Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s, he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films—A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age, she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade, even among co-workers who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny. With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this, he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916-2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story.
Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself.
In a tone that is warm & personal, Davis creates the sense of a real person, & nostalgia, social history, & storytelling are all satisfied."--BOOKLIST.
If the church is to experience racial reconciliation it must be committed to the leadership of the Holy Spirit. This book is a call for racial reconciliation. It tells the story of race relations shrouded in church program activities, church planting and convention resolutions that cannot and has not changed the hearts of people. Our country and churches are as divided today as ever before.Most of the accounts presented in this book are personal experiences and observations in ministry for over 26 years in Alabama Baptist life but not exclusive. It is a story told for all the people of God everywhere at all times. Only when we commit to the Holy Spirit and the Lordship of Jesus Christ will true racial reconciliation take place according to 2 Corinthian, Chapter 5. Leaders are compromising and finding convenient systemic practices and excuses to avoid racial issues. It is apparent that the Gospel of love is not being practiced in congregations. My prayer is that through this resource leaders will be inspired and find freedom to practice the Gospel. Theologically, Jesus said that those who "seek his life shall lose it, but he that lose his life for ... His sake shall find it" (Matthews 16:25). Leaders will find several shared praxis to implement in small and large groups to lose their cultural, social, and economic trappings. In order to come together to be free to witness to a divided and hateful world, Jesus gave us the answer, and the answer is love. If we love one another our differences will disappear. We can embrace this new reality working together to bring about the kingdom of God on earth as it is in heaven.
His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. This biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story."--Jacket.
No matter what else was going on in his life or where he was--travelling to make movies for G.E., in the California governor's office, at the White House, or on Air Force One, and sometimes even from across the room--Ronald Reagan wrote letters to Nancy Reagan, to express his love, thoughts, and feelings, and to stay in touch. Through letters and reflections, the characters, personalities, and private lives of a president and his first lady are revealed. Nancy Reagan comments on the letters and writes with love and insight about her husband and the many phases of their life together.
Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself.
The study of learning and memory using Drosophila melanogaster has evolved across four broad areas of investigation: genetics, biochemistry/molecular biology, neuroanatomy, and systems neuroscience. Research into the genetics of learning and memory has revealed critical signaling pathways underlying memory formation, ranging from the centrality of cAMP signaling in memory acquisition to the roles of Rac and dopamine in forgetting. Biochemistry and molecular biology have characterized the molecular functions of these signaling pathways that regulate memory. Neuroanatomical studies have established the role of the mushroom body in the encoding and retrieval of memories and identified other components of the memory circuits. Finally, circuit- and systems-level analysis have revealed how multiple sets of neurons interact to generate the functional changes in circuits that encode memories. Here, we review the progress across these domains and provide an outlook for future contributions of Drosophila to the study of learning and memory.
John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford’s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity of his personality comes alive here through the eyes of his colleagues, friends, relatives, film critics, and the actors he worked with, including John Wayne, Henry Fonda, Maureen O’Hara, and Katharine Hepburn.
The first book-length biography of a theater icon South Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin’s own 1976 memoir to provide a complete picture of her life and career. Lively and engaging, Davis’s biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships—as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan. Born in Weatherford, Texas, and mother to the future actor Larry Hagman, Martin went to California after the failure of her first marriage. There, she auditioned for every studio without success. “Audition Mary” finally had her big break when she won a talent contest, leading to her breakthrough 1938 performance in Leave It to Me—in which she wowed audiences singing “My Heart Belongs to Daddy.” Davis traces Martin’s numerous appearances on Broadway, in touring productions, and on television, showing how—through hard work and persistent optimism—she built a career that lasted nearly fifty years and earned her the adoration and respect of fans and colleagues alike. Because Martin’s life was entwined with many luminaries of the stage, this biography offers rich insights into theater history, including accounts of how various productions were developed. No other book tells her story in such detail—it is must reading for fans and an essential resource for theater aficionados everywhere.
At fifteen, Linda Darnell left her Texas home and normal adolescence to live the Hollywood dream promoted by fan magazine and studio publicity offices. She appeared in dozens of films and won international acclaim for Blood and Sand (playing opposite Tyrone Power), Forever Amber, A Letter to Three Wives, and the original version of Unfaithfully Yours. Driven by a stage mother to become rich and Famous, but unable to cope with the career she had longed for as a child, Darnell soon was caught in a downward spiral of drinking, failed marriages, and exploitive relationships. By her early twenties she was an alcoholic, hardened by a life in which beautiful women were chattel, and by the time of her death at age forty- one, she was struggling for recognition in the industry that once had called her its "glory girl.” Hollywood Beauty begins in the Southwest during the Depression, when Pearl Darnell became obsessed by the glitter of the movie world that would dominate her children’s lives. We follow Linda’s path from her Texas childhood and first public success–during the state centennial, in 1936–through her contract work with Twentieth Century-Fox in the heyday of the big-studio system. Film historian Ronald L. Davis documents Darnell’s discovery and marriages, the adoption of her daughter, the marking of many well-known films, and her emotional difficulties, leading up to her tragic death by fire. This is the story of a native teenager from a dysfunctional middle-class family thrust into the golden age of Hollywood. Hollywood Beauty examines America’s public worship of movie stars and superficial success–its motives and consequences–and the addiction to escapism that this worship represents.
From the early day of mining in colonial Virginia and Maryland up to the time of World War II, blacks were an important part of the labor force in the coal industry. Yet in this, as in other enterprises, their role has heretofore been largely ignored. Now Roland L. Lewis redresses the balance in this comprehensive history of black coal miners in America. The experience of blacks in the industry has varied widely over time and by region, and the approach of this study is therefore more comparative than chronological. Its aim is to define the patterns of race relations that prevailed among the miners. Using this approach, Lewis finds five distractive systems of race relations. There was in the South before and after the Civil War a system of slavery and convict labor—an enforced servitude without legal compensation. This was succeeded by an exploitative system whereby the southern coal operators, using race as an excuse, paid lower wages to blacks and thus succeeded in depressing the entire wage scale. By contrast, in northern and midwestern mines, the pattern was to exclude blacks from the industry so that whites could control their jobs and their communities. In the central Appalachians, although blacks enjoyed greater social equality, the mine operators manipulated racial tensions to keep the work force divided and therefore weak. Finally, with the advent of mechanization, black laborers were displaced from the mines to such an extent that their presence in the coal fields in now nearly a thing of the past. By analyzing the ways race, class, and community shaped social relations in the coal fields, Black Coal Miners in America makes a major contribution to the understanding of regional, labor, social, and African-American history.
The exploration of our solar system by spacecraft has been one of the greatest scientific achievements of the twentieth century. The mapping of other worlds has resulted from numerous space missions by NASA, extending over many years. The data from these planetary missions have been synthesised by the US Geological Survey to produce detailed maps. Every planet, moon, or small body investigated in NASA missions is discussed and where appropriate mapped. Geological maps, reference maps, shaded relief maps, synthetic aperture radar mosaics and colour photomosaics marvellously present the features of planets and their satellites. This is truly a 'road map' of our solar system. All maps are fully indexed. The gazetteer lists the names of all features officially approved by the International Astronomical Union. The Compact NASA Atlas of the Solar System is the definitive reference atlas for planetary science.
Throughout the 1940s, Zachary Scott (1914-1965) was the model for sophisticated, debonair villains in American film. His best-known roles include a mysterious criminal in The Mask of Dimitrios and the indolent husband in Mildred Pierce. He garnered further acclaim for his portrayal of villains in Her Kind of Man, Danger Signal, and South of St. Louis. Although he earned critical praise for his performance as a heroic tenant farmer in Jean Renoir's The Southerner, Scott never quite escaped typecasting. In Zachary Scott: Hollywood's Sophisticated Cad, Ronald L. Davis writes an appealing biography of the film star. Scott grew up in privileged circumstances—his father was a distinguished physician; his grandfather was a pioneer cattle baron—and was expected to follow his father into medical practice. Instead, Scott began to pursue a career in theater while studying at the University of Texas and subsequently worked his way on a ship to England to pursue acting. Upon his return to America, he began to look for work in New York. Excelling on stage and screen throughout the 1940s, Scott seemed destined for stardom. By the end of 1950, however, he had suffered through a turbulent divorce. A rafting accident left him badly shaken and clinically depressed. His frustration over his roles mounted, and he began to drink heavily. He remarried and spent the rest of his career concentrating on stage and television work. Although Scott continued to perform occasionally in films, he never reclaimed the level of stardom that he had in the mid-1940s. To reconstruct Scott's life, Davis uses interviews with Scott and colleagues and reviews, articles, and archival correspondence from the Scott papers at the University of Texas and from the Warner Brothers Archives. The result is a portrait of a talented actor who was rarely allowed to show his versatility on the screen.
For the first time, readers are given insights into Hart's somewhat lonely and tragic personal life, his quarrels with exploitive studios, and his association with such latter-day frontier legends as Charles M. Russell, Bat Masterson, and Wyatt Earp, who regarded him as a kindred spirit.
Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s, he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films—A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age, she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade, even among co-workers who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny. With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this, he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916-2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story.
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