A DARK FORCE STALKS SHENANDOAH MOUNTAIN LAKE AND PEOPLE ARE DYING. A deadly menace stalks the placid shores of Shenandoah Mountain Lake. A serial killer is on the loose and the bodies are piling up. The residents of Shenandoah County are terrified, afraid to leave their homes and hoping for news of the killer's capture before there's another victim. With over five hundred miles of shoreline to cover, the sheriff's office cannot protect the local citizens. Leading citizen Salem Matthews is worried. As an important property owner and business manager he knows that he and his family could be a prime target. When a valued employee and friend becomes the next murder victim, Salem and his buddy Anderson, both ex-military special forces, realize the backwater sheriff hasn't a clue. If the killer is to be stopped, Salem and Anderson have to do it. The killer is smart. With no discernible connection among the victims and no physical evidence left at any of the crime scenes, Salem and Anderson don't know where to begin. There are plenty of suspects such as the mysterious pastor of Holy Covenant Spiritual Center; the strange psychiatrist who has turned the former Lakeside Academy elementary school into a mental health facility; the manager and employees of Pirates South, the enormous and strange theme park that has recently opened on the lake's western shore. As Salem and Anderson close in on the crazed predator, they know they're in a race against time before they become targets themselves. "Full of suspense... A definite page-turner!"-Sandra Ely, Author of the "Immortal Hearts" series. ..".the bucolic Shenandoah mountains of Virginia...the unlikely setting for...gruesome murders..."-Rodney Page, Author of "Powers Not Delegated" and "The Xerces Factor." ..".hard to put down...keeps you guessing at each turn of the pages...A good read for a rainy and dark afternoon..." -Grant R Gregory, Author of the "Critter Corner Blog," http: //thevlm.org/critter-corner ..".powerful characters...keeps his readers guessing...A must read for all murder mystery aficionados."-G.J. Wise, Author of the paranormal horror novel "Spiritwood." ..".Rate it a five of five and suggest you put Mr. Paxton on your list of "to read" authors."-Danney Clark, author of "Shield of Faith." ..".a serial killer who likes his victims young, female, and available..."-Jess Frankel, author. ..".[gives]the "Who Done It..".a shot of twisted adrenaline that will have readers hanging onto each line."-James Sanders, author of "Situations: An Urban Crime Novel.
Salem Matthews IV has come home to Shenandoah County, Virginia because he has nowhere else to go. A twenty year career in the U.S. Army Special Forces has provided him with a pension, healthcare benefits, and a severe case of post-traumatic stress disorder. Salem has lost the ability and inclination to interact with people and is only interested in locking himself away from the world. The peace and seclusion that Salem seeks is quickly shattered by converging forces that demand his attention. Travis Watson, a local realtor, has his eye on the magnificent lakefront home that Salem has inherited and is prepared to do whatever it takes to gain possession of it. Meanwhile, William Toms is trying to convince Salem to donate his property to the environmental group he represents. When Salem makes it clear he has no intention of giving up his land he becomes the target of open hostility. As he begins to realize his life is in danger Salem sends out a call for reinforcements. While he waits for help to arrive Salem draws on his military background to protect himself and the ones he loves. Time is running out and the person who wants to kill him remains a mystery. One man is already dead and Salem knows that he is next on the killer's list.
A dark and malevolent force has invaded the normally tranquil world of Shenandoah County, a small, rural community located in the foothills of the Blue Ridge Mountains of Virginia. Emma Howard is living her dream. She has just graduated from veterinary school and returned to her hometown to accept a position as an equine veterinarian with her friend and mentor, Dr. Adam Waller. Best of all, her boyfriend and fellow veterinarian, Chase Reynolds, has accompanied her. Emma's dream soon turns into a nightmare as she and Chase become victims of escalating acts of hostility. Someone doesn't like the fact that Emma is dating a black man and is determined to put an end to it. (From Publisher)
A threatening letter in the mail shatters the fragile tranquility of John Howard’s world. The note is unsigned, but the meaning is clear. Howdy Doody is out of prison and gunning for the man he blames for ruining his life. John was the one who caught Doody cheating at a major rodeo event and got him kicked off the national circuit. He was also the one who hired and then fired the disgraced cowboy when he caught him stealing from the Wild Pony Ranch cash box. Fifteen long years have passed, and now Doody was back. When a trusted employee is murdered John knows it’s time for him to find and stop the former rodeo cowboy or die trying.
A record breaking cold front has dropped a foot of snow on Shenandoah County and brought activity on the lake to a near standstill. All is well with ex-Army Special Forces member, Salem Matthews, and his family…until a dead body is found. Two more murders, by a group calling itself the Committee for Morality and Decency, spurs Salem to take action. When he finds a note in his own mailbox, he knows it’s time to find and eliminate the members of the Committee, before they can destroy his family and community. Time is running out, and it appears the killer is just getting started.
Ronald Aronson demonstrates that atheism represents much more than what one does not believe: that it is the precondition for a generous humanism. The two closing chapters are models of stoicism at its best.'' - Christopher Hitchens, author of God Is Not Great.
Selling Folk Music: An Illustrated History highlights commercial sources that reveal how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States via its commercial promotion and presentation throughout the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history.
At fifteen, Linda Darnell left her Texas home and normal adolescence to live the Hollywood dream promoted by fan magazine and studio publicity offices. She appeared in dozens of films and won international acclaim for Blood and Sand (playing opposite Tyrone Power), Forever Amber, A Letter to Three Wives, and the original version of Unfaithfully Yours. Driven by a stage mother to become rich and Famous, but unable to cope with the career she had longed for as a child, Darnell soon was caught in a downward spiral of drinking, failed marriages, and exploitive relationships. By her early twenties she was an alcoholic, hardened by a life in which beautiful women were chattel, and by the time of her death at age forty- one, she was struggling for recognition in the industry that once had called her its "glory girl.” Hollywood Beauty begins in the Southwest during the Depression, when Pearl Darnell became obsessed by the glitter of the movie world that would dominate her children’s lives. We follow Linda’s path from her Texas childhood and first public success–during the state centennial, in 1936–through her contract work with Twentieth Century-Fox in the heyday of the big-studio system. Film historian Ronald L. Davis documents Darnell’s discovery and marriages, the adoption of her daughter, the marking of many well-known films, and her emotional difficulties, leading up to her tragic death by fire. This is the story of a native teenager from a dysfunctional middle-class family thrust into the golden age of Hollywood. Hollywood Beauty examines America’s public worship of movie stars and superficial success–its motives and consequences–and the addiction to escapism that this worship represents.
On April 1, 1865, the steamboat Bertrand, a sternwheeler bound from St. Louis to Fort Benton in Montana Territory, hit a snag in the Missouri River and sank twenty miles north of Omaha. The crew removed only a few items before the boat was silted over. For more than a century thereafter, the Bertrand remained buried until it was discovered by treasure hunters, its cargo largely intact. This book categorizes some 300,000 artifacts recovered from the Bertrand in 1968, and also describes the invention, manufacture, marketing, distribution, and sale of these products and traces their route to the frontier mining camps of Montana Territory. The ship and its contents are a time capsule of mid-nineteenth-century America, rich with information about the history of industry, technology, and commerce in the Trans-Missouri West. In addition to enumerating the items the boat was transporting to Montana, and offering a photographic sample of the merchandise, Switzer places the Bertrand itself in historical context, examining its intended use and the technology of light-draft steam-driven river craft. His account of steamboat commerce provides multiple insights into the industrial revolution in the East, the nature and importance of Missouri River commerce in the mid-1800s, and the decline in this trade after the Civil War. Switzer also introduces the people associated with the Bertrand. He has unearthed biographical details illuminating the private and social lives of the officers, crew members, and passengers, as well as the consignees to whom the cargo was being shipped. He offers insight into not only the passengers’ reasons for traveling to the frontier mining camps of Montana Territory, but also the careers of some of the entrepreneurs and political movers and shakers of the Upper Missouri in the 1860s. This unique reference for historians of commerce in the American West will also fascinate anyone interested in the technology and history of riverine transport.
Works of Man is a chronicle of man's attempts from prehistoric times to the space age to exploit for his own purposes the slowly discerned laws of nature. Exciting, instructive, and eminently readable, this mine of information covers the broad sweep of technological achievements, from the invention of the wheel more than six millennia ago to the miniaturization of the electronic computer. Beginning with a description of the early builders in the days of ancient Babylon, continuing through to the end of the Roman Empire, the author goes on to explain the engineering principles that were gradually developed in the Dark Ages, enabling men to build the medieval cathedrals; to try to drain the Pontine marshes near Rome, the meres of Holland, and the British fenlands; and to raise the new military defenses that transformed warfare. Discussion of the work of Leonardo da Vinci and Galileo leads on to the development of steam as a new source of power, and to the growth of civil engineering that followed in Europe and the rest of the world. Further chapters cover the change from sail to steam; canals; railways; the use of electricity; the growth of manned flight; the rise of the plastics industry; nuclear engineering; and the problems of space exploration.
A Dangerous Woman is Susan Ronald's revealing biography of Florence Gould, fabulously wealthy socialite and patron of the arts, who hid a dark past as a Nazi collaborator in 1940’s Paris. Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris at the age of eleven. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould. She guided Frank’s millions into hotels and casinos, creating a luxury hotel and casino empire. She entertained Zelda and Scott Fitzgerald, Pablo Picasso, Joseph Kennedy, and many Hollywood stars—like Charlie Chaplin, who became her lover. While the party ended for most Americans after the Crash of 1929, Frank and Florence stayed on, fearing retribution by the IRS. During the Occupation, Florence took several German lovers and hosted a controversial Nazi salon. As the Allies closed in, the unscrupulous Florence became embroiled in a notorious money laundering operation for Hermann Göring’s Aerobank. Yet after the war, not only did she avoid prosecution, but her vast fortune bought her respectability as a significant contributor to the Metropolitan Museum and New York University, among many others. It also earned her friends like Estée Lauder who obligingly looked the other way. A seductive and utterly amoral woman who loved to say “money doesn’t care who owns it,” Florence’s life proved a strong argument that perhaps money can buy happiness after all.
Fathoming the Holocaust represents the culmination of a singular effort to attempt to explain the Final Solution to the "Jewish Problem" in terms of a general theory of social problems construction. The book is comprehensive in scope, covering the origins and emergence of the Final Solution, wartime reaction to it, and the postwar memory of the genocide. It does so within the framework of a social problems construction, a perspective that treats social problems not as a condition but as an activity that identifies and defines problems, persuades others that something must be done about them, and generates practical programs of remedial action. Berger holds that social problems have a "natural history," that is, they evolve through a sequence of stages that entail the development and unfolding of claims about problems and the formulation and implementation of solutions. Fathoming the Holocaust is therefore a book that aims to advance sociological understanding of the Holocaust, not simply to describe its history, but to examine its social construction, that is, to understand it as a consequence of concerted human activity. In doing so, Berger hopes to encourage the teaching of the Holocaust in the social scientific curricula of higher education. In contrast to the extensive historical literature on the Holocaust, Berger offers a distinctly sociological approach that examines how the Holocaust was constructed--first as a social policy designed by the Nazis, implemented by functionaries, and resisted by its victims and opponents; later as several varying layers of historical memory. The scope of this book extends from the prewar through the contemporary periods, focusing on the societal issues governing the interpreting of these events in Israel, the German Federal Republic, and the United States. Berger's is a text with both large general interest and essential material for courses in social problems, European history, and Jewish studies. Ronald J. Berger, professor of sociology at the University of Wisconsin-Whitewater, has previously published six books and numerous articles and book chapters. His earlier book on the Holocaust was a sociological account of his father and uncle's survival experiences.
For some time the conventional wisdom in the interdisciplinary field of Holocaust studies is that sociologists have neglected this subject matter, but this is not really the case. In fact, there has been substantial sociological work on the Holocaust, although this scholarship has often been ignored or neglected including in the discipline of sociology itself. Sociology and the Holocaust brings this scholarly tradition to light, and in doing so offers a comprehensive synthesis of the vast historical and social science literature on the before, during, and after of the Holocaust—a tour d’horizon from an explicitly sociological perspective. As such, the aim of the book is not simply to describe the chronology of events that culminated in the deaths of 6 million Jews but to draw upon sociology’s “theoretical toolkit” to understand these events and the ongoing legacy of the Holocaust sociologically.
Extremists are people whose ideas or tactics are viewed as outside the mainstream. Looked at this way, extremists are not necessarily twisted or evil. But they can be, especially when they are intolerant and violent. What makes extremists turn violent? This 2006 book assumes that extremists are rational: given their ends, they choose the best means to achieve them. The analysis explains why extremist leaders use the tactics they do, and why they are often insensitive to punishment and to loss of life. It also explains how rational people can be motivated to die for the cause. The book covers different aspects of extremism such as revolution, suicide terrorism, and global jihad. The arguments are illustrated with important episodes of extremism, including the French Revolution, the rise of nationalism in Yugoslavia under Milosevic, and the emergence of suicide terror and Al Qaeda today.
From Washington Square Park and the Gaslight Café to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the folk music revival of the 1950s and 60s. Folk City explores New York's central role in fueling the nationwide craze for folk music in postwar America. It involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers - and, of course, musicians and audiences. In Folk City, authors Stephen Petrus and Ron Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists space to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social conventions. Accessible and engaging, fresh and provocative, rich in anecdotes and primary sources, Folk City is lavishly illustrated with images collected for the accompanying major exhibition at the Museum of the City of New York in 2015.
A collection of 100 original, rarely seen photographs of identified Union and Confederate soldiers and other participants in the Gettysburg Campaign, each accompanied by vivid accounts of their personal experiences based on letters, journals, newspaper reports, regimental histories and other documents. The photographs are wartime portraits of men and women presented to families, friends and comrades in arms. These unique artifacts, once found in parlor photo albums, fireplace hearths and bedstands, somehow survived the ravages of time and today are in the hands of private collectors. The faces of the individuals reveal the romance and horror of a generation at war. The stories that accompany each image detail triumphant and tragic events before, during and after the three-day fight. These individuals hailed from all walks of life—rich and poor, urban and rural, native born and immigrant, with varying levels of education and perspectives on life. Each profile is a microhistory. Together, they tell the larger story of Gettysburg in human terms. Among those you’ll meet: James M. “Roe” Reisinger of the 150th Pennsylvania Infantry, who suffered a wound and later received the Medal of Honor for his actions at on July 1; Helim S. Thompson of the 44th New York Infantry, severely wounded and left for dead on Little Round Top; Zachariah Angel Blanton of the 18th Virginia Infantry, wounded and captured in Pickett’s Charge; and Harriett A. Dada Emens, a nurse who cared for desperately wounded and sick in the Union army’s 12th Corps Hospital.
Peter Gunnarson Rambo, son of Gunnar Petersson, was born in about 1612 in Hisingen, Sweden. He came to America in 1640 and settled in Christiana, New Sweden (now Delaware). He married Brita Mattsdotter 7 April 1647. They had eight children. He died in 1698. HIs daughter, Gertrude Rambo, was born 19 October 1650. She married Anders Bengtsson. Descendants and relatives lived mainly in Pennsylvania, Delaware, Virginia, North Carolina and Ohio.
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