Here now is a steamy collection Of limericks rare. Each selection Will run for five lines, Contain marvelous rhymes— Detailing sex acts of subtle complexion. Some readers may think that it’s crude To offer for sale what is lewd But if you’re offended By what is appended, We’ll say what you are; you’re a prude!
The Rime petrose, Dante's powerful lyrics about a woman as beautiful and as hard as a precious stone, are generally acknowledged to be an important moment in his stylistic development. In this full-length investigation of the poetics of the petrose and of their relation to TheDivine Comedy, Robert M. Durling and Ronald L. Martinez uncover new material, especially from medieval science (astrology and mineralogy), philosophy, and theology. The authors argue that the Rime petrose represent a major turning point in Dante's conception of a "microcosmic poetics" that became the fundamental mode of the Commedia. They demonstrate how Dante here attempts his first full account of his relation to the universe as a whole. This work offers many insights into the intrinsic significance of these remarkable poems and their place in Dante's development. Especially far-reaching are the implications for the interpretation of TheDivine Comedy.Time and the Crystal will interest not only students of Dante but also intellectual historians, historians of science, students of poetics and poetic theory, and all those interested in medieval literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand
Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable -- and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud. Pelias divides his efforts to present performance events into three general categories: "Performing Every Day", "On Writing and Performing", and "Being a Witness". As the title implies, "Performing Every Day" focuses on performances ranging from the daily business of enacting roles to the telling of tales that make life meaningful. It incorporates essays about the ongoing process of presenting oneself in everyday life; the gender script that insists that men enact manly performances; the classroom performances of teachers and students; stories of gender, class, and race that mark identity; and a performance installation entitled "A Day's Talk", which is a record of talk produced in a day's time accompanied by reflections about and responses to that talk. "On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; an intimate look at an apprehensive performer; a short play entitled "The Audition", which deals with what it means to be an actor; a chronicle ofperformance process from the perspective of an actor; and a brief essay on the nature of performance. "Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years.
Winner of the 2013 Sigourney Award! Brings together Ronald Britton's writing on the subject of belief and imagination over the last 15 years, exploring the concepts from a Kleinian perspective and examining the relationship between psychic reality and fictional writing.
Widely considered the preeminent Chinese woman poet, Li Qingzhao (1084-1150s) occupies a crucial place in China’s literary and cultural history. She stands out as the great exception to the rule that the first-rank poets in premodern China were male. But at what price to our understanding of her as a writer does this distinction come? The Burden of Female Talent challenges conventional modes of thinking about Li Qingzhao as a devoted but often lonely wife and, later, a forlorn widow. By examining manipulations of her image by the critical tradition in later imperial times and into the twentieth century, Ronald C. Egan brings to light the ways in which critics sought to accommodate her to cultural norms, molding her “talent” to make it compatible with ideals of womanly conduct and identity. Contested images of Li, including a heated controversy concerning her remarriage and its implications for her “devotion” to her first husband, reveal the difficulty literary culture has had in coping with this woman of extraordinary conduct and ability. The study ends with a reappraisal of Li’s poetry, freed from the autobiographical and reductive readings that were traditionally imposed on it and which remain standard even today.
Although linguistics is often a technical and increasingly abstruse discipline, many linguists retain a concern for the way in which linguistics can shed light on literature and literary problems. In their introductory chapter, the editors of this collection of essays, by linguists on either side of the Atlantic, enunciate a bold stance that defines the theoretical relationship between linguistics and literature, delimits what should be considered a linguistic analysis of literature, and explains how such an analysis is related to current theories of readership and literary criticism. The editors’ theory of the relationship between linguistic and literary studies stipulates an eclectic rather than a holistic approach, and the essays they have gathered together reflect this belief. The contributions include such varied approaches as transformational grammar, text grammar and speech act theory, and the topics analysed include many that are at the heart of literature, such as topicalization, imagery, figurative language, ambiguity, and the play on words through puns. The anthology as a whole illustrates how linguistic theory illuminates the very nature of literary language. It also gives evidence of the new insights into literature that have arisen from a close analysis of the language in which the literature is encoded.
Best known as a romantic poet, Samuel Taylor Coleridge also mounted a strong challenge to the skepticism and relativism we inherit from the Enlightenment. Ronald C. Wendling shows Coleridge, modern in his critical spirit and chronic anxiety, nevertheless progressing toward a total head-and-heart acceptance of Church of England orthodoxy. The tension between Coleridge's poetic feeling for the divinity of the sensible world and his reverential sense of God's personality and transcendence stimulated this development." "Adopting a personalist approach to the study of Coleridge's thought, Wendling explains how the circumstances contributing to his addictive personality helped shape his spiritual and intellectual life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Working with Texts: A Core Book for Language Analysis provides a basic foundation for understanding aspects of English language crucial in the analysis of text. The major topics covered include writing, the sound system of spoken English, words, sentence grammar and discourse construction. The wide range of texts examined include literary extracts from prose fiction (Jeanette Winterson, Anne Tyler), poetry (D. H. Lawrence, Margaret Atwood), drama (John Godber) and graphic novels (Neil Gaiman), but also a huge diversity of texts from contemporary media: newspaper articles, advertisements (Gap, Kelloggs), political speeches and original authentic materials (children's writing, signs, everyday conversation). Student-friendly features include: * Activities showing how language works in texts and their contexts * Commentaries which follow each activity, highlighting main points of language use * Wide coverage of different genres: literary texts, notes, memos, signs, advertisements, leaflets, speeches, conversation * Suggestions for further reading and additional self-study exercises * Key words highlighted and a full index of terms Ideal for introductory courses to English Language and Literature and Linguistics. Also of interest to students of media and communication studies.
The seventy-eight poems in this collection--from four lines to six pages in length--were composed over a period of almost forty years and can be considered episodes of a memoir, an autobiography in verse documenting the author's life, loves and travels. The dictionary defines "divagation" as a wandering or a digression. Therefore many of the poems in this collection evoke the author's voyages that have taken him to forty-seven countries around the world. Divagations is also a virtual handbook of poetic forms ranging from the elegance of the Spenserian Stanza to free verse. There are ballads and ballades, odes and ottava rima, rondels and rondeaux. Like many English-language poets, the author has a fondness for the sonnet; included is a sequence of twenty-four love sonnets. He has also included three sestinas, one in French. A long, narrative poem in iambic pentameter recounts the adventures of one Poor Fisher, who travels to the Caribbean and attempts to establish a new religion with himself as its prophet. Included in an appendix are extensive annotations by Catherine Jagor, a Paris-based poet who has known the author for over a quarter of a century and is intimately familiar with his work. "After reading this collection, you will be changed, enriched and inspired." Jean-Pierre Collet, author of Le Chant du Naïf and Harmonies.
Each chapter explores the interrelationships of representation, identification, and desire, while the book as a whole gradually shifts in emphasis from new historicist concerns with representation and the social realm toward psychoanalytic themes of identification, desire, and inwardness.
Women Singer-Songwriters in Rock provides an overview of the women's singer-songwriter movement during the 1990s with detailed analyses of the music of Alanis Morissette, PJ Harvey, Courtney Love, Liz Phair, Tori Amos, Sarah McLachlan, and Sheryl Crow. The book focuses on the exploration of women's issues within the music, examining how the music's feminist content was able to filter into the popular culture.
This book deals with Christian lament in the late Reformation by exploring the efforts of a talented yet little-known layman to cope with the death of his beloved wife. A work of haunting candor and searching faith, The Pious Meditations furnishes insight into life in the past as well as resources for life in the present.
In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare s time that the idea of privacy went from a marginal notion to a desirable quality.
Both Jews and non-Jews alike have many misconceptions of Jewish teachings and practices. Some seemingly unusual statements about Jewish teachings and practices are actually true, whereas some apparently reasonable and popularly believed statements are false. Many statements regarding Jewish teachings and practice are partly true and partly false, requiring a more nuanced explanation of the true situation. In 850 Intriguing Questions about Judaism: True, False, or In Between, Ronald L. Eisenberg explores a wide range of Jewish teachings and practices, discussing the degree to which they are true, false or a bit of both. Offered in question-and-answer format, readers are invited to explore with the author what they really know about Jewish life, history, holidays, and scripture. Eisenberg tackles all sorts of topics, from artificial insemination to organ donation and euthanasia, second day festivals in the Diaspora to the why really sound the shofar, from what the ner tamid signifies to Jewish “rules of war.” Throughout, Eisenberg takes a nuanced approach to his topics, laying the groundwork for a useful survey of what we ought to know better about Jews, Judaism, and Jewish teachings and practices. This is perfect reference work for anyone curious about Judaism, Jewish life, and Jewish history, and who has ever wondered what the real answer was to the many questions they might have had.
A concise history of the goddess-like figures who evade both Christian and pagan traditions, from the medieval period to the present day In this riveting account, renowned scholar Ronald Hutton explores the history of deity-like figures in Christian Europe. Drawing on anthropology, archaeology, literature, and history, Hutton shows how hags, witches, the Fairy Queen, and the Green Man all came to be, and how they changed over the centuries. Looking closely at four main figures—Mother Earth, the Fairy Queen, the Mistress of the Night, and the Old Woman of Gaelic tradition—Hutton challenges decades of debate around the female figures who have long been thought versions of pre-Christian goddesses. He makes the compelling case that these goddess figures found in the European imagination did not descend from the pre-Christian ancient world, yet have nothing Christian about them. It was in fact nineteenth-century scholars who attempted to establish the narrative of pagan survival that persists today.
A masterpiece of world literature, Honglou Meng (Dream of the Red Chamber) by Cao Xueqin (1715-1763) is widely considered China's greatest novel and serves as a compendium of traditional Chinese life and culture during the Qing Dynasty. This guide offers a comprehensive introduction and overview to Honglou Meng, providing more than 200 alphabetical entries describing characters, key events and a wide range of topics, with discussion of important themes and narrative techniques. A brief biography of Cao is included, along with a history of Chinese and English critical receptions, an extensive bibliography and recommended reading.
This extract from the Eerdmans Commentary on the Bible provides Clements' introduction to and concise commentary on Proverbs. The Eerdmans Commentary on the Bible presents, in nontechnical language, the best of modern scholarship on each book of the Bible, including the Apocrypha. Reader-friendly commentary complements succinct summaries of each section of the text and will be valuable to scholars, students, and general readers. Rather than attempt a verse-by-verse analysis, these volumes work from larger sense units, highlighting the place of each passage within the overarching biblical story. Commentators focus on the genre of each text—parable, prophetic oracle, legal code, and so on—interpreting within the historical and literary context. The volumes also address major issues within each biblical book—including the range of possible interpretations—and refer readers to the best resources for further discussions.
The seventy-eight poems in this collection--from four lines to six pages in length--were composed over a period of almost forty years and can be considered episodes of a memoir, an autobiography in verse documenting the author's life, loves and travels. The dictionary defines "divagation" as a wandering or a digression. Therefore many of the poems in this collection evoke the author's voyages that have taken him to forty-seven countries around the world. Divagations is also a virtual handbook of poetic forms ranging from the elegance of the Spenserian Stanza to free verse. There are ballads and ballades, odes and ottava rima, rondels and rondeaux. Like many English-language poets, the author has a fondness for the sonnet; included is a sequence of twenty-four love sonnets. He has also included three sestinas, one in French. A long, narrative poem in iambic pentameter recounts the adventures of one Poor Fisher, who travels to the Caribbean and attempts to establish a new religion with himself as its prophet. Included in an appendix are extensive annotations by Catherine Jagor, a Paris-based poet who has known the author for over a quarter of a century and is intimately familiar with his work. "After reading this collection, you will be changed, enriched and inspired." Jean-Pierre Collet, author of Le Chant du Naïf and Harmonies.
Reflecting the author's fifty years of combined teaching experience, The Longwood Guide to Writing is among the most accessible, up-to-date, and authoritative aims-based rhetorics on the market. This comprehensive guide helps students see the organic nature of the writing process by continually offering them the opportunity to examine and refine their own individual writing processes. Students are introduced to all phases of reading and writing and then engage in a range of writing occasions--writing personal essays, informative and evaluative essays, essays from and about literature, and position, persuasive, and problem/solution essays. Each of the core writing occasions chapters features professional readings, discusses the rhetorical triangle, and follows a student through the writing process. Students also learn effective ways to conduct research, write with sources, take essay exams, and create portfolios.This complete composition resource comes in a paperback format with a brief handbook included for maximum flexibility.
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