herb to use for her science project. But Bigdaddy will soon be thankful, for a summer storm destroys seemingly all of the precious herb one night-all but Avie's stash in the meadow. The Porch Down Home offers a cast of characters as different as night and day that will become like part of your own family, from nosy Cora Lee and the stuttering Lester brothers to Big Sally the bully and shy but sweet Chase. From the schoolhouse to the nickel and dime, join these Midwest characters in discovering that life is best lived on The Porch Down Home. The author creates a real world peopled with characters-even animals-that are so lively, colorful, and vivid they become your next-door neighbors. No-closer than that; they're like family! -Mary Frances Stubbs, Director of Development for the College of Engineering, Architecture and Computer Sciences, and Advisor of Film and Literary Projects, Howard University
BIOGRAPHY LITERARY CRITICISM The Beat movement nurtured many female dissidents and artists who contributed to Beat culture and connected the Beats with the second wave of the women's movement. Although they have often been eclipsed by the men of the Beat Generation, the women's contributions to Beat literature are considerable. Covering writers from the beginning of the movement in the 1950s and extending to the present, this book features interviews with nine of the best-known women Beat writers, including Diane di Prima, ruth weiss, Joyce Johnson, Hettie Jones, Joanne Kyger, Brenda Frazer (Bonnie Bremser), Janine Pommy Vega, Anne Waldman, and the critic Ann Charters. Each is presented by a biographical essay that details her literary or scholarly accomplishments. In these recent interviews the nine writers recall their lives in Beat bohemia and discuss their artistic practices. Nancy M. Grace outlines the goals and revelations of the interviews, and introduces the community of female Beat writers created in their conversations with the authors. Although they have not received attention equal to the men, women Beat writers rebelled against mainstream roles for young women and were exuberant participants in creating the Beat scene. Mapping their unique identities in the Beat movement, Ronna C. Johnson shows how their poetry, fiction, and memoirs broke the male rule that defined Beat women as silent bohemian chicks rather than artistic peers. Breaking the Rule of Cool combines the interviews with literary criticism and biography to illustrate the vivacity and intensity of women Beat writers, and argues that American literature was revitalized as much by the women's work as by that of their male counterparts. Nancy M. Grace, a professor of English at the College of Wooster, is the author of The Feminized Male Character in Twentieth-Century Literature. Her work has appeared in Contemporary Literature, the Beat Scene, and the Artful Dodge. Ronna C. Johnson, a lecturer in English and American Studies at Tufts University, has been published in College Literature, the Review of Contemporary Fiction, and the Poetry Project Newsletter. Johnson and Grace are the editors of and contributors to Girls Who Wore Black: Women Writing the Beat Generation.
Millions of women enter what is called "mid-life" (over age 40) every year. Speaker, writer, and "Sister in the Journey" Ronna Snyder shares how these women can avoid a crisis and discover instead a joyful beginning of a richer and deeper way to live. Ronna found herself going from doctor to doctor trying to find someone who could tell her what was wrong with her. She heard words like fibromyalgia, chronic fatigue, and depression before finally hearing a specialist on the radio listing all of her symptoms and realizing that she was experiencing the beginning of menopause. With all the changes this time of life brings-kids leaving home, parents needing care, new marriage roles, etc.-the turmoil and addition of the physical and emotional effects of menopause can seem overwhelming. Ronna writes with humor, faith, and transparency to help other women face down their fears and live with passion and fullness.
For anyone who wants to make a new marriage work or an old marriage stronger, here is inspiration and insight that no marriage counselor or psychologist could give you. In the wake of open marriage, marriage contracts, and no-fault divorce, the authors of this remarkable book have uncovered what it is that can make a marriage last a lifetime in these tumultuous times. Turning to the real experts (couples whose marriages have withstood the test of time), they have found that for all the striking dissimilarities in successful marriages, at the core of each is a real and definable commitment by the partners to each other and to the marriage. In the course of their research the authors have sat in hundreds of kitchens and living rooms listening to husbands and wives talk about how they have forged their relationships. The marriages range from two-paycheck, childless relationships to male-dominated families with a wife and kids at home, from affluent urban unions to marriages plagued with financial problems, from those fate has blessed to those it has been less kind to. What is highlighted again and again is the importance of putting marriage first in your life, of giving time a chance, and of believing that the good times will be renewed if a couple can get by the bad. Giving Time a Chance is a must for any couple planning to marry, for any couple thinking of divorce, for any couple wondering whether romance can be renewed, or for anyone questioning whether marriage still has a role in modern society. Here is a book for our times—a model of marriage in modern America.
These Personal Effects add up to a life, in all its clutter and grace, its fear and anger and desire. Bloom's voice is a torch, sending its searing, fearless light into the well of self. She knows the well is bottomless, and dangerous. She goes in anyway." - Stephanie Bolster
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