Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.
Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life, Ronald Schuchard's book provides an historical, biographical, and critical reconstruction of the poet's attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech.
Schuchard's critical study shows how Eliot's personal voice works through the sordid, the bawdy, the blasphemous and the horrific to create a moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development.
Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life, Ronald Schuchard's book provides an historical, biographical, and critical reconstruction of the poet's attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech.
An essential volume for the libraries of all serious students of the Tarot. When the Tarot was invented in Italy during the early fifteenth century, it was simply a pack of cards used for playing games. Esoteric interpretations of the pack date from late eighteenth century France, and were confined to that country for a hundred years. But today the cards are used throughout the world and not only for fortune telling - for true believers they are the key to secret knowledge and the meaning of life. A History of the Occult Tarot is the classic work on the history of the Tarot deck and its use in occult circles. Starting with the late nineteenth century, the Decker and Dummett examine how the Tarot became the favoured divination tool of occultists, a bridge to the spirit world, and a map of the unconscious. From Theosophical to Aleister Crowley to the Order of the Golden Dawn and P.D. Ouspensky, this compelling survey of the Tarot's history describes the many fascinating decks imagined over time as well as the secret histories of mystics.
Schuchard's critical study shows how Eliot's personal voice works through the sordid, the bawdy, the blasphemous and the horrific to create a moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development.
This major study explores the complex relationship between the life and work of T.S. Eliot, arguing that an almost unbearable tension between romantic yearning and intellectual detachment tremendously influenced both his personality and his greatest poetry. Skillfully combining biography and literary analysis, Ronald Bush examines Eliot's development from "The Love Song of J. Alfred Prufrock" and The Waste Land through Four Quartets and demonstrates how Eliot's struggle for personal and artistic honesty set a standard for twentieth-century writing.
Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.
This exhibition illustrates the extraordinary creativity of Irish writers in the second half of the twentieth century. It is a sequel to the first exhibition of Irish Literature that opened forty years prior. The book includes an introduction by Ronald Schuchard, and the catalogue contains descriptions of publications such as The Starlit Eye, Gorgon, Death of a Naturalist, and Amongst Women. A frontispiece and six full-page illustrations illuminate the book. The exhibition was held from May 15 to July 27, 2002.
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