When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.
A tale of good and evil, of corruption and deceit, of prejudice, politics, and power, this compelling account scrutinizes the immensely lucrative Nevada gambling industry’s struggle to maintain legitimacy—or at least the appearance of it. Ronald A. Farrell and Carole Case tell how state regulators created the “Black Book” in the 1960s, a list of “notorious and unsavory” persons banned forever from owning, managing, or even entering casinos in the state. The regulators dramatically pursued and publicly denounced former lieutenants of Al Capone, alleged overlords of the American Mafia, nationally known professional gamblers, and major casino owners, as well as small-time bookies and hoods, reputed sports fixers, and gambling cheats. To date, thirty-eight names have been entered in the Black Book, including Sam Giancana, Anthony Spilotro, and Frank “Lefty” Rosenthal. Farrell and Case contend, however, that the denunciations were a melodrama, meant to show that the government was cleansing the city of corruption. Through the Black Book, the regulators focus public attention on “the Mob,” rather than on a multitude of competing criminal interests already in the gaming industry. The authors uncover evidence of ethnic discrimination by the regulators, including selective prosecution of Italian Americans whose notoriety fit popular Mafia stereotypes. The Black Book and the Mob records hearings of the regulatory commission and the voices of lawyers, government officials, casino owners, and the people named in the Black Book itself. This Las Vegas story is a rebuke to the gaming industry and a cautionary tale for many states and communities now weighing the legalization of casino gambling.
When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.
This is a revised and enlarged version of A Troubled Oasis: A Critical History of Palm Springs. The key chapter on the tragedy of the Section Fourteen so-called "urban holocaust," when minorities were evicted from the center of the city in the 1960s, has been dramatically updated in light of a tranche of new, revelatory documents published online by city officials in the spring of 2023. However, all of the chapters have been enriched by greater detail, new subjects, and deeper research, making this new edition practically a new book. A critical perspective has been maintained, eschewing the boosterism of traditional municipal histories. This comprehensive study should appeal to anyone who wants to know more about the history of Palm Springs, from the prehistoric times of the Agua Caliente Band of Cahuilla Indians to the present day.
Film noir is a particularly American stylistic phenomenon (although named by French film critics) that permeated nearly every major, minor and independent Hollywood studio production from 1940 through the early 1960s. The author examines the best noir film from each studio and includes each studio's history, a meticulous plot outline and information on the careers of each studio's star roster. He also comments on producers, directors, screenwriters, camera men, composers, art and set directors and presents stills that represent the noir style. The book also has a discussion of independent productions and the second best film noirs of major and minor studios.
This edition of Sean O'Casey's major plays is designed specifically for students and teachers. The plays are supported by a full introduction, covering O'Casey's career and critical responses to the plays, full notes and a bibliography.
John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford’s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity of his personality comes alive here through the eyes of his colleagues, friends, relatives, film critics, and the actors he worked with, including John Wayne, Henry Fonda, Maureen O’Hara, and Katharine Hepburn.
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